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French box office · Week 13 · Mar 26–Apr 1, 2017

French Box Office, Week 13 of 2017: French Releases of Mar 26–Apr 1

Cézanne et Moi (2017) is the highest-grossing French-language movie released in week 13 of 2017 (Mar 26–Apr 1), with $4.5M worldwide, ahead of Gangsterdam (2017) at $2.7M and Not on My Watch (2017) at $224.3K. 4 French-language films released that week report a worldwide gross, $7.7M in all, 4% of it from the US & Canada.

week 13 releases with a gross
4
combined worldwide
$7.7M
Cézanne et Moi (2017), the #1
$4.5M
earned in the US & Canada
4%
Cézanne et Moi (2017) movie poster #1 of 4
#1 French-language movie of Week 13, 2017

Cézanne et Moi (2017)

2017 · Biography, Drama

$4.5M worldwide · 59% of the chart's total

$257.6K US & Canada · 6% $4.3M elsewhere · 94%
Top 4

What Were the Biggest French Hits of Week 13 of 2017?

Cézanne et Moi (2017) leads with $4.5M, 59% of the total. The top 4 together took $7.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Cézanne et Moi (2017) movie poster Number 1
    $4.5M Cézanne et Moi (2017)
    $257.6K US & Canada · 6% $4.3M elsewhere · 94%
  2. Gangsterdam (2017) movie poster Number 2
    $2.7M Gangsterdam (2017)
    $954 US & Canada · <1% $2.7M elsewhere · 100%
  3. Not on My Watch (2017) movie poster Number 3
    $224.3K Not on My Watch (2017)
    No US & Canada figure reported
  4. The Death of Louis XIV (2017) movie poster Number 4
    $209.7K The Death of Louis XIV (2017)
    $43.6K US & Canada · 21% $166.1K elsewhere · 79%

US & Canada (domestic) Rest of the world

The chart

Every French Release of Week 13 of 2017, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2017 (Mar 26–Apr 1).

  1. 1 Cézanne et Moi (2017) movie poster
    Cézanne et Moi (2017) Mar 31, 2017 · Biography, Drama $4.5M worldwide
    Mar 31, 2017 US and Canada: $257.6K Rest of the world: $4.3M Worldwide: $4.5M
  2. 2 Gangsterdam (2017) movie poster
    Gangsterdam (2017) Mar 29, 2017 · Comedy, Action $2.7M worldwide
    Mar 29, 2017 US and Canada: $954 Rest of the world: $2.7M Worldwide: $2.7M
  3. 3 Not on My Watch (2017) movie poster
    Not on My Watch (2017) Mar 29, 2017 · Drama, Crime $224.3K worldwide
    Mar 29, 2017 US and Canada: – Rest of the world: – Worldwide: $224.3K
  4. 4 The Death of Louis XIV (2017) movie poster
    The Death of Louis XIV (2017) Mar 31, 2017 · Biography, Drama $209.7K worldwide
    Mar 31, 2017 US and Canada: $43.6K Rest of the world: $166.1K Worldwide: $209.7K
US & Canada vs the world

Where Did the Money Come From in Week 13 of 2017?

Of the top 4, The Death of Louis XIV (2017) earned the biggest share at home (21% in the US & Canada), while Gangsterdam (2017) made 100% of its gross abroad. Across all 4 films, $302.2K (4%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 Cézanne et Moi (2017) $4.5M
    $257.6K US & Canada · 6% $4.3M elsewhere · 94%
  2. 2 Gangsterdam (2017) $2.7M
    $954 US & Canada · <1% $2.7M elsewhere · 100%
  3. 3 Not on My Watch (2017) $224.3K
    No US & Canada figure reported
  4. 4 The Death of Louis XIV (2017) $209.7K
    $43.6K US & Canada · 21% $166.1K elsewhere · 79%
Earlier years

How Does Week 13 of 2017 Compare With Earlier Years?

Of these 10 years, Week 13, 2011 earned the most: $38.8M from 4 films, led by Potiche (2011). Week 13, 2017 took $7.7M.

Week Films Worldwide Change Biggest film
Week 13, 2008 Mar 23–29 1 film 1 $889K – A Simple Heart (2008) $889K
Week 13, 2009 Mar 22–28 1 film · −78% 1 $193.5K −78% Pardon My French (2009) $193.5K
Week 13, 2010 Mar 21–27 5 films · +17084% 5 $33.3M +17084% 22 Bullets (2010) $21.7M
Week 13, 2011 Mar 20–26 4 films · +17% 4 $38.8M +17% Potiche (2011) $32.3M
Week 13, 2012 Mar 25–31 1 film · −70% 1 $11.6M −70% Big is Beautiful (2012) $11.6M
Week 13, 2013 Mar 24–30 2 films · −24% 2 $8.9M −24% Renoir (2013) $7.8M
Week 13, 2014 Mar 23–29 1 film · −73% 1 $2.4M −73% Les Gazelles (2014) $2.4M
Week 13, 2015 Mar 22–28 1 film · −95% 1 $107.6K −95% The Kidnapping of Michel Houellebecq (2015) $107.6K
Week 13, 2016 Mar 20–26 2 films · +1768% 2 $2M +1768% A Mighty Team (2016) $1.5M
Week 13, 2017 Mar 26–Apr 1 4 films · +281% 4 $7.7M +281% Cézanne et Moi (2017) $4.5M
FAQ

French Box Office Week 13 of 2017: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing French-language movie in week 13 of 2017 (Mar 26–Apr 1)?

Cézanne et Moi (2017) leads with $4.5M worldwide, $257.6K of it in the US & Canada. Next come Gangsterdam (2017) at $2.7M and Not on My Watch (2017) at $224.3K.

How much did French-language movies released in week 13 of 2017 (Mar 26–Apr 1) earn?

4 French-language films released in week 13 of 2017 (Mar 26–Apr 1) report a worldwide gross, $7.7M in all, or $1.9M per film on average.

How many French-language movies released in week 13 of 2017 (Mar 26–Apr 1) made $1 billion?

None. The biggest, Cézanne et Moi (2017), earned $4.5M.

How much of the Week 13, 2017 French box office came from the US and Canada?

$302.2K of the $7.7M total, or 4%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 13, 2017 French box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2017 (Mar 26–Apr 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.

How often is the week 13, 2017 French box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.