#1 of 5 2025 · Comedy
$52M worldwide · 60% of the chart's total
The Roses (2025) is the highest-grossing English-language movie released in week 35 of 2025 (Aug 24–30), with $52M worldwide, ahead of Caught Stealing (2025) at $33.3M and Baby Assassins: Nice Days (2025) at $417.9K. 5 English-language films released that week report a worldwide gross, $86M in all, 40% of it from the US & Canada. That is 6.4 times the total of Week 34, 2025, whose releases took $13.4M. By genre, Comedy leads with $85.9M across 4 English releases.
#1 of 5 2025 · Comedy
$52M worldwide · 60% of the chart's total
The Roses (2025) leads with $52M, 60% of the total. The top 5 together took $86M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 35 of 2025 (Aug 24–30).
Aug 29, 2025 US and Canada: $15.3M Rest of the world: $36.7M Worldwide: $52M
Aug 29, 2025 US and Canada: $19M Rest of the world: $14.2M Worldwide: $33.3M
Aug 26, 2025 US and Canada: – Rest of the world: – Worldwide: $417.9K
Aug 29, 2025 US and Canada: $254.8K Rest of the world: Worldwide: $254.8K
Aug 27, 2025 US and Canada: – Rest of the world: – Worldwide: $112.8K Of the top 5, Love, Brooklyn (2025) earned the biggest share at home (100% in the US & Canada), while The Roses (2025) made 71% of its gross abroad. Across all 5 films, $34.6M (40%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 35 releases took $86M. The biggest of these 9 weeks is week 30 (Jul 20–26) with $525.8M, led by The Fantastic Four: First Steps (2025).
Of these 10 years, Week 35, 2016 earned the most: $299.8M from 15 films, led by Don't Breathe (2016). Week 35, 2025 took $86M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 35, 2016 Aug 21–27 15 films | 15 | $299.8M | – | Don't Breathe (2016) $157.8M |
| Week 35, 2017 Aug 27–Sep 2 11 films · −92% | 11 | $23.1M | −92% | Viceroy's House (2017) $11.6M |
| Week 35, 2018 Aug 26–Sep 1 17 films · +57% | 17 | $36.4M | +57% | Operation Finale (2018) $17.6M |
| Week 35, 2019 Aug 25–31 17 films · −23% | 17 | $28.1M | −23% | Official Secrets (2019) $10.1M |
| Week 35, 2020 Aug 23–29 17 films · +184% | 17 | $79.8M | +184% | The New Mutants (2020) $49.2M |
| Week 35, 2021 Aug 22–28 10 films · −2% | 10 | $78.2M | −2% | Candyman (2021) $77.4M |
| Week 35, 2022 Aug 21–27 8 films · −21% | 8 | $61.8M | −21% | The Invitation (2022) $38M |
| Week 35, 2023 Aug 27–Sep 2 17 films · +228% | 17 | $202.4M | +228% | The Equalizer 3 (2023) $191.1M |
| Week 35, 2024 Aug 25–31 16 films · −76% | 16 | $49.1M | −76% | Reagan (2024) $30.1M |
| Week 35, 2025 Aug 24–30 5 films · +75% | 5 | $86M | +75% | The Roses (2025) $52M |
51 weeks of 2025 with reported grosses; the biggest is week 51 (Dec 14–20) with $2.2B, led by Avatar: Fire and Ash (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Roses (2025) leads with $52M worldwide, $15.3M of it in the US & Canada. Next come Caught Stealing (2025) at $33.3M and Baby Assassins: Nice Days (2025) at $417.9K.
5 English-language films released in week 35 of 2025 (Aug 24–30) report a worldwide gross, $86M in all, or $17.2M per film on average. Week 34, 2025 releases took $13.4M.
None. The biggest, The Roses (2025), earned $52M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 35 of 2025 (Aug 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.