#1 of 6 2023 · Drama, Musical
$68.9M worldwide · 41% of the chart's total
The Color Purple (2023) is the highest-grossing English-language movie released in week 52 of 2023 (Dec 24–30), with $68.9M worldwide, ahead of The Boys in the Boat (2023) at $55.5M and Ferrari (2023) at $43.6M. 6 English-language films released that week report a worldwide gross, $170M in all, 78% of it from the US & Canada. That is down 84% on Week 51, 2023, whose releases took $1B. By genre, Drama leads with $168M across 3 English releases.
#1 of 6 2023 · Drama, Musical
$68.9M worldwide · 41% of the chart's total
The Color Purple (2023) leads with $68.9M, 41% of the total. The top 5 together took $169.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2023 (Dec 24–30).
Dec 25, 2023 US and Canada: $60.6M Rest of the world: $8.3M Worldwide: $68.9M
Dec 25, 2023 US and Canada: $52.6M Rest of the world: $2.9M Worldwide: $55.5M
Dec 25, 2023 US and Canada: $18.6M Rest of the world: $25.1M Worldwide: $43.6M
Dec 26, 2023 US and Canada: – Rest of the world: – Worldwide: $1M
Dec 25, 2023 US and Canada: – Rest of the world: – Worldwide: $802.5K
Dec 24, 2023 US and Canada: – Rest of the world: – Worldwide: $152.1K Of the top 6, The Boys in the Boat (2023) earned the biggest share at home (95% in the US & Canada), while Ferrari (2023) made 57% of its gross abroad. Across all 6 films, $131.8M (78%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 52 releases took $170M. The biggest of these 9 weeks is week 51 (Dec 17–23) with $1B, led by Aquaman And The Lost Kingdom (2023).
Of these 10 years, Week 52, 2015 earned the most: $1.2B from 10 films, led by The Revenant (2015). Week 52, 2023 took $170M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 2014 Dec 21–27 6 films | 6 | $1B | – | American Sniper (2014) $547.7M |
| Week 52, 2015 Dec 20–26 10 films · +20% | 10 | $1.2B | +20% | The Revenant (2015) $533M |
| Week 52, 2016 Dec 18–24 9 films · −35% | 9 | $807.1M | −35% | Passengers (2016) $303.1M |
| Week 52, 2017 Dec 24–30 8 films · −79% | 8 | $173M | −79% | Molly's Game (2017) $59.3M |
| Week 52, 2018 Dec 23–29 8 films · +8% | 8 | $186.2M | +8% | Vice (2018) $76.1M |
| Week 52, 2019 Dec 22–28 8 films · +439% | 8 | $1B | +439% | 1917 (2019) $446.1M |
| Week 52, 2020 Dec 20–26 6 films · −68% | 6 | $323.4M | −68% | Wonder Woman 1984 (2020) $169.6M |
| Week 52, 2021 Dec 19–25 7 films · +124% | 7 | $725.4M | +124% | Sing 2 (2021) $408.4M |
| Week 52, 2022 Dec 18–24 10 films · −13% | 10 | $629M | −13% | Puss in Boots: The Last Wish (2022) $480.5M |
| Week 52, 2023 Dec 24–30 6 films · −73% | 6 | $170M | −73% | The Color Purple (2023) $68.9M |
52 weeks of 2023 with reported grosses; the biggest is week 29 (Jul 16–22) with $2.5B, led by Barbie (2023).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Color Purple (2023) leads with $68.9M worldwide, $60.6M of it in the US & Canada. Next come The Boys in the Boat (2023) at $55.5M and Ferrari (2023) at $43.6M.
6 English-language films released in week 52 of 2023 (Dec 24–30) report a worldwide gross, $170M in all, or $28.3M per film on average. Week 51, 2023 releases took $1B.
None. The biggest, The Color Purple (2023), earned $68.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2023 (Dec 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.