#1 of 6 1983 · Biography, Drama
$35.6M worldwide · 31% of the chart's total
Silkwood (1983) is the highest-grossing English-language movie released in week 51 of 1983 (Dec 11–17), with $35.6M worldwide, ahead of Uncommon Valor (1983) at $30.5M and D.C. Cab (1983) at $16.1M. 6 English-language films released that week report a worldwide gross, $115.4M in all, 100% of it from the US & Canada. That is up 21% on Week 50, 1983, whose releases took $95.5M. By genre, Drama leads with $82M across 3 English releases.
#1 of 6 1983 · Biography, Drama
$35.6M worldwide · 31% of the chart's total
Silkwood (1983) leads with $35.6M, 31% of the total. The top 5 together took $111.1M, 96% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 51 of 1983 (Dec 11–17).
Dec 14, 1983 US and Canada: $35.6M Rest of the world: $1.4K Worldwide: $35.6M
Dec 16, 1983 US and Canada: $30.5M Rest of the world: Worldwide: $30.5M
Dec 16, 1983 US and Canada: $16.1M Rest of the world: Worldwide: $16.1M
Dec 16, 1983 US and Canada: $15.9M Rest of the world: Worldwide: $15.9M
Dec 16, 1983 US and Canada: $13M Rest of the world: Worldwide: $13M
Dec 16, 1983 US and Canada: $4.2M Rest of the world: $836 Worldwide: $4.2M Of the top 6, Uncommon Valor (1983) earned the biggest share at home (100% in the US & Canada), while The Keep (1983) made <1% of its gross abroad. Across all 6 films, $115.4M (100%) came from the US & Canada.
Week 51 releases took $115.4M. The biggest of these 9 weeks is week 51 (Dec 11–17) with $115.4M, led by Silkwood (1983).
Of these 10 years, Week 51, 1979 earned the most: $286.1M from 8 films, led by Kramer vs. Kramer (1979). Week 51, 1983 took $115.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 51, 1974 Dec 15–21 4 films | 4 | $223.3M | – | The Towering Inferno (1974) $116M |
| Week 51, 1975 Dec 14–20 2 films · −100% | 2 | $296.6K | −100% | Barry Lyndon (1975) $283.9K |
| Week 51, 1976 Dec 12–18 3 films · +56019% | 3 | $166.4M | +56019% | A Star Is Born (1976) $80M |
| Week 51, 1977 Dec 11–17 2 films · +43% | 2 | $237.3M | +43% | Saturday Night Fever (1977) $237.1M |
| Week 51, 1978 Dec 17–23 5 films · −44% | 5 | $133.4M | −44% | Every Which Way But Loose (1978) $85.2M |
| Week 51, 1979 Dec 16–22 8 films · +114% | 8 | $286.1M | +114% | Kramer vs. Kramer (1979) $106.3M |
| Week 51, 1980 Dec 14–20 5 films · −11% | 5 | $254M | −11% | 9 to 5 (1980) $103.3M |
| Week 51, 1981 Dec 13–19 5 films · −48% | 5 | $131.8M | −48% | Absence of Malice (1981) $40.7M |
| Week 51, 1982 Dec 12–18 7 films · +111% | 7 | $277.7M | +111% | Tootsie (1982) $177.2M |
| Week 51, 1983 Dec 11–17 6 films · −58% | 6 | $115.4M | −58% | Silkwood (1983) $35.6M |
48 weeks of 1983 with reported grosses; the biggest is week 22 (May 22–28) with $488.6M, led by Star Wars: Episode VI - Return of the Jedi (1983).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Silkwood (1983) leads with $35.6M worldwide, $35.6M of it in the US & Canada. Next come Uncommon Valor (1983) at $30.5M and D.C. Cab (1983) at $16.1M.
6 English-language films released in week 51 of 1983 (Dec 11–17) report a worldwide gross, $115.4M in all, or $19.2M per film on average. Week 50, 1983 releases took $95.5M.
None. The biggest, Silkwood (1983), earned $35.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 51 of 1983 (Dec 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.