#1 of 4 Richard Pryor: Live on the Sunset Strip (1982)
1982 · Comedy, Documentary
$36.3M worldwide · 71% of the chart's total
Richard Pryor: Live on the Sunset Strip (1982) is the highest-grossing English-language movie released in week 11 of 1982 (Mar 7–13), with $36.3M worldwide, ahead of Missing (1982) at $14M and The Weavers: Wasn’t That a Time (1982) at $524.2K. 4 English-language films released that week report a worldwide gross, $50.8M in all, 100% of it from the US & Canada.
#1 of 4 Richard Pryor: Live on the Sunset Strip (1982)
1982 · Comedy, Documentary
$36.3M worldwide · 71% of the chart's total
Richard Pryor: Live on the Sunset Strip (1982) leads with $36.3M, 71% of the total. The top 4 together took $50.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 1982 (Mar 7–13).
Mar 12, 1982 US and Canada: $36.3M Rest of the world: Worldwide: $36.3M
Mar 12, 1982 US and Canada: $14M Rest of the world: Worldwide: $14M
Mar 7, 1982 US and Canada: $524.2K Rest of the world: Worldwide: $524.2K
Mar 12, 1982 US and Canada: – Rest of the world: – Worldwide: $2.3K Of the top 4, Richard Pryor: Live on the Sunset Strip (1982) earned the biggest share at home (100% in the US & Canada), while The Weavers: Wasn’t That a Time (1982) made 0% of its gross abroad. Across all 4 films, $50.8M (100%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 11 releases took $50.8M. The biggest of these 9 weeks is week 11 (Mar 7–13) with $50.8M, led by Richard Pryor: Live on the Sunset Strip (1982).
Of these 10 years, Week 11, 1979 earned the most: $109.9M from 4 films, led by The China Syndrome (1979). Week 11, 1982 took $50.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 1973 Mar 11–17 No films | 0 | – | – | – |
| Week 11, 1974 Mar 10–16 No films | 0 | – | – | – |
| Week 11, 1975 Mar 9–15 2 films | 2 | $70.1M | – | Shampoo (1975) $49.4M |
| Week 11, 1976 Mar 7–13 No films | 0 | – | – | – |
| Week 11, 1977 Mar 6–12 3 films | 3 | $22.2M | – | Black Sunday (1977) $15.8M |
| Week 11, 1978 Mar 12–18 3 films · +108% | 3 | $46.3M | +108% | House Calls (1978) $28.5M |
| Week 11, 1979 Mar 11–17 4 films · +137% | 4 | $109.9M | +137% | The China Syndrome (1979) $51.7M |
| Week 11, 1980 Mar 9–15 1 film · −99% | 1 | $766.8K | −99% | A Small Circle of Friends (1980) $766.8K |
| Week 11, 1981 Mar 8–14 3 films · +2842% | 3 | $22.6M | +2842% | Back Roads (1981) $11.8M |
| Week 11, 1982 Mar 7–13 4 films · +125% | 4 | $50.8M | +125% | Richard Pryor: Live on the Sunset Strip (1982) $36.3M |
47 weeks of 1982 with reported grosses; the biggest is week 51 (Dec 12–18) with $277.7M, led by Tootsie (1982).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
Richard Pryor: Live on the Sunset Strip (1982) leads with $36.3M worldwide, $36.3M of it in the US & Canada. Next come Missing (1982) at $14M and The Weavers: Wasn’t That a Time (1982) at $524.2K.
4 English-language films released in week 11 of 1982 (Mar 7–13) report a worldwide gross, $50.8M in all, or $12.7M per film on average.
None. The biggest, Richard Pryor: Live on the Sunset Strip (1982), earned $36.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 1982 (Mar 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.