#1 of 31 2016 · Drama, Mystery
$173.2M worldwide · 25% of the chart's total
The Girl on the Train (2016) is the highest-grossing thriller movie released in October 2016, with $173.2M worldwide, ahead of Jack Reacher: Never Go Back (2016) at $162.1M and The Accountant (2016) at $155.6M. 31 thriller films released in October 2016 report a worldwide gross, $688.6M in all, 38% of it from the US & Canada. 3 films crossed $100 million; none reached $1 billion. That is up 40% on September 2016, whose releases took $490.9M. By language, English leads with $401.5M across 11 thriller releases.
#1 of 31 2016 · Drama, Mystery
$173.2M worldwide · 25% of the chart's total
The Girl on the Train (2016) leads with $173.2M, 25% of the total. The top 5 together took $610.5M, 89% of what all 31 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in October 2016.
Oct 7, 2016 US and Canada: $75.4M Rest of the world: $97.8M Worldwide: $173.2M
Oct 14, 2016 US and Canada: $86.3M Rest of the world: $69.3M Worldwide: $155.6M
Oct 21, 2016 US and Canada: $35.1M Rest of the world: $46.6M Worldwide: $81.7M
Oct 21, 2016 US and Canada: $2M Rest of the world: $35.9M Worldwide: $37.9M
Oct 7, 2016 US and Canada: $175.7K Rest of the world: $18.1M Worldwide: $18.3M
Oct 28, 2016 US and Canada: – Rest of the world: – Worldwide: $12.1M
Oct 8, 2016 US and Canada: – Rest of the world: – Worldwide: $11.8M
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $5.1M
Oct 14, 2016 US and Canada: $2M Rest of the world: $2.9M Worldwide: $4.9M
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $1.7M
Oct 6, 2016 US and Canada: – Rest of the world: – Worldwide: $1.3M
Oct 7, 2016 US and Canada: – Rest of the world: – Worldwide: $859.3K
Oct 21, 2016 US and Canada: $779.8K Rest of the world: $70.6K Worldwide: $850.4K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $687K
Oct 19, 2016 US and Canada: – Rest of the world: – Worldwide: $259.1K
Oct 28, 2016 US and Canada: – Rest of the world: – Worldwide: $258.8K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $211K
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $153.6K
Oct 21, 2016 US and Canada: $134.2K Rest of the world: Worldwide: $134.2K
Oct 7, 2016 US and Canada: $31.9K Rest of the world: $101.4K Worldwide: $133.3K
Oct 8, 2016 US and Canada: – Rest of the world: – Worldwide: $127.8K
Oct 21, 2016 US and Canada: – Rest of the world: – Worldwide: $109.1K
Oct 7, 2016 US and Canada: $45.9K Rest of the world: $21.5K Worldwide: $67.4K
Oct 28, 2016 US and Canada: – Rest of the world: – Worldwide: $41.7K
Oct 14, 2016 US and Canada: $2K Rest of the world: $16.4K Worldwide: $18.5K
Oct 18, 2016 US and Canada: – Rest of the world: – Worldwide: $10.4K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $7.9K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $6K
Oct 17, 2016 US and Canada: – Rest of the world: – Worldwide: $13 Of the top 10, The Accountant (2016) earned the biggest share at home (55% in the US & Canada), while Asura: The City of Madness (2016) made 99% of its gross abroad. Across all 31 films, $260.7M (38%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
3 of 31 films crossed $100M and took $490.9M between them, 71% of the total. 22 films, 71% of the list, earned under $10M.
Films released in week 43 (Oct 16–22) took $290M, led by Jack Reacher: Never Go Back (2016). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, October 2013 earned the most: $1.3B from 26 films, led by Gravity (2013). October 2016 took $688.6M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| October 2007 33 films | 33 | $532.9M | – | Saw IV (2007) $139.4M |
| October 2008 27 films · +10% | 27 | $584.8M | +10% | Body of Lies (2008) $115.9M |
| October 2009 24 films · −44% | 24 | $325.5M | −44% | Law Abiding Citizen (2009) $127.9M |
| October 2010 30 films · +49% | 30 | $484.7M | +49% | Saw 3D (2010) $136.2M |
| October 2011 24 films · −46% | 24 | $262.7M | −46% | In Time (2011) $173.9M |
| October 2012 20 films · +123% | 20 | $586.3M | +123% | Taken 2 (2012) $376.2M |
| October 2013 26 films · +117% | 26 | $1.3B | +117% | Gravity (2013) $723.8M |
| October 2014 33 films · −42% | 33 | $731.8M | −42% | Gone Girl (2014) $370.9M |
| October 2015 34 films · −57% | 34 | $313.3M | −57% | Bridge of Spies (2015) $165.5M |
| October 2016 31 films · +120% | 31 | $688.6M | +120% | The Girl on the Train (2016) $173.2M |
English-language thriller films took $401.5M across 11 films, 58% of the total, ahead of Korean-language thriller films ($56.2M) and Japanese-language thriller films ($35.9M).
The months of 2016 with their totals: May leads with $1.5B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 31 films as the chart.
The Girl on the Train (2016) leads with $173.2M worldwide, $75.4M of it in the US & Canada. Next come Jack Reacher: Never Go Back (2016) at $162.1M and The Accountant (2016) at $155.6M.
31 thriller films released in October 2016 report a worldwide gross, $688.6M in all, or $22.2M per film on average. September 2016 releases took $490.9M.
None. 3 films crossed $100 million, led by The Girl on the Train (2016) with $173.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in October 2016. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.