#1 of 4 #1 thriller movie of Week 34, 2002
2002 · Drama, Thriller
$52.2M worldwide · 92% of the chart's total
$31.6M US & Canada · 61% $20.6M elsewhere · 39%
Thriller box office · Week 34 · Aug 18–24, 2002
Thriller Box Office, Week 34 of 2002: Thriller Releases of Aug 18–24
One Hour Photo (2002) is the highest-grossing thriller movie released in week 34 of 2002 (Aug 18–24), with $52.2M worldwide, ahead of Box 507 (2002) at $2.1M and How I Killed My Father (2002) at $1.8M. 4 thriller films released that week report a worldwide gross, $56.6M in all, 56% of it from the US & Canada.
- week 34 releases with a gross
- 4
- combined worldwide
- $56.6M
- One Hour Photo (2002), the #1
- $52.2M
- earned in the US & Canada
- 56%
#1 of 4 Top 4
What Were the Biggest Thriller Hits of Week 34 of 2002?
One Hour Photo (2002) leads with $52.2M, 92% of the total. The top 4 together took $56.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 34 of 2002, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 2002 (Aug 18–24).
- 1 Aug 21, 2002 US and Canada: $31.6M Rest of the world: $20.6M Worldwide: $52.2M
- 2 Aug 23, 2002 US and Canada: – Rest of the world: – Worldwide: $2.1M
- 3 Aug 23, 2002 US and Canada: $145.4K Rest of the world: $1.7M Worldwide: $1.8M
- 4 Aug 23, 2002 US and Canada: – Rest of the world: – Worldwide: $489.1K
Weeks around it
How Does Week 34 Compare With the Weeks Around It?
Week 34 releases took $56.6M. The biggest of these 9 weeks is week 31 (Jul 28–Aug 3) with $408.2M, led by Signs (2002).
- Week 28 Wk 28 Jul 7–13 Road to Perdition (2002) $301M Road to Perdition (2002)
- Week 29 Wk 29 Jul 14–20 K-19: The Widowmaker (2002) $111.8M K-19: The Widowmaker (2002)
- Week 30 Wk 30 Jul 21–27 Phone (2002) $28.8M Phone (2002)
- Week 31 Wk 31 Jul 28–Aug 3 Signs (2002) $408.2M Signs (2002)
- Week 32 Wk 32 Aug 4–10 xXx (2002) $310.1M xXx (2002)
- Week 33 Wk 33 Aug 11–17 Jaani Dushman: Ek Anokhi Kahani (2002) $1.4M Jaani Dushman: Ek Anokhi Kahani (2002)
- Week 34 Wk 34 Aug 18–24 One Hour Photo (2002) $56.6M One Hour Photo (2002)
- Week 35 Wk 35 Aug 25–31 FeardotCom (2002) $19.6M FeardotCom (2002)
- Week 36 Wk 36 Sep 1–7 Swimfan (2002) $70.3M Swimfan (2002)
Earlier years
How Does Week 34 of 2002 Compare With Earlier Years?
Of these 10 years, Week 34, 1998 earned the most: $131.2M from 1 film, led by Blade (1998). Week 34, 2002 took $56.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 1993 Aug 15–21 1 film | 1 | $74.2M | – | Hard Target (1993) $74.2M |
| Week 34, 1994 Aug 14–20 1 film · −73% | 1 | $19.7M | −73% | Color of Night (1994) $19.7M |
| Week 34, 1995 Aug 20–26 1 film · +29% | 1 | $25.4M | +29% | Desperado (1995) $25.4M |
| Week 34, 1996 Aug 18–24 4 films · +118% | 4 | $55.3M | +118% | The Island of Dr. Moreau (1996) $49.6M |
| Week 34, 1997 Aug 17–23 1 film · −96% | 1 | $1.9M | −96% | Masterminds (1997) $1.9M |
| Week 34, 1998 Aug 16–22 1 film · +6679% | 1 | $131.2M | +6679% | Blade (1998) $131.2M |
| Week 34, 1999 Aug 15–21 1 film · −93% | 1 | $9M | −93% | Teaching Mrs. Tingle (1999) $9M |
| Week 34, 2000 Aug 13–19 2 films · +1208% | 2 | $117.1M | +1208% | The Cell (2000) $104.2M |
| Week 34, 2001 Aug 19–25 1 film · −100% | 1 | $39K | −100% | Soul Assassin (2001) $39K |
| Week 34, 2002 Aug 18–24 4 films · +145134% | 4 | $56.6M | +145134% | One Hour Photo (2002) $52.2M |
Archive
Thriller Box Office in 2002, Week by Week
51 weeks of 2002 with reported grosses; the biggest is week 47 (Nov 17–23) with $459.6M, led by Die Another Day (2002).
- Week 1 $15.3M
- Week 2 $790.1K
- Week 3 $595.2K
- Week 4 $55.3M
- Week 5 $16.2M
- Week 6 $82M
- Week 7 $103.7M
- Week 8 $52.3M
- Week 9 No grosses
- Week 10 $26.5M
- Week 11 $347.1K
- Week 12 $158.5M
- Week 13 $245.8M
- Week 14 $72.3M
- Week 15 $114.6M
- Week 16 $240.9M
- Week 17 $2.1M
- Week 18 No grosses
- Week 19 $134.6M
- Week 20 $2M
- Week 21 $166.4M
- Week 22 $193.9M
- Week 23 $67.8M
- Week 24 $215.6M
- Week 25 $358.5M
- Week 26 $56.7K
- Week 27 $5.4M
- Week 28 $301M
- Week 29 $111.8M
- Week 30 $28.8M
- Week 31 $408.2M
- Week 32 $310.1M
- Week 33 $1.4M
- Week 34 $56.6M
- Week 35 $19.6M
- Week 36 $70.3M
- Week 37 $1.4M
- Week 38 $47.4M
- Week 39 $115.3M
- Week 40 $214.7M
- Week 41 $73.5M
- Week 42 $261.7M
- Week 43 $80.9M
- Week 44 $66.1M
- Week 45 $19M
- Week 46 $20.4M
- Week 47 $459.6M
- Week 48 $27.4M
- Week 49 $24M
- Week 50 $69.2M
- Week 51 $21.2M
- Week 52 $438.2K
- Week 53 $33M
FAQ
Thriller Box Office Week 34 of 2002: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing thriller movie in week 34 of 2002 (Aug 18–24)?
One Hour Photo (2002) leads with $52.2M worldwide, $31.6M of it in the US & Canada. Next come Box 507 (2002) at $2.1M and How I Killed My Father (2002) at $1.8M.
How much did thriller movies released in week 34 of 2002 (Aug 18–24) earn?
4 thriller films released in week 34 of 2002 (Aug 18–24) report a worldwide gross, $56.6M in all, or $14.1M per film on average.
How many thriller movies released in week 34 of 2002 (Aug 18–24) made $1 billion?
None. The biggest, One Hour Photo (2002), earned $52.2M.
How is the week 34, 2002 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 2002 (Aug 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 34, 2002 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.