#1 of 7 1996 · Action, Adventure
$494.6M worldwide · 49% of the chart's total
Twister (1996) is the highest-grossing thriller movie released in May 1996, with $494.6M worldwide, ahead of Mission: Impossible (1996) at $457.7M and The Craft (1996) at $24.8M. 7 thriller films released in May 1996 report a worldwide gross, $999.9M in all, 47% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 5.4 times the total of April 1996, whose releases took $185.5M. By language, English leads with $985.8M across 5 thriller releases.
#1 of 7 1996 · Action, Adventure
$494.6M worldwide · 49% of the chart's total
Twister (1996) leads with $494.6M, 49% of the total. The top 5 together took $996.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in May 1996.
May 10, 1996 US and Canada: $241.8M Rest of the world: $252.8M Worldwide: $494.6M
May 22, 1996 US and Canada: $181M Rest of the world: $276.7M Worldwide: $457.7M
May 3, 1996 US and Canada: $24.8M Rest of the world: $5.9K Worldwide: $24.8M
May 31, 1996 US and Canada: $14.1M Rest of the world: Worldwide: $14.1M
May 17, 1996 US and Canada: $5M Rest of the world: Worldwide: $5M
May 10, 1996 US and Canada: $3.7M Rest of the world: Worldwide: $3.7M
May 9, 1996 US and Canada: – Rest of the world: – Worldwide: $184 Of the top 7, The Arrival (1996) earned the biggest share at home (100% in the US & Canada), while Mission: Impossible (1996) made 60% of its gross abroad. Across all 7 films, $470.4M (47%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Films released in week 19 (May 5–11) took $498.3M, led by Twister (1996). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, May 1996 earned the most: $999.9M from 7 films, led by Twister (1996).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| May 1987 2 films | 2 | $303M | – | Beverly Hills Cop II (1987) $300M |
| May 1988 7 films · −27% | 7 | $221.8M | −27% | Rambo III (1988) $189M |
| May 1989 2 films · −86% | 2 | $30.2M | −86% | Road House (1989) $30.1M |
| May 1990 1 film · −46% | 1 | $16.3M | −46% | Tales from the Darkside: The Movie (1990) $16.3M |
| May 1991 7 films · +1397% | 7 | $244.4M | +1397% | Backdraft (1991) $152.4M |
| May 1992 6 films · +100% | 6 | $489.8M | +100% | Lethal Weapon 3 (1992) $321.7M |
| May 1993 2 films · −24% | 2 | $371.3M | −24% | Cliffhanger (1993) $255M |
| May 1994 5 films · −18% | 5 | $302.7M | −18% | Maverick (1994) $183M |
| May 1995 5 films · +81% | 5 | $549.1M | +81% | Die Hard: With a Vengeance (1995) $366.1M |
| May 1996 7 films · +82% | 7 | $999.9M | +82% | Twister (1996) $494.6M |
The months of 1996 with their totals: May leads with $999.9M, led by Twister (1996).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Twister (1996) leads with $494.6M worldwide, $241.8M of it in the US & Canada. Next come Mission: Impossible (1996) at $457.7M and The Craft (1996) at $24.8M.
7 thriller films released in May 1996 report a worldwide gross, $999.9M in all, or $142.8M per film on average. April 1996 releases took $185.5M.
None. 2 films crossed $100 million, led by Twister (1996) with $494.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in May 1996. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.