#1 of 9 2019 · Fantasy, Comedy
$72.2M worldwide · 61% of the chart's total
What Men Want (2019) is the highest-grossing romance movie released in week 6 of 2019 (Feb 3–9), with $72.2M worldwide, ahead of I Want to Eat Your Pancreas (2019) at $33.7M and Planet Single 3 (2019) at $7.9M. 9 romance films released that week report a worldwide gross, $117.5M in all, 47% of it from the US & Canada. That is 5.4 times the total of Week 5, 2019, whose releases took $21.7M. By language, English leads with $72.4M across 3 romance releases.
#1 of 9 2019 · Fantasy, Comedy
$72.2M worldwide · 61% of the chart's total
What Men Want (2019) leads with $72.2M, 61% of the total. The top 5 together took $116.7M, 99% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2019 (Feb 3–9).
Feb 8, 2019 US and Canada: $54.6M Rest of the world: $17.6M Worldwide: $72.2M
Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $7.9M
Feb 7, 2019 US and Canada: – Rest of the world: – Worldwide: $1.3M
Feb 7, 2019 US and Canada: – Rest of the world: – Worldwide: $440.5K
Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $163.9K
Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $159.6K
Feb 8, 2019 US and Canada: $6.3K Rest of the world: Worldwide: $6.3K Of the top 9, Under the Eiffel Tower (2019) earned the biggest share at home (100% in the US & Canada), while I Want to Eat Your Pancreas (2019) made 99% of its gross abroad. Across all 9 films, $54.9M (47%) came from the US & Canada. 6 films of the top 9 report no US & Canada figure.
Week 6 releases took $117.5M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $466.3M, led by Alita: Battle Angel (2019).
Of these 10 years, Week 6, 2017 earned the most: $396M from 3 films, led by Fifty Shades Darker (2017). Week 6, 2019 took $117.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2010 Jan 31–Feb 6 4 films | 4 | $118.1M | – | Dear John (2010) $115M |
| Week 6, 2011 Jan 30–Feb 5 4 films · −80% | 4 | $23.8M | −80% | Love Likes Coincidences (2011) $13.6M |
| Week 6, 2012 Feb 5–11 7 films · +795% | 7 | $213M | +795% | The Vow (2012) $196.1M |
| Week 6, 2013 Feb 3–9 6 films · −94% | 6 | $12.4M | −94% | Ruby Red (2013) $5.5M |
| Week 6, 2014 Feb 2–8 2 films · +23% | 2 | $15.3M | +23% | Some Like It Cold (2014) $8.4M |
| Week 6, 2015 Feb 1–7 7 films · +100% | 7 | $30.6M | +100% | Love, Rosie (2015) $25.6M |
| Week 6, 2016 Jan 31–Feb 6 7 films · +65% | 7 | $50.6M | +65% | The Choice (2016) $23.1M |
| Week 6, 2017 Feb 5–11 3 films · +683% | 3 | $396M | +683% | Fifty Shades Darker (2017) $381.5M |
| Week 6, 2018 Feb 4–10 4 films · −3% | 4 | $383.1M | −3% | Fifty Shades Freed (2018) $372M |
| Week 6, 2019 Feb 3–9 9 films · −69% | 9 | $117.5M | −69% | What Men Want (2019) $72.2M |
English-language romance films took $72.4M across 3 films, 62% of the total, ahead of Japanese-language romance films ($33.7M) and Polish-language romance films ($7.9M).
53 weeks of 2019 with reported grosses; the biggest is week 21 (May 19–25) with $1.1B, led by Aladdin (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
What Men Want (2019) leads with $72.2M worldwide, $54.6M of it in the US & Canada. Next come I Want to Eat Your Pancreas (2019) at $33.7M and Planet Single 3 (2019) at $7.9M.
9 romance films released in week 6 of 2019 (Feb 3–9) report a worldwide gross, $117.5M in all, or $13.1M per film on average. Week 5, 2019 releases took $21.7M.
None. The biggest, What Men Want (2019), earned $72.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2019 (Feb 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.