#1 of 9 2017 · Biography, Drama
$469.1M worldwide · 99% of the chart's total
The Greatest Showman (2017) is the highest-grossing romance movie released in week 51 of 2017 (Dec 17–23), with $469.1M worldwide, ahead of Hot Sweet Sour (2017) at $1.6M and Revenge Girl (2017) at $1.3M. 9 romance films released that week report a worldwide gross, $472.4M in all, 37% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 88% on Week 50, 2017, whose releases took $251.6M. By language, English leads with $469.1M across 1 romance release.
#1 of 9 2017 · Biography, Drama
$469.1M worldwide · 99% of the chart's total
The Greatest Showman (2017) leads with $469.1M, 99% of the total. The top 5 together took $472.3M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 51 of 2017 (Dec 17–23).
Dec 20, 2017 US and Canada: $174.3M Rest of the world: $294.7M Worldwide: $469.1M
Dec 22, 2017 US and Canada: – Rest of the world: – Worldwide: $1.6M
Dec 23, 2017 US and Canada: – Rest of the world: – Worldwide: $1.3M
Dec 22, 2017 US and Canada: – Rest of the world: – Worldwide: $200K
Dec 22, 2017 US and Canada: – Rest of the world: – Worldwide: $152K
Dec 21, 2017 US and Canada: – Rest of the world: – Worldwide: $56.9K
Dec 22, 2017 US and Canada: – Rest of the world: – Worldwide: $22.3K
Dec 22, 2017 US and Canada: – Rest of the world: – Worldwide: $17.6K
Dec 20, 2017 US and Canada: – Rest of the world: – Worldwide: $5.2K Week 51 releases took $472.4M. The biggest of these 9 weeks is week 51 (Dec 17–23) with $472.4M, led by The Greatest Showman (2017).
Of these 10 years, Week 51, 2017 earned the most: $472.4M from 9 films, led by The Greatest Showman (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 51, 2008 Dec 14–20 4 films | 4 | $271.9M | – | Yes Man (2008) $223.2M |
| Week 51, 2009 Dec 13–19 4 films · −21% | 4 | $215.9M | −21% | Did You Hear About the Morgans? (2009) $85.3M |
| Week 51, 2010 Dec 12–18 4 films · −73% | 4 | $58.4M | −73% | How Do You Know (2010) $48.7M |
| Week 51, 2011 Dec 11–17 2 films · −100% | 2 | $219.9K | −100% | Lovemakers (2011) $179.2K |
| Week 51, 2012 Dec 16–22 5 films · +23886% | 5 | $52.7M | +23886% | Amour (2012) $29.7M |
| Week 51, 2013 Dec 15–21 7 films · +4% | 7 | $54.6M | +4% | Her (2013) $48.3M |
| Week 51, 2014 Dec 14–20 2 films · +88% | 2 | $102.8M | +88% | PK (2014) $100.4M |
| Week 51, 2015 Dec 13–19 2 films · −89% | 2 | $11.4M | −89% | Bajirao Mastani (2015) $11.4M |
| Week 51, 2016 Dec 11–17 7 films · +855% | 7 | $108.9M | +855% | Collateral Beauty (2016) $88.6M |
| Week 51, 2017 Dec 17–23 9 films · +334% | 9 | $472.4M | +334% | The Greatest Showman (2017) $469.1M |
English-language romance films took $469.1M across 1 film, 99% of the total, ahead of Turkish-language romance films ($1.8M) and Japanese-language romance films ($1.3M).
52 weeks of 2017 with reported grosses; the biggest is week 11 (Mar 12–18) with $1.3B, led by Beauty and the Beast (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
The Greatest Showman (2017) leads with $469.1M worldwide, $174.3M of it in the US & Canada. Next come Hot Sweet Sour (2017) at $1.6M and Revenge Girl (2017) at $1.3M.
9 romance films released in week 51 of 2017 (Dec 17–23) report a worldwide gross, $472.4M in all, or $52.5M per film on average. Week 50, 2017 releases took $251.6M.
None. 1 film crossed $100 million, led by The Greatest Showman (2017) with $469.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 51 of 2017 (Dec 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.