#1 of 3 #1 romance movie of Week 32, 2016
2016 · Drama, Romance
$22.8M worldwide · 98% of the chart's total
$34.3K US & Canada · <1% $22.8M elsewhere · 100%
Romance box office · Week 32 · Jul 31–Aug 6, 2016
Romance Box Office, Week 32 of 2016: Romance Releases of Jul 31–Aug 6
Sweet Sixteen (2016) is the highest-grossing romance movie released in week 32 of 2016 (Jul 31–Aug 6), with $22.8M worldwide, ahead of Desire (2016) at $442.5K and Front Cover (2016) at $26.4K. 3 romance films released that week report a worldwide gross, $23.3M in all, <1% of it from the US & Canada.
- week 32 releases with a gross
- 3
- combined worldwide
- $23.3M
- Sweet Sixteen (2016), the #1
- $22.8M
- earned in the US & Canada
- <1%
#1 of 3 Top 3
What Were the Biggest Romance Hits of Week 32 of 2016?
Sweet Sixteen (2016) leads with $22.8M, 98% of the total. The top 3 together took $23.3M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Romance Release of Week 32 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2016 (Jul 31–Aug 6).
- 1 Aug 5, 2016 US and Canada: $34.3K Rest of the world: $22.8M Worldwide: $22.8M
- 2 Jul 31, 2016 US and Canada: – Rest of the world: – Worldwide: $442.5K
- 3 Aug 5, 2016 US and Canada: $26.4K Rest of the world: Worldwide: $26.4K
Weeks around it
How Does Week 32 Compare With the Weeks Around It?
Week 32 releases took $23.3M. The biggest of these 9 weeks is week 27 (Jun 26–Jul 2) with $357.8M, led by The Legend of Tarzan (2016).
- Week 26 Wk 26 Jun 19–25 Swiss Army Man (2016) $5.5M Swiss Army Man (2016)
- Week 27 Wk 27 Jun 26–Jul 2 The Legend of Tarzan (2016) $357.8M The Legend of Tarzan (2016)
- Week 28 Wk 28 Jul 3–9 Sultan (2016) $199.8M Sultan (2016)
- Week 29 Wk 29 Jul 10–16 Café Society (2016) $74.8M Café Society (2016)
- Week 30 Wk 30 Jul 17–23 No reported grosses – No reported grosses
- Week 31 Wk 31 Jul 24–30 Ignatius of Loyola (2016) $259.3K Ignatius of Loyola (2016)
- Week 32 Wk 32 Jul 31–Aug 6 Sweet Sixteen (2016) $23.3M Sweet Sixteen (2016)
- Week 33 Wk 33 Aug 7–13 Florence Foster Jenkins (2016) $104.4M Florence Foster Jenkins (2016)
- Week 34 Wk 34 Aug 14–20 Happy Bhag Jayegi (2016) $517.5K Happy Bhag Jayegi (2016)
Earlier years
How Does Week 32 of 2016 Compare With Earlier Years?
Of these 10 years, Week 32, 2014 earned the most: $199.3M from 5 films, led by The Hundred-Foot Journey (2014). Week 32, 2016 took $23.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2007 Aug 5–11 8 films | 8 | $164.3M | – | Stardust (2007) $137.5M |
| Week 32, 2008 Aug 3–9 6 films · −53% | 6 | $77.9M | −53% | The Sisterhood of the Traveling Pants 2 (2008) $44.4M |
| Week 32, 2009 Aug 2–8 4 films · +69% | 4 | $131.8M | +69% | Julie & Julia (2009) $129.5M |
| Week 32, 2010 Aug 1–7 7 films · +26% | 7 | $166.5M | +26% | Step Up 3-D (2010) $159.3M |
| Week 32, 2011 Jul 31–Aug 6 2 films · −99% | 2 | $1.1M | −99% | Habermann (2011) $881K |
| Week 32, 2012 Aug 5–11 2 films · +11429% | 2 | $121.5M | +11429% | Hope Springs (2012) $114.3M |
| Week 32, 2013 Aug 4–10 5 films · −45% | 5 | $66.3M | −45% | I Give It a Year (2013) $29.1M |
| Week 32, 2014 Aug 3–9 5 films · +200% | 5 | $199.3M | +200% | The Hundred-Foot Journey (2014) $90.2M |
| Week 32, 2015 Aug 2–8 3 films · −85% | 3 | $29.2M | −85% | To The Fore (2015) $27.3M |
| Week 32, 2016 Jul 31–Aug 6 3 films · −20% | 3 | $23.3M | −20% | Sweet Sixteen (2016) $22.8M |
Archive
Romance Box Office in 2016, Week by Week
48 weeks of 2016 with reported grosses; the biggest is week 50 (Dec 4–10) with $545.8M, led by La La Land (2016).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 $8.1M
- Week 4 No grosses
- Week 5 $5.9M
- Week 6 $50.6M
- Week 7 $9.4M
- Week 8 $9.3M
- Week 9 $8.5M
- Week 10 $1.4M
- Week 11 $26.3M
- Week 12 $49.4M
- Week 13 $92.4M
- Week 14 $25.2M
- Week 15 $3.3M
- Week 16 $30.4M
- Week 17 $44.2M
- Week 18 $21.5M
- Week 19 $216.3K
- Week 20 $53.7M
- Week 21 $14.2M
- Week 22 $10.7M
- Week 23 $226M
- Week 24 $6.1M
- Week 25 $2.2M
- Week 26 $5.5M
- Week 27 $357.8M
- Week 28 $199.8M
- Week 29 $74.8M
- Week 30 No grosses
- Week 31 $259.3K
- Week 32 $23.3M
- Week 33 $104.4M
- Week 34 $517.5K
- Week 35 $7.8M
- Week 36 $26M
- Week 37 $22.2M
- Week 38 $245M
- Week 39 $13.4M
- Week 40 No grosses
- Week 41 $3.1M
- Week 42 $1.5M
- Week 43 $42.9M
- Week 44 $38.4M
- Week 45 $199.5M
- Week 46 $21K
- Week 47 $270.7K
- Week 48 $137.7M
- Week 49 $9.2M
- Week 50 $545.8M
- Week 51 $108.9M
- Week 52 $395.8M
- Week 53 $10.1M
FAQ
Romance Box Office Week 32 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing romance movie in week 32 of 2016 (Jul 31–Aug 6)?
Sweet Sixteen (2016) leads with $22.8M worldwide, $34.3K of it in the US & Canada. Next come Desire (2016) at $442.5K and Front Cover (2016) at $26.4K.
How much did romance movies released in week 32 of 2016 (Jul 31–Aug 6) earn?
3 romance films released in week 32 of 2016 (Jul 31–Aug 6) report a worldwide gross, $23.3M in all, or $7.8M per film on average.
How many romance movies released in week 32 of 2016 (Jul 31–Aug 6) made $1 billion?
None. The biggest, Sweet Sixteen (2016), earned $22.8M.
How is the week 32, 2016 romance box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2016 (Jul 31–Aug 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 32, 2016 romance box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.