#1 of 6 2010 · Drama, Romance
$10.8M worldwide · 62% of the chart's total
Goodbye, Someday (2010) is the highest-grossing romance movie released in week 4 of 2010 (Jan 17–23), with $10.8M worldwide, ahead of Veer (2010) at $6.2M and The Woman Who Dreamed of a Man (2010) at $284.8K. 6 romance films released that week report a worldwide gross, $17.5M in all, 4% of it from the US & Canada. That is up 171% on Week 3, 2010, whose releases took $6.4M. By language, Japanese leads with $10.8M across 1 romance release.
#1 of 6 2010 · Drama, Romance
$10.8M worldwide · 62% of the chart's total
Goodbye, Someday (2010) leads with $10.8M, 62% of the total. The top 5 together took $17.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2010 (Jan 17–23).
Jan 23, 2010 US and Canada: – Rest of the world: – Worldwide: $10.8M
Jan 22, 2010 US and Canada: $527.2K Rest of the world: $5.7M Worldwide: $6.2M
Jan 21, 2010 US and Canada: – Rest of the world: – Worldwide: $284.8K
Jan 17, 2010 US and Canada: $166K Rest of the world: Worldwide: $166K
Jan 22, 2010 US and Canada: $14.1K Rest of the world: Worldwide: $14.1K
Jan 19, 2010 US and Canada: – Rest of the world: – Worldwide: $7.6K Of the top 6, Fool for Love (2010) earned the biggest share at home (100% in the US & Canada), while Veer (2010) made 91% of its gross abroad. Across all 6 films, $707.2K (4%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 4 releases took $17.5M. The biggest of these 9 weeks is week 52, 2009 (Dec 20–26) with $664.3M, led by Alvin and the Chipmunks: The Squeakquel (2009).
Of these 10 years, Week 4, 2005 earned the most: $109M from 2 films, led by Are We There Yet? (2005). Week 4, 2010 took $17.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2001 Jan 21–27 2 films | 2 | $94.8M | – | The Wedding Planner (2001) $94.7M |
| Week 4, 2002 Jan 20–26 3 films · −49% | 3 | $48M | −49% | A Walk to Remember (2002) $47.5M |
| Week 4, 2003 Jan 19–25 4 films · −92% | 4 | $3.7M | −92% | Dum (2003) $1.8M |
| Week 4, 2004 Jan 18–24 3 films · +635% | 3 | $26.9M | +635% | Win a Date with Tad Hamilton! (2004) $21.5M |
| Week 4, 2005 Jan 16–22 2 films · +304% | 2 | $109M | +304% | Are We There Yet? (2005) $97.9M |
| Week 4, 2006 Jan 22–28 4 films · −69% | 4 | $33.8M | −69% | Annapolis (2006) $17.5M |
| Week 4, 2007 Jan 21–27 4 films · +4% | 4 | $35.2M | +4% | Catch and Release (2007) $16.2M |
| Week 4, 2008 Jan 20–26 7 films · −37% | 7 | $22.2M | −37% | Flowers in the Shadow (2008) $17.9M |
| Week 4, 2009 Jan 18–24 2 films · −21% | 2 | $17.5M | −21% | Look for a Star (2009) $17.4M |
| Week 4, 2010 Jan 17–23 6 films · ±0% | 6 | $17.5M | ±0% | Goodbye, Someday (2010) $10.8M |
51 weeks of 2010 with reported grosses; the biggest is week 27 (Jun 27–Jul 3) with $714.2M, led by The Twilight Saga: Eclipse (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Goodbye, Someday (2010) leads with $10.8M worldwide. Next come Veer (2010) at $6.2M and The Woman Who Dreamed of a Man (2010) at $284.8K.
6 romance films released in week 4 of 2010 (Jan 17–23) report a worldwide gross, $17.5M in all, or $2.9M per film on average. Week 3, 2010 releases took $6.4M.
None. The biggest, Goodbye, Someday (2010), earned $10.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2010 (Jan 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.