#1 of 4 2009 · Comedy, Romance
$205.6M worldwide · 100% of the chart's total
The Ugly Truth (2009) is the highest-grossing romance movie released in week 30 of 2009 (Jul 19–25), with $205.6M worldwide, ahead of The Answer Man (2009) at $26.7K and The Big Gay Musical (2009) at $24.1K. 4 romance films released that week report a worldwide gross, $205.7M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 78% on Week 29, 2009, whose releases took $941.1M.
#1 of 4 2009 · Comedy, Romance
$205.6M worldwide · 100% of the chart's total
The Ugly Truth (2009) leads with $205.6M, 100% of the total. The top 4 together took $205.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2009 (Jul 19–25).
Jul 24, 2009 US and Canada: $88.9M Rest of the world: $116.7M Worldwide: $205.6M
Jul 24, 2009 US and Canada: $26.7K Rest of the world: Worldwide: $26.7K
Jul 20, 2009 US and Canada: $24.1K Rest of the world: Worldwide: $24.1K
Jul 24, 2009 US and Canada: – Rest of the world: – Worldwide: $6.7K Of the top 4, The Answer Man (2009) earned the biggest share at home (100% in the US & Canada), while The Ugly Truth (2009) made 57% of its gross abroad. Across all 4 films, $89M (43%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 30 releases took $205.7M. The biggest of these 9 weeks is week 27 (Jun 28–Jul 4) with $1.1B, led by Ice Age: Dawn of the Dinosaurs (2009).
Of these 10 years, Week 30, 2009 earned the most: $205.7M from 4 films, led by The Ugly Truth (2009).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 2000 Jul 16–22 1 film | 1 | $18.4M | – | Loser (2000) $18.4M |
| Week 30, 2001 Jul 22–28 6 films · −31% | 6 | $12.7M | −31% | Bread and Tulips (2001) $9.7M |
| Week 30, 2002 Jul 21–27 4 films · −2% | 4 | $12.4M | −2% | Humraaz (2002) $5.7M |
| Week 30, 2003 Jul 20–26 1 film · −79% | 1 | $2.6M | −79% | Good Times, Bed Times (2003) $2.6M |
| Week 30, 2004 Jul 18–24 4 films · +279% | 4 | $9.7M | +279% | Isi/Disi - Amor a lo bestia (2004) $7.9M |
| Week 30, 2005 Jul 17–23 3 films · +4% | 3 | $10.1M | +4% | The Edukators (2005) $8.2M |
| Week 30, 2006 Jul 23–29 4 films · +984% | 4 | $109.1M | +984% | John Tucker Must Die (2006) $68.8M |
| Week 30, 2007 Jul 22–28 3 films · −12% | 3 | $96.1M | −12% | No Reservations (2007) $92.6M |
| Week 30, 2008 Jul 20–26 4 films · −84% | 4 | $15.1M | −84% | Brideshead Revisited (2008) $13.5M |
| Week 30, 2009 Jul 19–25 4 films · +1258% | 4 | $205.7M | +1258% | The Ugly Truth (2009) $205.6M |
52 weeks of 2009 with reported grosses; the biggest is week 27 (Jun 28–Jul 4) with $1.1B, led by Ice Age: Dawn of the Dinosaurs (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
The Ugly Truth (2009) leads with $205.6M worldwide, $88.9M of it in the US & Canada. Next come The Answer Man (2009) at $26.7K and The Big Gay Musical (2009) at $24.1K.
4 romance films released in week 30 of 2009 (Jul 19–25) report a worldwide gross, $205.7M in all, or $51.4M per film on average. Week 29, 2009 releases took $941.1M.
None. 1 film crossed $100 million, led by The Ugly Truth (2009) with $205.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2009 (Jul 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.