#1 of 5 2007 · Drama, Comedy
$59.8M worldwide · 73% of the chart's total
Good Luck Chuck (2007) is the highest-grossing romance movie released in week 38 of 2007 (Sep 16–22), with $59.8M worldwide, ahead of Sydney White (2007) at $13.6M and The Jane Austen Book Club (2007) at $7.2M. 5 romance films released that week report a worldwide gross, $81.6M in all, 62% of it from the US & Canada. That is up 35% on Week 37, 2007, whose releases took $60.5M. By language, English leads with $80.6M across 3 romance releases.
#1 of 5 2007 · Drama, Comedy
$59.8M worldwide · 73% of the chart's total
Good Luck Chuck (2007) leads with $59.8M, 73% of the total. The top 5 together took $81.6M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 38 of 2007 (Sep 16–22).
Sep 21, 2007 US and Canada: $35M Rest of the world: $24.8M Worldwide: $59.8M
Sep 21, 2007 US and Canada: $11.9M Rest of the world: $1.7M Worldwide: $13.6M
Sep 21, 2007 US and Canada: $3.6M Rest of the world: $3.6M Worldwide: $7.2M
Sep 20, 2007 US and Canada: – Rest of the world: – Worldwide: $1M
Sep 20, 2007 US and Canada: – Rest of the world: – Worldwide: $10.9K Of the top 5, Sydney White (2007) earned the biggest share at home (87% in the US & Canada), while The Jane Austen Book Club (2007) made 50% of its gross abroad. Across all 5 films, $50.5M (62%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 38 releases took $81.6M. The biggest of these 9 weeks is week 32 (Aug 5–11) with $164.3M, led by Stardust (2007).
Of these 10 years, Week 38, 2005 earned the most: $223.6M from 5 films, led by Corpse Bride (2005). Week 38, 2007 took $81.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 38, 1998 Sep 13–19 1 film | 1 | $1.2M | – | Permanent Midnight (1998) $1.2M |
| Week 38, 1999 Sep 12–18 4 films · +4003% | 4 | $48M | +4003% | For Love of the Game (1999) $46.1M |
| Week 38, 2000 Sep 10–16 1 film · −100% | 1 | $45.2K | −100% | Karobaar (2000) $45.2K |
| Week 38, 2001 Sep 16–22 2 films · +11756% | 2 | $5.4M | +11756% | Glitter (2001) $5.3M |
| Week 38, 2002 Sep 15–21 5 films · +86% | 5 | $10M | +86% | Secretary (2002) $9.3M |
| Week 38, 2003 Sep 14–20 5 films · +383% | 5 | $48.2M | +383% | The Fighting Temptations (2003) $34M |
| Week 38, 2004 Sep 12–18 10 films · +89% | 10 | $91.1M | +89% | Wimbledon (2004) $41.7M |
| Week 38, 2005 Sep 11–17 5 films · +146% | 5 | $223.6M | +146% | Corpse Bride (2005) $117.2M |
| Week 38, 2006 Sep 17–23 4 films · −71% | 4 | $64.6M | −71% | Train Man (2006) $31.1M |
| Week 38, 2007 Sep 16–22 5 films · +26% | 5 | $81.6M | +26% | Good Luck Chuck (2007) $59.8M |
52 weeks of 2007 with reported grosses; the biggest is week 47 (Nov 18–24) with $462.2M, led by Enchanted (2007).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Good Luck Chuck (2007) leads with $59.8M worldwide, $35M of it in the US & Canada. Next come Sydney White (2007) at $13.6M and The Jane Austen Book Club (2007) at $7.2M.
5 romance films released in week 38 of 2007 (Sep 16–22) report a worldwide gross, $81.6M in all, or $16.3M per film on average. Week 37, 2007 releases took $60.5M.
None. The biggest, Good Luck Chuck (2007), earned $59.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 38 of 2007 (Sep 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.