#1 of 6 2001 · Drama, Romance
$45M worldwide · 57% of the chart's total
Monster's Ball (2001) is the highest-grossing romance movie released in week 52 of 2001 (Dec 23–29), with $45M worldwide, ahead of The Shipping News (2001) at $24.7M and Charlotte Gray (2001) at $5.3M. 6 romance films released that week report a worldwide gross, $78.9M in all, 55% of it from the US & Canada. That is down 44% on Week 51, 2001, whose releases took $141M. By language, English leads with $75M across 3 romance releases.
#1 of 6 2001 · Drama, Romance
$45M worldwide · 57% of the chart's total
Monster's Ball (2001) leads with $45M, 57% of the total. The top 5 together took $78.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2001 (Dec 23–29).
Dec 26, 2001 US and Canada: $31.3M Rest of the world: $13.7M Worldwide: $45M
Dec 25, 2001 US and Canada: $11.4M Rest of the world: $13.3M Worldwide: $24.7M
Dec 28, 2001 US and Canada: $741.4K Rest of the world: $4.6M Worldwide: $5.3M
Dec 28, 2001 US and Canada: $258.8K Rest of the world: $2.1M Worldwide: $2.4M
Dec 28, 2001 US and Canada: – Rest of the world: – Worldwide: $1.5M
Dec 28, 2001 US and Canada: – Rest of the world: – Worldwide: $3.7K Of the top 6, Monster's Ball (2001) earned the biggest share at home (69% in the US & Canada), while Dark Blue World (2001) made 89% of its gross abroad. Across all 6 films, $43.7M (55%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 52 releases took $78.9M. The biggest of these 9 weeks is week 50 (Dec 9–15) with $219.5M, led by Vanilla Sky (2001).
Of these 10 years, Week 52, 1997 earned the most: $316.6M from 2 films, led by As Good as It Gets (1997). Week 52, 2001 took $78.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 1992 Dec 20–26 No films | 0 | – | – | – |
| Week 52, 1993 Dec 19–25 3 films | 3 | $83.2M | – | Tombstone (1993) $56.5M |
| Week 52, 1994 Dec 18–24 1 film · −40% | 1 | $50.1M | −40% | Little Women (1994) $50.1M |
| Week 52, 1995 Dec 24–30 No films | 0 | – | – | – |
| Week 52, 1996 Dec 22–28 3 films | 3 | $124.4M | – | Michael (1996) $119.7M |
| Week 52, 1997 Dec 21–27 2 films · +154% | 2 | $316.6M | +154% | As Good as It Gets (1997) $314.2M |
| Week 52, 1998 Dec 20–26 2 films · −100% | 2 | $389.3K | −100% | Under the Sun (1998) $316K |
| Week 52, 1999 Dec 19–25 3 films · +41296% | 3 | $161.1M | +41296% | The Talented Mr. Ripley (1999) $138M |
| Week 52, 2000 Dec 17–23 3 films · +10% | 3 | $177M | +10% | The Family Man (2000) $124.7M |
| Week 52, 2001 Dec 23–29 6 films · −55% | 6 | $78.9M | −55% | Monster's Ball (2001) $45M |
49 weeks of 2001 with reported grosses; the biggest is week 21 (May 20–26) with $450.5M, led by Pearl Harbor (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Monster's Ball (2001) leads with $45M worldwide, $31.3M of it in the US & Canada. Next come The Shipping News (2001) at $24.7M and Charlotte Gray (2001) at $5.3M.
6 romance films released in week 52 of 2001 (Dec 23–29) report a worldwide gross, $78.9M in all, or $13.1M per film on average. Week 51, 2001 releases took $141M.
None. The biggest, Monster's Ball (2001), earned $45M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2001 (Dec 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.