#1 of 5 2001 · Drama, Romance
$15.8M worldwide · 54% of the chart's total
In the Mood for Love (2001) is the highest-grossing romance movie released in week 5 of 2001 (Jan 28–Feb 3), with $15.8M worldwide, ahead of Head Over Heels (2001) at $13.1M and Nico and Dani (2001) at $372.9K. 5 romance films released that week report a worldwide gross, $29.4M in all, 46% of it from the US & Canada. By language, Chinese leads with $15.8M across 2 romance releases.
#1 of 5 2001 · Drama, Romance
$15.8M worldwide · 54% of the chart's total
In the Mood for Love (2001) leads with $15.8M, 54% of the total. The top 5 together took $29.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2001 (Jan 28–Feb 3).
Feb 2, 2001 US and Canada: $2.7M Rest of the world: $13.1M Worldwide: $15.8M
Feb 2, 2001 US and Canada: $10.4M Rest of the world: $2.7M Worldwide: $13.1M
Feb 2, 2001 US and Canada: $370.6K Rest of the world: $2.3K Worldwide: $372.9K
Feb 2, 2001 US and Canada: – Rest of the world: – Worldwide: $69.6K
Jan 29, 2001 US and Canada: – Rest of the world: – Worldwide: $20.6K Of the top 5, Nico and Dani (2001) earned the biggest share at home (99% in the US & Canada), while In the Mood for Love (2001) made 83% of its gross abroad. Across all 5 films, $13.5M (46%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 5 releases took $29.4M. The biggest of these 9 weeks is week 7 (Feb 11–17) with $137M, led by Down to Earth (2001).
Of these 10 years, Week 5, 1999 earned the most: $103.3M from 2 films, led by She's All That (1999). Week 5, 2001 took $29.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 1992 Jan 26–Feb 1 2 films | 2 | $43.9M | – | Shining Through (1992) $43.8M |
| Week 5, 1993 Jan 24–30 1 film · −100% | 1 | $61.3K | −100% | Silent Tongue (1993) $61.3K |
| Week 5, 1994 Jan 23–29 1 film · +2676% | 1 | $1.7M | +2676% | The Scent of Green Papaya (1994) $1.7M |
| Week 5, 1995 Jan 29–Feb 4 3 films · +1482% | 3 | $26.9M | +1482% | A Chinese Odyssey Part Two: Cinderella (1995) $26M |
| Week 5, 1996 Jan 28–Feb 3 1 film · −85% | 1 | $4M | −85% | Restoration (1996) $4M |
| Week 5, 1997 Jan 26–Feb 1 1 film · −100% | 1 | $8.2K | −100% | Leila (1997) $8.2K |
| Week 5, 1998 Jan 25–31 1 film · +674108% | 1 | $55.5M | +674108% | Great Expectations (1998) $55.5M |
| Week 5, 1999 Jan 24–30 2 films · +86% | 2 | $103.3M | +86% | She's All That (1999) $103.2M |
| Week 5, 2000 Jan 23–29 1 film · −97% | 1 | $3M | −97% | Isn't She Great (2000) $3M |
| Week 5, 2001 Jan 28–Feb 3 5 films · +879% | 5 | $29.4M | +879% | In the Mood for Love (2001) $15.8M |
49 weeks of 2001 with reported grosses; the biggest is week 21 (May 20–26) with $450.5M, led by Pearl Harbor (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
In the Mood for Love (2001) leads with $15.8M worldwide, $2.7M of it in the US & Canada. Next come Head Over Heels (2001) at $13.1M and Nico and Dani (2001) at $372.9K.
5 romance films released in week 5 of 2001 (Jan 28–Feb 3) report a worldwide gross, $29.4M in all, or $5.9M per film on average.
None. The biggest, In the Mood for Love (2001), earned $15.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2001 (Jan 28–Feb 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.