#1 of 5 1999 · Drama, Comedy
$22.6M worldwide · 88% of the chart's total
Drive Me Crazy (1999) is the highest-grossing romance movie released in week 40 of 1999 (Sep 26–Oct 2), with $22.6M worldwide, ahead of Happy, Texas (1999) at $2M and Grey Owl (1999) at $632.6K. 5 romance films released that week report a worldwide gross, $25.6M in all, 80% of it from the US & Canada. That is 18.1 times the total of Week 39, 1999, whose releases took $1.4M. By language, English leads with $25.6M across 5 romance releases.
#1 of 5 1999 · Drama, Comedy
$22.6M worldwide · 88% of the chart's total
Drive Me Crazy (1999) leads with $22.6M, 88% of the total. The top 5 together took $25.6M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 1999 (Sep 26–Oct 2).
Oct 1, 1999 US and Canada: $17.8M Rest of the world: $4.7M Worldwide: $22.6M
Oct 1, 1999 US and Canada: $2M Rest of the world: Worldwide: $2M
Oct 1, 1999 US and Canada: $632.6K Rest of the world: Worldwide: $632.6K
Sep 26, 1999 US and Canada: – Rest of the world: – Worldwide: $364.9K
Oct 1, 1999 US and Canada: – Rest of the world: – Worldwide: $4K Of the top 5, Happy, Texas (1999) earned the biggest share at home (100% in the US & Canada), while Drive Me Crazy (1999) made 21% of its gross abroad. Across all 5 films, $20.4M (80%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 40 releases took $25.6M. The biggest of these 9 weeks is week 41 (Oct 3–9) with $86.5M, led by Random Hearts (1999).
Of these 10 years, Week 40, 1998 earned the most: $58.7M from 3 films, led by What Dreams May Come (1998). Week 40, 1999 took $25.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 1990 Sep 30–Oct 6 1 film | 1 | $1.2M | – | The Hairdresser’s Husband (1990) $1.2M |
| Week 40, 1991 Sep 29–Oct 5 4 films · +479% | 4 | $7.1M | +479% | Shout (1991) $3.5M |
| Week 40, 1992 Sep 27–Oct 3 1 film · +177% | 1 | $19.5M | +177% | Hero (1992) $19.5M |
| Week 40, 1993 Sep 26–Oct 2 3 films · −35% | 3 | $12.8M | −35% | For Love or Money (1993) $11.1M |
| Week 40, 1994 Sep 25–Oct 1 1 film · +63% | 1 | $20.9M | +63% | Jason’s Lyric (1994) $20.9M |
| Week 40, 1995 Oct 1–7 1 film · +98% | 1 | $41.2M | +98% | How to Make an American Quilt (1995) $41.2M |
| Week 40, 1996 Sep 29–Oct 5 No films | 0 | – | – | – |
| Week 40, 1997 Sep 28–Oct 4 3 films | 3 | $5.3M | – | The Matchmaker (1997) $3.4M |
| Week 40, 1998 Sep 27–Oct 3 3 films · +1010% | 3 | $58.7M | +1010% | What Dreams May Come (1998) $55.4M |
| Week 40, 1999 Sep 26–Oct 2 5 films · −56% | 5 | $25.6M | −56% | Drive Me Crazy (1999) $22.6M |
46 weeks of 1999 with reported grosses; the biggest is week 22 (May 23–29) with $382.6M, led by Notting Hill (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Drive Me Crazy (1999) leads with $22.6M worldwide, $17.8M of it in the US & Canada. Next come Happy, Texas (1999) at $2M and Grey Owl (1999) at $632.6K.
5 romance films released in week 40 of 1999 (Sep 26–Oct 2) report a worldwide gross, $25.6M in all, or $5.1M per film on average. Week 39, 1999 releases took $1.4M.
None. The biggest, Drive Me Crazy (1999), earned $22.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 1999 (Sep 26–Oct 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.