#1 of 3 #1 mystery movie of Week 42, 2019
2019 · Drama, Mystery
$18.1M worldwide · 100% of the chart's total
$10.9M US & Canada · 60% $7.2M elsewhere · 40%
Mystery box office · Week 42 · Oct 13–19, 2019
Mystery Box Office, Week 42 of 2019: Mystery Releases of Oct 13–19
The Lighthouse (2019) is the highest-grossing mystery movie released in week 42 of 2019 (Oct 13–19), with $18.1M worldwide, ahead of Impetigore (2019) at $70.6K and Arima (2019) at $5.5K. 3 mystery films released that week report a worldwide gross, $18.2M in all, 60% of it from the US & Canada. That is down 65% on Week 41, 2019, whose releases took $52.5M.
- week 42 releases with a gross
- 3
- combined worldwide
- $18.2M
- The Lighthouse (2019), the #1
- $18.1M
- vs Week 41, 2019
- −65%
#1 of 3 Top 3
What Were the Biggest Mystery Hits of Week 42 of 2019?
The Lighthouse (2019) leads with $18.1M, 100% of the total. The top 3 together took $18.2M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Mystery Release of Week 42 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2019 (Oct 13–19).
- 1 Oct 18, 2019 US and Canada: $10.9M Rest of the world: $7.2M Worldwide: $18.1M
- 2 Oct 17, 2019 US and Canada: – Rest of the world: – Worldwide: $70.6K
- 3 Oct 19, 2019 US and Canada: – Rest of the world: – Worldwide: $5.5K
Weeks around it
How Does Week 42 Compare With the Weeks Around It?
Week 42 releases took $18.2M. The biggest of these 9 weeks is week 38 (Sep 15–21) with $127.5M, led by Ad Astra (2019).
- Week 36 Wk 36 Sep 1–7 Bring Me Home (2019) $6.5M Bring Me Home (2019)
- Week 37 Wk 37 Sep 8–14 Saint Maud (2019) $1.8M Saint Maud (2019)
- Week 38 Wk 38 Sep 15–21 Ad Astra (2019) $127.5M Ad Astra (2019)
- Week 39 Wk 39 Sep 22–28 10 Minutes Gone (2019) $425.7K 10 Minutes Gone (2019)
- Week 40 Wk 40 Sep 29–Oct 5 Dilili in Paris (2019) $5.1M Dilili in Paris (2019)
- Week 41 Wk 41 Oct 6–12 A Witness Out of the Blue (2019) $52.5M A Witness Out of the Blue (2019)
- Week 42 Wk 42 Oct 13–19 The Lighthouse (2019) $18.2M The Lighthouse (2019)
- Week 43 Wk 43 Oct 20–26 Goliath (2019) $67.4K Goliath (2019)
- Week 44 Wk 44 Oct 27–Nov 2 Motherless Brooklyn (2019) $21.5M Motherless Brooklyn (2019)
Earlier years
How Does Week 42 of 2019 Compare With Earlier Years?
Of these 10 years, Week 42, 2018 earned the most: $259.9M from 1 film, led by Halloween (2018). Week 42, 2019 took $18.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2010 Oct 10–16 1 film | 1 | $15.2M | – | The Incite Mill (2010) $15.2M |
| Week 42, 2011 Oct 9–15 1 film · +107% | 1 | $31.5M | +107% | The Thing (2011) $31.5M |
| Week 42, 2012 Oct 14–20 4 films · +42% | 4 | $44.8M | +42% | Alex Cross (2012) $34.6M |
| Week 42, 2013 Oct 13–19 2 films · +212% | 2 | $139.7M | +212% | Escape Plan (2013) $137.3M |
| Week 42, 2014 Oct 12–18 No films | 0 | – | – | – |
| Week 42, 2015 Oct 11–17 3 films | 3 | $74.7M | – | Crimson Peak (2015) $74.7M |
| Week 42, 2016 Oct 9–15 1 film · −100% | 1 | $200.4K | −100% | 1974: The Possession of Altair (2016) $200.4K |
| Week 42, 2017 Oct 15–21 6 films · +6290% | 6 | $12.8M | +6290% | The Killing of a Sacred Deer (2017) $6.9M |
| Week 42, 2018 Oct 14–20 1 film · +1930% | 1 | $259.9M | +1930% | Halloween (2018) $259.9M |
| Week 42, 2019 Oct 13–19 3 films · −93% | 3 | $18.2M | −93% | The Lighthouse (2019) $18.1M |
Archive
Mystery Box Office in 2019, Week by Week
49 weeks of 2019 with reported grosses; the biggest is week 30 (Jul 21–27) with $392.8M, led by Once Upon a Time... in Hollywood (2019).
- Week 1 $1.3M
- Week 2 $11.6M
- Week 3 $287.4M
- Week 4 $26.6M
- Week 5 $16.3M
- Week 6 $64.7M
- Week 7 $64.6M
- Week 8 No grosses
- Week 9 $21M
- Week 10 $18.5M
- Week 11 $634.4K
- Week 12 $257.6M
- Week 13 $287.6K
- Week 14 $115.3M
- Week 15 $42.3M
- Week 16 $125.3M
- Week 17 $117.9K
- Week 18 $39.2M
- Week 19 $5.3M
- Week 20 $40.2M
- Week 21 $33.3M
- Week 22 $21.3M
- Week 23 No grosses
- Week 24 $609.1K
- Week 25 $324.1K
- Week 26 $233.3M
- Week 27 $49.5M
- Week 28 $1.8M
- Week 29 $81.1K
- Week 30 $392.8M
- Week 31 $500.5K
- Week 32 $104.5M
- Week 33 $38.4M
- Week 34 $59.6M
- Week 35 $6.1M
- Week 36 $6.5M
- Week 37 $1.8M
- Week 38 $127.5M
- Week 39 $425.7K
- Week 40 $5.1M
- Week 41 $52.5M
- Week 42 $18.2M
- Week 43 $67.4K
- Week 44 $21.5M
- Week 45 $155.5K
- Week 46 $35.1M
- Week 47 $3.1M
- Week 48 $312.9M
- Week 49 $1.4M
- Week 50 $260.2M
- Week 51 $1.8M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Mystery Box Office Week 42 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing mystery movie in week 42 of 2019 (Oct 13–19)?
The Lighthouse (2019) leads with $18.1M worldwide, $10.9M of it in the US & Canada. Next come Impetigore (2019) at $70.6K and Arima (2019) at $5.5K.
How much did mystery movies released in week 42 of 2019 (Oct 13–19) earn?
3 mystery films released in week 42 of 2019 (Oct 13–19) report a worldwide gross, $18.2M in all, or $6.1M per film on average. Week 41, 2019 releases took $52.5M.
How many mystery movies released in week 42 of 2019 (Oct 13–19) made $1 billion?
None. The biggest, The Lighthouse (2019), earned $18.1M.
How is the week 42, 2019 mystery box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2019 (Oct 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 42, 2019 mystery box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.