#1 of 5 Asterix: The Secret of the Magic Potion (2018)
2018 · Family, Adventure
$48.3M worldwide · 91% of the chart's total
Asterix: The Secret of the Magic Potion (2018) is the highest-grossing family movie released in week 19 of 2018 (May 6–12), with $48.3M worldwide, ahead of Little Miss Dolittle (2018) at $4.6M and Lu Over the Wall (2018) at $161.3K. 5 family films released that week report a worldwide gross, $53M in all, 3% of it from the US & Canada. That is down 18% on Week 18, 2018, whose releases took $64.4M. By language, French leads with $48.3M across 1 family release.
#1 of 5 Asterix: The Secret of the Magic Potion (2018)
2018 · Family, Adventure
$48.3M worldwide · 91% of the chart's total
Asterix: The Secret of the Magic Potion (2018) leads with $48.3M, 91% of the total. The top 5 together took $53M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2018 (May 6–12).
May 10, 2018 US and Canada: – Rest of the world: – Worldwide: $4.6M
May 11, 2018 US and Canada: $109.9K Rest of the world: $51.4K Worldwide: $161.3K
May 11, 2018 US and Canada: $10.5K Rest of the world: Worldwide: $10.5K
May 8, 2018 US and Canada: – Rest of the world: – Worldwide: $3.2K Of the top 5, Class Rank (2018) earned the biggest share at home (100% in the US & Canada), while Asterix: The Secret of the Magic Potion (2018) made 97% of its gross abroad. Across all 5 films, $1.4M (3%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 19 releases took $53M. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $64.4M, led by Son of Bigfoot (2018).
Of these 10 years, Week 19, 2018 earned the most: $53M from 5 films, led by Asterix: The Secret of the Magic Potion (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2009 May 3–9 No films | 0 | – | – | – |
| Week 19, 2010 May 2–8 2 films | 2 | $3.9M | – | Tiger Team: The Mountain of 1000 Dragons (2010) $2.4M |
| Week 19, 2011 May 1–7 1 film · −83% | 1 | $645.6K | −83% | Children Who Chase Lost Voices (2011) $645.6K |
| Week 19, 2012 May 6–12 1 film · +1072% | 1 | $7.6M | +1072% | Hanni & Nanni 2 (2012) $7.6M |
| Week 19, 2013 May 5–11 No films | 0 | – | – | – |
| Week 19, 2014 May 4–10 3 films | 3 | $23M | – | Legends of Oz: Dorothy's Return (2014) $21.8M |
| Week 19, 2015 May 3–9 No films | 0 | – | – | – |
| Week 19, 2016 May 1–7 No films | 0 | – | – | – |
| Week 19, 2017 May 7–13 2 films | 2 | $24.1K | – | The Last Shaman (2017) $17.8K |
| Week 19, 2018 May 6–12 5 films · +219678% | 5 | $53M | +219678% | Asterix: The Secret of the Magic Potion (2018) $48.3M |
51 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.2B, led by Incredibles 2 (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Asterix: The Secret of the Magic Potion (2018) leads with $48.3M worldwide, $1.3M of it in the US & Canada. Next come Little Miss Dolittle (2018) at $4.6M and Lu Over the Wall (2018) at $161.3K.
5 family films released in week 19 of 2018 (May 6–12) report a worldwide gross, $53M in all, or $10.6M per film on average. Week 18, 2018 releases took $64.4M.
None. The biggest, Asterix: The Secret of the Magic Potion (2018), earned $48.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2018 (May 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.