#1 of 6 2009 · Drama, War
$1.9M worldwide · 60% of the chart's total
A Woman in Berlin (2009) is the highest-grossing drama movie released in week 29 of 2009 (Jul 12–18), with $1.9M worldwide, ahead of Somers Town (2009) at $1.2M and Blue Eyes (2009) at $37.5K. 6 drama films released that week report a worldwide gross, $3.1M in all, 10% of it from the US & Canada. That is up 2% on Week 28, 2009, whose releases took $3.1M. By language, German leads with $1.9M across 1 drama release.
#1 of 6 2009 · Drama, War
$1.9M worldwide · 60% of the chart's total
A Woman in Berlin (2009) leads with $1.9M, 60% of the total. The top 5 together took $3.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 29 of 2009 (Jul 12–18).
Jul 17, 2009 US and Canada: $294K Rest of the world: $1.6M Worldwide: $1.9M
Jul 15, 2009 US and Canada: – Rest of the world: – Worldwide: $1.2M
Jul 14, 2009 US and Canada: – Rest of the world: – Worldwide: $37.5K
Jul 17, 2009 US and Canada: $23.4K Rest of the world: Worldwide: $23.4K
Jul 17, 2009 US and Canada: – Rest of the world: – Worldwide: $6.2K
Jul 18, 2009 US and Canada: $3.9K Rest of the world: Worldwide: $3.9K Of the top 6, Death in Love (2009) earned the biggest share at home (100% in the US & Canada), while A Woman in Berlin (2009) made 84% of its gross abroad. Across all 6 films, $321.4K (10%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 29 releases took $3.1M. The biggest of these 9 weeks is week 25 (Jun 14–20) with $318.6M, led by The Proposal (2009).
Of these 10 years, Week 29, 2008 earned the most: $1B from 11 films, led by The Dark Knight (2008). Week 29, 2009 took $3.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 29, 2000 Jul 9–15 4 films | 4 | $2.1M | – | Chuck & Buck (2000) $1.2M |
| Week 29, 2001 Jul 15–21 3 films · +1223% | 3 | $27.7M | +1223% | Brother (2001) $15.3M |
| Week 29, 2002 Jul 14–20 4 films · +354% | 4 | $125.6M | +354% | K-19: The Widowmaker (2002) $65.7M |
| Week 29, 2003 Jul 13–19 14 films · +56% | 14 | $196.3M | +56% | Bayside Shakedown 2 (2003) $155.1M |
| Week 29, 2004 Jul 11–17 4 films · −90% | 4 | $19.9M | −90% | Maria Full of Grace (2004) $12.6M |
| Week 29, 2005 Jul 10–16 10 films · −69% | 10 | $6.3M | −69% | The Warrior (2005) $3.1M |
| Week 29, 2006 Jul 16–22 9 films · +1409% | 9 | $94.5M | +1409% | My Super Ex-Girlfriend (2006) $61.1M |
| Week 29, 2007 Jul 15–21 4 films · −85% | 4 | $14.3M | −85% | Goya's Ghosts (2007) $9.4M |
| Week 29, 2008 Jul 13–19 11 films · +7139% | 11 | $1B | +7139% | The Dark Knight (2008) $1B |
| Week 29, 2009 Jul 12–18 6 films · −100% | 6 | $3.1M | −100% | A Woman in Berlin (2009) $1.9M |
53 weeks of 2009 with reported grosses; the biggest is week 47 (Nov 15–21) with $1.2B, led by The Twilight Saga: New Moon (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
A Woman in Berlin (2009) leads with $1.9M worldwide, $294K of it in the US & Canada. Next come Somers Town (2009) at $1.2M and Blue Eyes (2009) at $37.5K.
6 drama films released in week 29 of 2009 (Jul 12–18) report a worldwide gross, $3.1M in all, or $520.7K per film on average. Week 28, 2009 releases took $3.1M.
None. The biggest, A Woman in Berlin (2009), earned $1.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 29 of 2009 (Jul 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.