#1 of 7 The Messenger: The Story of Joan of Arc (1999)
1999 · Biography, Drama
$67M worldwide · 68% of the chart's total
The Messenger: The Story of Joan of Arc (1999) is the highest-grossing drama movie released in week 46 of 1999 (Nov 7–13), with $67M worldwide, ahead of Anywhere But Here (1999) at $23.6M and Light It Up (1999) at $6M. 7 drama films released that week report a worldwide gross, $97.9M in all, 41% of it from the US & Canada. That is down 55% on Week 45, 1999, whose releases took $218.1M. By language, English leads with $97.4M across 5 drama releases.
#1 of 7 The Messenger: The Story of Joan of Arc (1999)
1999 · Biography, Drama
$67M worldwide · 68% of the chart's total
The Messenger: The Story of Joan of Arc (1999) leads with $67M, 68% of the total. The top 5 together took $97.8M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 46 of 1999 (Nov 7–13).
Nov 12, 1999 US and Canada: $18.7M Rest of the world: $5M Worldwide: $23.6M
Nov 10, 1999 US and Canada: $6M Rest of the world: Worldwide: $6M
Nov 12, 1999 US and Canada: $824.3K Rest of the world: Worldwide: $824.3K
Nov 8, 1999 US and Canada: $401.2K Rest of the world: Worldwide: $401.2K
Nov 9, 1999 US and Canada: $52K Rest of the world: Worldwide: $52K
Nov 12, 1999 US and Canada: $3.1K Rest of the world: Worldwide: $3.1K Of the top 7, Light It Up (1999) earned the biggest share at home (100% in the US & Canada), while The Messenger: The Story of Joan of Arc (1999) made 79% of its gross abroad. Across all 7 films, $40.2M (41%) came from the US & Canada.
Week 46 releases took $97.9M. The biggest of these 9 weeks is week 45 (Oct 31–Nov 6) with $218.1M, led by The Bone Collector (1999).
Of these 10 years, Week 46, 1994 earned the most: $414.2M from 2 films, led by Interview with the Vampire: The Vampire Chronicles (1994). Week 46, 1999 took $97.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 46, 1990 Nov 11–17 1 film | 1 | $119.9M | – | Rocky V (1990) $119.9M |
| Week 46, 1991 Nov 10–16 1 film · −99% | 1 | $1.1M | −99% | Kafka (1991) $1.1M |
| Week 46, 1992 Nov 8–14 3 films · +20658% | 3 | $219.8M | +20658% | Bram Stoker's Dracula (1992) $215.9M |
| Week 46, 1993 Nov 7–13 2 films · −58% | 2 | $91.7M | −58% | Carlito's Way (1993) $63.8M |
| Week 46, 1994 Nov 6–12 2 films · +352% | 2 | $414.2M | +352% | Interview with the Vampire: The Vampire Chronicles (1994) $223.7M |
| Week 46, 1995 Nov 12–18 2 films · −74% | 2 | $108.7M | −74% | The American President (1995) $107.9M |
| Week 46, 1996 Nov 10–16 4 films · +155% | 4 | $276.9M | +155% | The English Patient (1996) $232M |
| Week 46, 1997 Nov 9–15 2 films · −99% | 2 | $3.7M | −99% | One Night Stand (1997) $2.6M |
| Week 46, 1998 Nov 8–14 1 film · +3739% | 1 | $142.9M | +3739% | Meet Joe Black (1998) $142.9M |
| Week 46, 1999 Nov 7–13 7 films · −32% | 7 | $97.9M | −32% | The Messenger: The Story of Joan of Arc (1999) $67M |
49 weeks of 1999 with reported grosses; the biggest is week 32 (Aug 1–7) with $675.9M, led by The Sixth Sense (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Messenger: The Story of Joan of Arc (1999) leads with $67M worldwide, $14.3M of it in the US & Canada. Next come Anywhere But Here (1999) at $23.6M and Light It Up (1999) at $6M.
7 drama films released in week 46 of 1999 (Nov 7–13) report a worldwide gross, $97.9M in all, or $14M per film on average. Week 45, 1999 releases took $218.1M.
None. The biggest, The Messenger: The Story of Joan of Arc (1999), earned $67M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 46 of 1999 (Nov 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.