#1 of 7 1979 · Drama, Thriller
$51.7M worldwide · 39% of the chart's total
The China Syndrome (1979) is the highest-grossing drama movie released in March 1979, with $51.7M worldwide, ahead of Manhattan (1979) at $40.2M and Norma Rae (1979) at $22.2M. 7 drama films released in March 1979 report a worldwide gross, $133.2M in all, 100% of it from the US & Canada. That is 10.2 times the total of February 1979, whose releases took $13.1M. By language, English leads with $133.2M across 6 drama releases.
#1 of 7 1979 · Drama, Thriller
$51.7M worldwide · 39% of the chart's total
The China Syndrome (1979) leads with $51.7M, 39% of the total. The top 5 together took $132.1M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 1979.
Mar 16, 1979 US and Canada: $51.7M Rest of the world: $118 Worldwide: $51.7M
Mar 14, 1979 US and Canada: $39.9M Rest of the world: $247.3K Worldwide: $40.2M
Mar 2, 1979 US and Canada: $22.2M Rest of the world: Worldwide: $22.2M
Mar 14, 1979 US and Canada: $15.3M Rest of the world: $29.6K Worldwide: $15.3M
Mar 14, 1979 US and Canada: $2.6M Rest of the world: Worldwide: $2.6M
Mar 9, 1979 US and Canada: $1.1M Rest of the world: Worldwide: $1.1M
Mar 2, 1979 US and Canada: – Rest of the world: – Worldwide: $2.7K Of the top 7, Norma Rae (1979) earned the biggest share at home (100% in the US & Canada), while Manhattan (1979) made <1% of its gross abroad. Across all 7 films, $132.9M (100%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Films released in week 11 (Mar 11–17) took $109.9M, led by The China Syndrome (1979). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 1972 earned the most: $251.3M from 8 films, led by The Godfather (1972). March 1979 took $133.2M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 1970 4 films | 4 | $100.5M | – | Airport (1970) $100.5M |
| March 1971 4 films · −96% | 4 | $3.6M | −96% | THX 1138 (1971) $2.4M |
| March 1972 8 films · +6952% | 8 | $251.3M | +6952% | The Godfather (1972) $250.3M |
| March 1973 3 films · −100% | 3 | $24.8K | −100% | The Long Goodbye (1973) $24.2K |
| March 1974 3 films · +82866% | 3 | $20.6M | +82866% | The Great Gatsby (1974) $20.6M |
| March 1975 5 films · +408% | 5 | $104.5M | +408% | Shampoo (1975) $49.4M |
| March 1976 3 films · −100% | 3 | $52.9K | −100% | Small Change (1976) $38.8K |
| March 1977 4 films · +40890% | 4 | $21.7M | +40890% | Black Sunday (1977) $15.8M |
| March 1978 5 films · +7% | 5 | $23.3M | +7% | Straight Time (1978) $9.9M |
| March 1979 7 films · +472% | 7 | $133.2M | +472% | The China Syndrome (1979) $51.7M |
The months of 1979 with their totals: December leads with $276.6M, led by Kramer vs. Kramer (1979).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The China Syndrome (1979) leads with $51.7M worldwide, $51.7M of it in the US & Canada. Next come Manhattan (1979) at $40.2M and Norma Rae (1979) at $22.2M.
7 drama films released in March 1979 report a worldwide gross, $133.2M in all, or $19M per film on average. February 1979 releases took $13.1M.
None. The biggest, The China Syndrome (1979), earned $51.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 1979. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.