#1 of 36 Klimt & Schiele: Eros and Psyche (2018)
2018 · Documentary, History
$690.1K worldwide · 17% of the chart's total
Klimt & Schiele: Eros and Psyche (2018) is the highest-grossing documentary movie released in October 2018, with $690.1K worldwide, ahead of Lots of Kids, a Monkey and a Castle (2018) at $500.6K and What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) at $434.4K. 36 documentary films released in October 2018 report a worldwide gross, $4.2M in all, 32% of it from the US & Canada. That is down 91% on September 2018, whose releases took $45.9M. By language, English leads with $1.9M across 22 documentary releases.
#1 of 36 Klimt & Schiele: Eros and Psyche (2018)
2018 · Documentary, History
$690.1K worldwide · 17% of the chart's total
Klimt & Schiele: Eros and Psyche (2018) leads with $690.1K, 17% of the total. The top 5 together took $2.4M, 57% of what all 36 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in October 2018.
Oct 19, 2018 US and Canada: – Rest of the world: – Worldwide: $500.6K
Oct 11, 2018 US and Canada: – Rest of the world: – Worldwide: $428.3K
Oct 31, 2018 US and Canada: – Rest of the world: – Worldwide: $313.6K
Oct 5, 2018 US and Canada: $199.8K Rest of the world: $40K Worldwide: $239.8K
Oct 19, 2018 US and Canada: $87.4K Rest of the world: $77.1K Worldwide: $164.5K
Oct 5, 2018 US and Canada: $118.3K Rest of the world: $7.5K Worldwide: $125.8K
Oct 3, 2018 US and Canada: $113.9K Rest of the world: Worldwide: $113.9K
Oct 12, 2018 US and Canada: – Rest of the world: – Worldwide: $107.8K
Oct 2, 2018 US and Canada: – Rest of the world: – Worldwide: $105.1K
Oct 3, 2018 US and Canada: – Rest of the world: – Worldwide: $104.1K
Oct 7, 2018 US and Canada: – Rest of the world: – Worldwide: $80.2K
Oct 26, 2018 US and Canada: $65.5K Rest of the world: $1.3K Worldwide: $66.8K
Oct 26, 2018 US and Canada: $63.9K Rest of the world: $652 Worldwide: $64.6K
Oct 10, 2018 US and Canada: $44K Rest of the world: Worldwide: $44K
Oct 19, 2018 US and Canada: $28.3K Rest of the world: $11.9K Worldwide: $40.1K
Oct 3, 2018 US and Canada: $32K Rest of the world: Worldwide: $32K
Oct 17, 2018 US and Canada: $29.3K Rest of the world: Worldwide: $29.3K
Oct 26, 2018 US and Canada: – Rest of the world: – Worldwide: $20.3K
Oct 5, 2018 US and Canada: $17K Rest of the world: Worldwide: $17K
Oct 26, 2018 US and Canada: $14.9K Rest of the world: Worldwide: $14.9K
Oct 15, 2018 US and Canada: – Rest of the world: – Worldwide: $14.5K
Oct 19, 2018 US and Canada: $10.4K Rest of the world: Worldwide: $10.4K
Oct 17, 2018 US and Canada: – Rest of the world: – Worldwide: $6K
Oct 31, 2018 US and Canada: – Rest of the world: – Worldwide: $5.3K
Oct 22, 2018 US and Canada: – Rest of the world: – Worldwide: $4.7K
Oct 12, 2018 US and Canada: $3.2K Rest of the world: Worldwide: $3.2K
Oct 17, 2018 US and Canada: – Rest of the world: – Worldwide: $2.6K
Oct 21, 2018 US and Canada: – Rest of the world: – Worldwide: $2K
Oct 19, 2018 US and Canada: $812 Rest of the world: Worldwide: $812
Oct 26, 2018 US and Canada: – Rest of the world: – Worldwide: $280
Oct 17, 2018 US and Canada: – Rest of the world: – Worldwide: $64 Of the top 10, The Woman Who Loves Giraffes (2018) earned the biggest share at home (100% in the US & Canada), while The Price of Everything (2018) made 47% of its gross abroad. Across all 36 films, $1.3M (32%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
None of the 36 films reached $100M. 36 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $4.2M total.
Films released in week 41 (Oct 7–13) took $1.3M, led by What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, October 2009 earned the most: $280.3M from 20 films, led by This Is It (2009). October 2018 took $4.2M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| October 2009 20 films | 20 | $280.3M | – | This Is It (2009) $268M |
| October 2010 11 films · −33% | 11 | $187M | −33% | Jackass 3-D (2010) $178.1M |
| October 2011 17 films · −99% | 17 | $2.5M | −99% | To Be Heard (2011) $813.4K |
| October 2012 19 films · −26% | 19 | $1.8M | −26% | The Flat (2012) $583.4K |
| October 2013 23 films · +8957% | 23 | $167.4M | +8957% | Jackass Presents: Bad Grandpa (2013) $151.8M |
| October 2014 22 films · −89% | 22 | $19.2M | −89% | Meet the Mormons (2014) $6M |
| October 2015 22 films · +97% | 22 | $37.8M | +97% | Twenty Two (2015) $26.3M |
| October 2016 23 films · −20% | 23 | $30.3M | −20% | Kevin Hart: What Now? (2016) $23.6M |
| October 2017 32 films · −21% | 32 | $23.8M | −21% | Earth: One Amazing Day (2017) $12.9M |
| October 2018 36 films · −82% | 36 | $4.2M | −82% | Klimt & Schiele: Eros and Psyche (2018) $690.1K |
English-language documentary films took $1.9M across 22 films, 46% of the total, ahead of Italian-language documentary films ($690.1K) and Spanish-language documentary films ($508.5K).
The months of 2018 with their totals: June leads with $77.1M, led by Believer (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 36 films as the chart.
Klimt & Schiele: Eros and Psyche (2018) leads with $690.1K worldwide. Next come Lots of Kids, a Monkey and a Castle (2018) at $500.6K and What We Left Behind: Looking Back at Star Trek: Deep Space Nine (2018) at $434.4K.
36 documentary films released in October 2018 report a worldwide gross, $4.2M in all, or $115.7K per film on average. September 2018 releases took $45.9M.
None. The biggest, Klimt & Schiele: Eros and Psyche (2018), earned $690.1K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in October 2018. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.