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Documentary

The Woman Who Loves Giraffes (2018): Cast, Ratings & Box Office

The Woman Who Loves Giraffes (2018) movie poster

The Woman Who Loves Giraffes is a 2018 documentary directed by Alison Reid, starring Victor Garber as Alex Matthew (voice) and Tatiana Maslany. It runs 1 hour 21 minutes and earned $113,858 worldwide. Its Echo Score is 84/100.

worldwide gross
$113.9K
Echo Score
84
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The Woman Who Loves Giraffes (2018) movie poster
Released
Runtime
1h 21m (81 min)
Director
Alison Reid
Genre
Documentary
Original language
English
After the credits
No No extra scene
The story

What Is The Woman Who Loves Giraffes About?

The premise of The Woman Who Loves Giraffes without spoilers.

Anne Dagg’s pioneering 1956 study of giraffes in South Africa serves as the starting point for this intimate documentary. Now in her eighties, Dr. Dagg revisits the landscape and confronts the changes impacting the giraffe population and their habitat. The film interweaves her past experiences with the present, revealing the challenges she faced in her career and the resilience that ultimately led to her renewed focus on giraffe conservation.

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Cast & crew

The Woman Who Loves Giraffes Cast & Characters

Victor Garber leads the cast as Alex Matthew (voice), with Tatiana Maslany as Young Anne (voice). Directed by Alison Reid.

From the director

More from Alison Reid

One more film directed by Alison Reid: The Woman Who Loves Giraffes.

Full filmography
Ratings

The Woman Who Loves Giraffes Reviews & Ratings

Our Echo Score gives it 84/100, strongest in character & emotion (88) and weakest in sensory experience (75).

84 /100

The Woman Who Loves Giraffes Echo Score Breakdown

The documentary offers an engaging portrait of Anne Dagg, balancing personal narrative with broader themes of gender equity and wildlife conservation. Critics highlight the film’s warm tone, compelling subject matter, and effective editing, while a few note an overreliance on supplemental B‑roll. Viewers consistently praise Dagg’s charisma and the inspirational message, describing the experience as both informative and emotionally resonant. In sum, the film succeeds as an uplifting, well‑crafted tribute that merits recommendation.

Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.

  • Art & Craft 78

    Direction and editing provide a steady framework that keeps the narrative focused. Critics commend the film’s polished editing and visual composition, noting crisp cinematography that highlights both Dagg’s presence and the African landscape. A minor criticism concerns an excess of archival B‑roll, which can disrupt visual momentum. Overall, the craftsmanship delivers a clear, aesthetically pleasing presentation.

  • Character & Emotion 88

    Anne Dagg’s personality forms the documentary’s emotional core. Reviewers emphasize her passionate, humorous, and modest demeanor, which translates into a relatable on‑screen presence. Supporting commentary highlights her frankness and generosity, allowing audiences to connect with her scholarly drive and feminist advocacy. The consistent portrayal of depth and charisma renders the character arc compelling throughout.

  • Story & Flow 80

    The film weaves Dagg’s scientific achievements with her struggle against sexism, creating a narrative that feels both inspirational and historically significant. Critics appreciate the straightforward storytelling that foregrounds her perseverance, though some note pacing lulls due to repetitive archival segments. Nonetheless, the overall plot maintains engagement by balancing personal anecdote with broader social context.

  • Sensory Experience 75

    Sound and visual design reinforce the documentary’s tone, employing a gentle score that complements field footage and interview moments. Viewers remark on the vivid images of giraffes and African scenery, which enhance immersion. While the soundtrack remains unobtrusive, the occasional overuse of B‑roll is perceived as a minor sensory distraction. In general, the sensory elements support rather than dominate the narrative.

  • Rewatch Factor 85

    The film’s uplifting message and Dagg’s charismatic storytelling encourage repeated viewings. Critics and audiences alike cite the inspirational impact and educational value as reasons to revisit the documentary. The concise editing and clear thematic focus also aid retention, though the limited depth on giraffe specifics may temper enthusiasm for multiple watches. Overall, the work offers durable appeal for viewers interested in biography and conservation.

Box office

The Woman Who Loves Giraffes Box Office

The Woman Who Loves Giraffes grossed $113,858 worldwide.

2018 box office

Worldwide gross

$113.9K

US & Canada
$113.9K
Videos

The Woman Who Loves Giraffes Trailers & Videos

The trailer of The Woman Who Loves Giraffes.

The Woman Who Loves Giraffes | Official Trailer | True Story Documentary
Details

The Woman Who Loves Giraffes Also Known As

3 alternative titles, including “기린과 앤” and “Anne Dagg la passion des girafes”.

Also known as
  • 기린과 앤
  • Anne Dagg la passion des girafes
  • 爱长颈鹿的女人

Seen The Woman Who Loves Giraffes?

FAQ

The Woman Who Loves Giraffes FAQ: Cast & Box Office

Runtime, release date, director, cast, box office and post-credit scenes of The Woman Who Loves Giraffes, each answered in a sentence.

How long is The Woman Who Loves Giraffes?

The Woman Who Loves Giraffes runs 1 hour 21 minutes (81 minutes).

When was The Woman Who Loves Giraffes released?

The Woman Who Loves Giraffes was released on October 3, 2018.

Who directed The Woman Who Loves Giraffes?

The Woman Who Loves Giraffes was directed by Alison Reid.

More films by Alison Reid

Who is in the cast of The Woman Who Loves Giraffes?

The Woman Who Loves Giraffes stars Victor Garber as Alex Matthew (voice) and Tatiana Maslany as Young Anne (voice).

How much did The Woman Who Loves Giraffes make at the box office?

The Woman Who Loves Giraffes grossed $113,858 worldwide.

Does The Woman Who Loves Giraffes have a post-credit scene?

No. The Woman Who Loves Giraffes has no extra scene during or after the credits.

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