#1 of 9 2018 · Action, Drama
$51.4M worldwide · 46% of the chart's total
Breaking In (2018) is the highest-grossing crime movie released in May 2018, with $51.4M worldwide, ahead of Show Dogs (2018) at $39.2M and Laplace’s Witch (2018) at $11M. 9 crime films released in May 2018 report a worldwide gross, $111.5M in all, 58% of it from the US & Canada. That is down 4% on April 2018, whose releases took $116.1M. By language, English leads with $91.4M across 3 crime releases.
#1 of 9 2018 · Action, Drama
$51.4M worldwide · 46% of the chart's total
Breaking In (2018) leads with $51.4M, 46% of the total. The top 5 together took $108.4M, 97% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in May 2018.
May 11, 2018 US and Canada: $46.8M Rest of the world: $4.6M Worldwide: $51.4M
May 18, 2018 US and Canada: $17.9M Rest of the world: $21.3M Worldwide: $39.2M
May 4, 2018 US and Canada: – Rest of the world: – Worldwide: $11M
May 10, 2018 US and Canada: – Rest of the world: – Worldwide: $4.6M
May 25, 2018 US and Canada: – Rest of the world: – Worldwide: $2.3M
May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8M
May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $844K
May 4, 2018 US and Canada: $46.3K Rest of the world: $353.7K Worldwide: $400K
May 4, 2018 US and Canada: – Rest of the world: – Worldwide: $87.1K Of the top 9, Breaking In (2018) earned the biggest share at home (91% in the US & Canada), while Racer and the Jailbird (2018) made 88% of its gross abroad. Across all 9 films, $64.7M (58%) came from the US & Canada. 6 films of the top 9 report no US & Canada figure.
Films released in week 19 (May 6–12) took $58.6M, led by Breaking In (2018). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, May 2013 earned the most: $1.2B from 13 films, led by Fast & Furious 6 (2013). May 2018 took $111.5M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| May 2009 11 films | 11 | $18.1M | – | Next Day Air (2009) $10.2M |
| May 2010 7 films · +11% | 7 | $20.1M | +11% | Micmacs (2010) $17M |
| May 2011 5 films · −31% | 5 | $13.8M | −31% | Blitz (2011) $11.9M |
| May 2012 7 films · +149% | 7 | $34.4M | +149% | Polisse (2012) $20.6M |
| May 2013 13 films · +3411% | 13 | $1.2B | +3411% | Fast & Furious 6 (2013) $788.7M |
| May 2014 9 films · −94% | 9 | $69M | −94% | Overheard 3 (2014) $53.5M |
| May 2015 14 films · +20% | 14 | $82.6M | +20% | Hot Pursuit (2015) $51.7M |
| May 2016 13 films · +242% | 13 | $282M | +242% | Kill Zone 2 (2016) $93.6M |
| May 2017 11 films · −73% | 11 | $75.9M | −73% | Bad Genius (2017) $44.6M |
| May 2018 9 films · +47% | 9 | $111.5M | +47% | Breaking In (2018) $51.4M |
English-language crime films took $91.4M across 3 films, 82% of the total, ahead of Japanese-language crime films ($13.2M) and German-language crime films ($4.6M).
The months of 2018 with their totals: July leads with $753M, led by Skyscraper (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Breaking In (2018) leads with $51.4M worldwide, $46.8M of it in the US & Canada. Next come Show Dogs (2018) at $39.2M and Laplace’s Witch (2018) at $11M.
9 crime films released in May 2018 report a worldwide gross, $111.5M in all, or $12.4M per film on average. April 2018 releases took $116.1M.
None. The biggest, Breaking In (2018), earned $51.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in May 2018. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.