#1 of 3 #1 crime movie of Week 26, 2015
2015 · Drama, Thriller
$6.8M worldwide · 100% of the chart's total
$195.8K US & Canada · 3% $6.6M elsewhere · 97%
Crime box office · Week 26 · Jun 21–27, 2015
Crime Box Office, Week 26 of 2015: Crime Releases of Jun 21–27
Escobar: Paradise Lost (2015) is the highest-grossing crime movie released in week 26 of 2015 (Jun 21–27), with $6.8M worldwide, ahead of When Geek Meets Serial Killer (2015) at $15.2K and A Murder in the Park (2015) at $12.1K. 3 crime films released that week report a worldwide gross, $6.8M in all, 3% of it from the US & Canada. That is down 82% on Week 25, 2015, whose releases took $37.5M.
- week 26 releases with a gross
- 3
- combined worldwide
- $6.8M
- Escobar: Paradise Lost (2015), the #1
- $6.8M
- vs Week 25, 2015
- −82%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 26 of 2015?
Escobar: Paradise Lost (2015) leads with $6.8M, 100% of the total. The top 3 together took $6.8M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 26 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2015 (Jun 21–27).
- 1 Jun 26, 2015 US and Canada: $195.8K Rest of the world: $6.6M Worldwide: $6.8M
- 2 Jun 25, 2015 US and Canada: – Rest of the world: – Worldwide: $15.2K
- 3 Jun 26, 2015 US and Canada: $12.1K Rest of the world: Worldwide: $12.1K
Weeks around it
How Does Week 26 Compare With the Weeks Around It?
Week 26 releases took $6.8M. The biggest of these 9 weeks is week 23 (May 31–Jun 6) with $236.6M, led by Spy (2015).
- Week 20 Wk 20 May 10–16 The Connection (2015) $15.9M The Connection (2015)
- Week 21 Wk 21 May 17–23 No reported grosses – No reported grosses
- Week 22 Wk 22 May 24–30 Shinjuku Swan (2015) $14.3M Shinjuku Swan (2015)
- Week 23 Wk 23 May 31–Jun 6 Spy (2015) $236.6M Spy (2015)
- Week 24 Wk 24 Jun 7–13 L.A. Slasher (2015) $2.4K L.A. Slasher (2015)
- Week 25 Wk 25 Jun 14–20 The Classified File (2015) $37.5M The Classified File (2015)
- Week 26 Wk 26 Jun 21–27 Escobar: Paradise Lost (2015) $6.8M Escobar: Paradise Lost (2015)
- Week 27 Wk 27 Jun 28–Jul 4 Papanasam (2015) $620.8K Papanasam (2015)
- Week 28 Wk 28 Jul 5–11 Gatao (2015) $2.7M Gatao (2015)
Earlier years
How Does Week 26 of 2015 Compare With Earlier Years?
Of these 10 years, Week 26, 2007 earned the most: $393.2M from 3 films, led by Live Free or Die Hard (2007). Week 26, 2015 took $6.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2006 Jun 25–Jul 1 1 film | 1 | $1.4M | – | Armenia (2006) $1.4M |
| Week 26, 2007 Jun 24–30 3 films · +27488% | 3 | $393.2M | +27488% | Live Free or Die Hard (2007) $388.2M |
| Week 26, 2008 Jun 22–28 1 film · −100% | 1 | $189.5K | −100% | Zift (2008) $189.5K |
| Week 26, 2009 Jun 21–27 5 films · +2756% | 5 | $5.4M | +2756% | New York (2009) $1.9M |
| Week 26, 2010 Jun 20–26 No films | 0 | – | – | – |
| Week 26, 2011 Jun 19–25 2 films | 2 | $23M | – | Andalusia: Revenge of the Goddess (2011) $22.9M |
| Week 26, 2012 Jun 24–30 1 film · −94% | 1 | $1.4M | −94% | Yuma (2012) $1.4M |
| Week 26, 2013 Jun 23–29 4 films · +20464% | 4 | $281.7M | +20464% | The Heat (2013) $229.9M |
| Week 26, 2014 Jun 22–28 3 films · −100% | 3 | $600.8K | −100% | Locust (2014) $476K |
| Week 26, 2015 Jun 21–27 3 films · +1030% | 3 | $6.8M | +1030% | Escobar: Paradise Lost (2015) $6.8M |
Archive
Crime Box Office in 2015, Week by Week
50 weeks of 2015 with reported grosses; the biggest is week 14 (Mar 29–Apr 4) with $1.5B, led by Furious 7 (2015).
- Week 1 $17.9K
- Week 2 $329.1M
- Week 3 $19.7M
- Week 4 $48.2M
- Week 5 $7.6M
- Week 6 $2.1M
- Week 7 $415.5M
- Week 8 $409.2K
- Week 9 $159.2M
- Week 10 $6.6M
- Week 11 $78.8M
- Week 12 $27.6M
- Week 13 $671.2K
- Week 14 $1.5B
- Week 15 $3.2M
- Week 16 $107.6M
- Week 17 $500.3K
- Week 18 $565.9K
- Week 19 $52.3M
- Week 20 $15.9M
- Week 21 No grosses
- Week 22 $14.3M
- Week 23 $236.6M
- Week 24 $2.4K
- Week 25 $37.5M
- Week 26 $6.8M
- Week 27 $620.8K
- Week 28 $2.7M
- Week 29 $101.7M
- Week 30 $4M
- Week 31 $25.3M
- Week 32 No grosses
- Week 33 $84.8K
- Week 34 $82.5M
- Week 35 $6.8M
- Week 36 $72.6M
- Week 37 $8.5M
- Week 38 $286.4M
- Week 39 $90K
- Week 40 $31.5M
- Week 41 $8.2M
- Week 42 $5.7M
- Week 43 $1.5M
- Week 44 $938K
- Week 45 $18M
- Week 46 $3.8M
- Week 47 $43.1M
- Week 48 $11.8M
- Week 49 $9.3M
- Week 50 $249K
- Week 51 $32M
- Week 52 $295M
- Week 53 No grosses
FAQ
Crime Box Office Week 26 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 26 of 2015 (Jun 21–27)?
Escobar: Paradise Lost (2015) leads with $6.8M worldwide, $195.8K of it in the US & Canada. Next come When Geek Meets Serial Killer (2015) at $15.2K and A Murder in the Park (2015) at $12.1K.
How much did crime movies released in week 26 of 2015 (Jun 21–27) earn?
3 crime films released in week 26 of 2015 (Jun 21–27) report a worldwide gross, $6.8M in all, or $2.3M per film on average. Week 25, 2015 releases took $37.5M.
How many crime movies released in week 26 of 2015 (Jun 21–27) made $1 billion?
None. The biggest, Escobar: Paradise Lost (2015), earned $6.8M.
How is the week 26, 2015 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2015 (Jun 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 26, 2015 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.