#1 of 5 2006 · Drama, History
$49.3M worldwide · 44% of the chart's total
The Black Dahlia (2006) is the highest-grossing crime movie released in week 37 of 2006 (Sep 10–16), with $49.3M worldwide, ahead of Gridiron Gang (2006) at $41.5M and Keeping Mum (2006) at $18.6M. 5 crime films released that week report a worldwide gross, $111.2M in all, 56% of it from the US & Canada. That is up 123% on Week 36, 2006, whose releases took $49.9M. By language, English leads with $109.8M across 4 crime releases.
#1 of 5 2006 · Drama, History
$49.3M worldwide · 44% of the chart's total
The Black Dahlia (2006) leads with $49.3M, 44% of the total. The top 5 together took $111.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2006 (Sep 10–16).
Sep 15, 2006 US and Canada: $22.5M Rest of the world: $26.8M Worldwide: $49.3M
Sep 15, 2006 US and Canada: $38.4M Rest of the world: $3M Worldwide: $41.5M
Sep 15, 2006 US and Canada: $1.6M Rest of the world: $17M Worldwide: $18.6M
Sep 14, 2006 US and Canada: – Rest of the world: – Worldwide: $1.4M
Sep 11, 2006 US and Canada: – Rest of the world: – Worldwide: $371.1K Of the top 5, Gridiron Gang (2006) earned the biggest share at home (93% in the US & Canada), while Keeping Mum (2006) made 91% of its gross abroad. Across all 5 films, $62.6M (56%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 37 releases took $111.2M. The biggest of these 9 weeks is week 32 (Aug 6–12) with $114.2M, led by Step Up (2006).
Of these 10 years, Week 37, 2005 earned the most: $194.3M from 4 films, led by The Exorcism of Emily Rose (2005). Week 37, 2006 took $111.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1997 Sep 7–13 No films | 0 | – | – | – |
| Week 37, 1998 Sep 6–12 No films | 0 | – | – | – |
| Week 37, 1999 Sep 5–11 3 films | 3 | $449.3K | – | The Minus Man (1999) $370.7K |
| Week 37, 2000 Sep 3–9 4 films · +20171% | 4 | $91.1M | +20171% | The Watcher (2000) $47.3M |
| Week 37, 2001 Sep 9–15 1 film · −100% | 1 | $5.8K | −100% | Murder on a Sunday Morning (2001) $5.8K |
| Week 37, 2002 Sep 8–14 5 films · +261034% | 5 | $15.3M | +261034% | Stealing Harvard (2002) $14.3M |
| Week 37, 2003 Sep 7–13 3 films · +344% | 3 | $67.7M | +344% | Matchstick Men (2003) $65.6M |
| Week 37, 2004 Sep 5–11 2 films · −13% | 2 | $59.1M | −13% | Cellular (2004) $57.7M |
| Week 37, 2005 Sep 4–10 4 films · +229% | 4 | $194.3M | +229% | The Exorcism of Emily Rose (2005) $145.2M |
| Week 37, 2006 Sep 10–16 5 films · −43% | 5 | $111.2M | −43% | The Black Dahlia (2006) $49.3M |
48 weeks of 2006 with reported grosses; the biggest is week 40 (Oct 1–7) with $295.4M, led by The Departed (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Black Dahlia (2006) leads with $49.3M worldwide, $22.5M of it in the US & Canada. Next come Gridiron Gang (2006) at $41.5M and Keeping Mum (2006) at $18.6M.
5 crime films released in week 37 of 2006 (Sep 10–16) report a worldwide gross, $111.2M in all, or $22.2M per film on average. Week 36, 2006 releases took $49.9M.
None. The biggest, The Black Dahlia (2006), earned $49.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2006 (Sep 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.