#1 of 8 2022 · Romance, Comedy
$3.5M worldwide · 73% of the chart's total
I Believe in Santa (2022) is the highest-grossing comedy movie released in week 51 of 2022 (Dec 11–17), with $3.5M worldwide, ahead of National Theatre Live: The Wife of Willesden (2022) at $526.6K and The Peace and Love Process (2022) at $429.8K. 8 comedy films released that week report a worldwide gross, $4.8M in all. That is down 91% on Week 50, 2022, whose releases took $53.6M. By language, English leads with $4.1M across 5 comedy releases.
#1 of 8 2022 · Romance, Comedy
$3.5M worldwide · 73% of the chart's total
I Believe in Santa (2022) leads with $3.5M, 73% of the total. The top 5 together took $4.7M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 51 of 2022 (Dec 11–17).
Dec 14, 2022 US and Canada: – Rest of the world: – Worldwide: $3.5M
Dec 14, 2022 US and Canada: – Rest of the world: – Worldwide: $429.8K
Dec 16, 2022 US and Canada: – Rest of the world: – Worldwide: $102.6K
Dec 15, 2022 US and Canada: – Rest of the world: – Worldwide: $17.8K
Dec 16, 2022 US and Canada: – Rest of the world: – Worldwide: $14.7K
Dec 16, 2022 US and Canada: – Rest of the world: – Worldwide: $6.3K Week 51 releases took $4.8M. The biggest of these 9 weeks is week 46 (Nov 6–12) with $249.6M, led by The First Noelle (2022).
Of these 10 years, Week 51, 2017 earned the most: $1.2B from 16 films, led by Jumanji: Welcome to the Jungle (2017). Week 51, 2022 took $4.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 51, 2013 Dec 15–21 8 films | 8 | $357.3M | – | Anchorman 2: The Legend Continues (2013) $173.6M |
| Week 51, 2014 Dec 14–20 13 films · +95% | 13 | $697.5M | +95% | Night at the Museum: Secret of the Tomb (2014) $363.2M |
| Week 51, 2015 Dec 13–19 9 films · −45% | 9 | $383.9M | −45% | Alvin and the Chipmunks: The Road Chip (2015) $234.8M |
| Week 51, 2016 Dec 11–17 5 films · −96% | 5 | $15.1M | −96% | Poor but Rich (2016) $7.3M |
| Week 51, 2017 Dec 17–23 16 films · +8172% | 16 | $1.2B | +8172% | Jumanji: Welcome to the Jungle (2017) $962.5M |
| Week 51, 2018 Dec 16–22 16 films · −85% | 16 | $190.8M | −85% | Second Act (2018) $72.3M |
| Week 51, 2019 Dec 15–21 7 films · −25% | 7 | $142.8M | −25% | Cats (2019) $75.6M |
| Week 51, 2020 Dec 13–19 1 film · −100% | 1 | $362.6K | −100% | Hold Me Back (2020) $362.6K |
| Week 51, 2021 Dec 12–18 10 films · +17051% | 10 | $62.2M | +17051% | Schemes in Antiques (2021) $51.6M |
| Week 51, 2022 Dec 11–17 8 films · −92% | 8 | $4.8M | −92% | I Believe in Santa (2022) $3.5M |
English-language comedy films took $4.1M across 5 films, 87% of the total, ahead of French-language comedy films ($429.8K) and Malayalam-language comedy films ($185.1K).
53 weeks of 2022 with reported grosses; the biggest is week 15 (Apr 3–9) with $412.4M, led by Sonic the Hedgehog 2 (2022).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
I Believe in Santa (2022) leads with $3.5M worldwide. Next come National Theatre Live: The Wife of Willesden (2022) at $526.6K and The Peace and Love Process (2022) at $429.8K.
8 comedy films released in week 51 of 2022 (Dec 11–17) report a worldwide gross, $4.8M in all, or $596.1K per film on average. Week 50, 2022 releases took $53.6M.
None. The biggest, I Believe in Santa (2022), earned $3.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 51 of 2022 (Dec 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.