#1 of 9 Always: Sunset on Third Street ’64 (2012)
2012 · Comedy, Drama
$40.9M worldwide · 53% of the chart's total
Always: Sunset on Third Street ’64 (2012) is the highest-grossing comedy movie released in week 3 of 2012 (Jan 15–21), with $40.9M worldwide, ahead of Dancing Queen (2012) at $26.4M and I Love Hong Kong 2012 (2012) at $4.4M. 9 comedy films released that week report a worldwide gross, $77.5M in all, <1% of it from the US & Canada. That is up 15% on Week 2, 2012, whose releases took $67.4M. By language, Japanese leads with $40.9M across 1 comedy release.
#1 of 9 Always: Sunset on Third Street ’64 (2012)
2012 · Comedy, Drama
$40.9M worldwide · 53% of the chart's total
Always: Sunset on Third Street ’64 (2012) leads with $40.9M, 53% of the total. The top 5 together took $77.1M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2012 (Jan 15–21).
Jan 21, 2012 US and Canada: – Rest of the world: – Worldwide: $40.9M
Jan 18, 2012 US and Canada: – Rest of the world: – Worldwide: $26.4M
Jan 20, 2012 US and Canada: – Rest of the world: – Worldwide: $4.4M
Jan 19, 2012 US and Canada: – Rest of the world: – Worldwide: $3M
Jan 20, 2012 US and Canada: – Rest of the world: – Worldwide: $2.3M
Jan 20, 2012 US and Canada: – Rest of the world: – Worldwide: $274.5K
Jan 21, 2012 US and Canada: – Rest of the world: – Worldwide: $20.7K
Jan 20, 2012 US and Canada: $5.9K Rest of the world: Worldwide: $5.9K Week 3 releases took $77.5M. The biggest of these 9 weeks is week 51, 2011 (Dec 11–17) with $431.3M, led by Alvin and the Chipmunks: Chipwrecked (2011).
Of these 10 years, Week 3, 2008 earned the most: $447M from 10 films, led by Welcome to the Sticks (2008). Week 3, 2012 took $77.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2003 Jan 12–18 6 films | 6 | $158.3M | – | Kangaroo Jack (2003) $88.9M |
| Week 3, 2004 Jan 11–17 7 films · +27% | 7 | $200.5M | +27% | Along Came Polly (2004) $178.3M |
| Week 3, 2005 Jan 9–15 5 films · −48% | 5 | $103.7M | −48% | Racing Stripes (2005) $90.8M |
| Week 3, 2006 Jan 15–21 10 films · −59% | 10 | $42.2M | −59% | Bandidas (2006) $18.4M |
| Week 3, 2007 Jan 14–20 9 films · −4% | 9 | $40.3M | −4% | Manual of Love 2 (2007) $27.8M |
| Week 3, 2008 Jan 13–19 10 films · +1009% | 10 | $447M | +1009% | Welcome to the Sticks (2008) $245.1M |
| Week 3, 2009 Jan 11–17 7 films · −32% | 7 | $303.2M | −32% | Paul Blart: Mall Cop (2009) $183.3M |
| Week 3, 2010 Jan 10–16 8 films · −64% | 8 | $108.6M | −64% | The Spy Next Door (2010) $62.6M |
| Week 3, 2011 Jan 9–15 9 films · −20% | 9 | $87.2M | −20% | The Dilemma (2011) $69.7M |
| Week 3, 2012 Jan 15–21 9 films · −11% | 9 | $77.5M | −11% | Always: Sunset on Third Street ’64 (2012) $40.9M |
Japanese-language comedy films took $40.9M across 1 film, 53% of the total, ahead of Korean-language comedy films ($26.4M) and Cantonese-language comedy films ($4.4M).
52 weeks of 2012 with reported grosses; the biggest is week 21 (May 20–26) with $1.1B, led by Men in Black III (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Always: Sunset on Third Street ’64 (2012) leads with $40.9M worldwide. Next come Dancing Queen (2012) at $26.4M and I Love Hong Kong 2012 (2012) at $4.4M.
9 comedy films released in week 3 of 2012 (Jan 15–21) report a worldwide gross, $77.5M in all, or $8.6M per film on average. Week 2, 2012 releases took $67.4M.
None. The biggest, Always: Sunset on Third Street ’64 (2012), earned $40.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2012 (Jan 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.