#1 of 7 2000 · Action, Comedy
$212.8M worldwide · 51% of the chart's total
Miss Congeniality (2000) is the highest-grossing comedy movie released in week 52 of 2000 (Dec 17–23), with $212.8M worldwide, ahead of The Family Man (2000) at $124.7M and O Brother, Where Art Thou? (2000) at $71.9M. 7 comedy films released that week report a worldwide gross, $420.6M in all, 56% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 32% on Week 51, 2000, whose releases took $617M. By language, English leads with $418.6M across 4 comedy releases.
#1 of 7 2000 · Action, Comedy
$212.8M worldwide · 51% of the chart's total
Miss Congeniality (2000) leads with $212.8M, 51% of the total. The top 5 together took $420.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2000 (Dec 17–23).
Dec 22, 2000 US and Canada: $106.8M Rest of the world: $106M Worldwide: $212.8M
Dec 22, 2000 US and Canada: $75.8M Rest of the world: $49M Worldwide: $124.7M
Dec 22, 2000 US and Canada: $6.9M Rest of the world: $2.3M Worldwide: $9.2M
Dec 22, 2000 US and Canada: – Rest of the world: – Worldwide: $1.6M
Dec 21, 2000 US and Canada: $194.7K Rest of the world: $207.5K Worldwide: $402.2K
Of the top 7, State and Main (2000) earned the biggest share at home (75% in the US & Canada), while Raju Chacha (2000) made 52% of its gross abroad. Across all 7 films, $235.3M (56%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 52 releases took $420.6M. The biggest of these 9 weeks is week 51 (Dec 10–16) with $617M, led by What Women Want (2000).
Of these 10 years, Week 52, 2000 earned the most: $420.6M from 7 films, led by Miss Congeniality (2000).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 1991 Dec 22–28 1 film | 1 | $4.3M | – | Hear My Song (1991) $4.3M |
| Week 52, 1992 Dec 20–26 No films | 0 | – | – | – |
| Week 52, 1993 Dec 19–25 1 film | 1 | $70.2M | – | Grumpy Old Men (1993) $70.2M |
| Week 52, 1994 Dec 18–24 4 films · +107% | 4 | $145.3M | +107% | Street Fighter (1994) $99.4M |
| Week 52, 1995 Dec 24–30 1 film · −99% | 1 | $1.3M | −99% | Pom Poko (1995) $1.3M |
| Week 52, 1996 Dec 22–28 1 film · +9259% | 1 | $119.7M | +9259% | Michael (1996) $119.7M |
| Week 52, 1997 Dec 21–27 4 films · +236% | 4 | $402.3M | +236% | As Good as It Gets (1997) $314.2M |
| Week 52, 1998 Dec 20–26 3 films · −10% | 3 | $362.1M | −10% | Patch Adams (1998) $202.3M |
| Week 52, 1999 Dec 19–25 3 films · −59% | 3 | $146.8M | −59% | Galaxy Quest (1999) $90.7M |
| Week 52, 2000 Dec 17–23 7 films · +187% | 7 | $420.6M | +187% | Miss Congeniality (2000) $212.8M |
53 weeks of 2000 with reported grosses; the biggest is week 51 (Dec 10–16) with $617M, led by What Women Want (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Miss Congeniality (2000) leads with $212.8M worldwide, $106.8M of it in the US & Canada. Next come The Family Man (2000) at $124.7M and O Brother, Where Art Thou? (2000) at $71.9M.
7 comedy films released in week 52 of 2000 (Dec 17–23) report a worldwide gross, $420.6M in all, or $60.1M per film on average. Week 51, 2000 releases took $617M.
None. 2 films crossed $100 million, led by Miss Congeniality (2000) with $212.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2000 (Dec 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.