#1 of 3 2000 · Action, Adventure
$99.3M worldwide · 99% of the chart's total
Shanghai Noon (2000) is the highest-grossing comedy movie released in week 22 of 2000 (May 21–27), with $99.3M worldwide, ahead of 8 ½ Women (2000) at $437.6K and Kikujirô no natsu (2000) at $281.5K. 3 comedy films released that week report a worldwide gross, $100M in all, 58% of it from the US & Canada.
#1 of 3 2000 · Action, Adventure
$99.3M worldwide · 99% of the chart's total
Shanghai Noon (2000) leads with $99.3M, 99% of the total. The top 3 together took $100M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2000 (May 21–27).
May 26, 2000 US and Canada: $56.9M Rest of the world: $42.3M Worldwide: $99.3M
May 26, 2000 US and Canada: $424.1K Rest of the world: $13.4K Worldwide: $437.6K
May 26, 2000 US and Canada: $200.9K Rest of the world: $80.6K Worldwide: $281.5K Of the top 3, 8 ½ Women (2000) earned the biggest share at home (97% in the US & Canada), while Shanghai Noon (2000) made 43% of its gross abroad. Across all 3 films, $57.6M (58%) came from the US & Canada.
Week 22 releases took $100M. The biggest of these 9 weeks is week 23 (May 28–Jun 3) with $174.1M, led by Big Momma's House (2000).
Of these 10 years, Week 22, 1994 earned the most: $462.5M from 3 films, led by The Flintstones (1994). Week 22, 2000 took $100M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 1991 May 26–Jun 1 1 film | 1 | $36.5M | – | Soapdish (1991) $36.5M |
| Week 22, 1992 May 24–30 1 film · +535% | 1 | $231.6M | +535% | Sister Act (1992) $231.6M |
| Week 22, 1993 May 23–29 2 films · −46% | 2 | $125.9M | −46% | Made in America (1993) $104.9M |
| Week 22, 1994 May 22–28 3 films · +267% | 3 | $462.5M | +267% | The Flintstones (1994) $341.6M |
| Week 22, 1995 May 28–Jun 3 1 film · −100% | 1 | $218.6K | −100% | Jack & Sarah (1995) $218.6K |
| Week 22, 1996 May 26–Jun 1 1 film · +14257% | 1 | $31.4M | +14257% | Eddie (1996) $31.4M |
| Week 22, 1997 May 25–31 2 films · −53% | 2 | $14.6M | −53% | Trial and Error (1997) $14.6M |
| Week 22, 1998 May 24–30 3 films · +33% | 3 | $19.5M | +33% | I Got the Hook-Up (1998) $10.3M |
| Week 22, 1999 May 23–29 1 film · +1769% | 1 | $364M | +1769% | Notting Hill (1999) $364M |
| Week 22, 2000 May 21–27 3 films · −73% | 3 | $100M | −73% | Shanghai Noon (2000) $99.3M |
53 weeks of 2000 with reported grosses; the biggest is week 51 (Dec 10–16) with $617M, led by What Women Want (2000).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
Shanghai Noon (2000) leads with $99.3M worldwide, $56.9M of it in the US & Canada. Next come 8 ½ Women (2000) at $437.6K and Kikujirô no natsu (2000) at $281.5K.
3 comedy films released in week 22 of 2000 (May 21–27) report a worldwide gross, $100M in all, or $33.3M per film on average.
None. The biggest, Shanghai Noon (2000), earned $99.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2000 (May 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.