#1 of 7 2016 · Action, Adventure
$162.4M worldwide · 73% of the chart's total
The Magnificent Seven (2016) is the highest-grossing action movie released in week 39 of 2016 (Sep 18–24), with $162.4M worldwide, ahead of The Age of Shadows (2016) at $54.5M and Sanada 10 Braves (2016) at $4M. 7 action films released that week report a worldwide gross, $220.9M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 3.2 times the total of Week 38, 2016, whose releases took $68.7M. By language, English leads with $162.4M across 1 action release.
#1 of 7 2016 · Action, Adventure
$162.4M worldwide · 73% of the chart's total
The Magnificent Seven (2016) leads with $162.4M, 73% of the total. The top 5 together took $220.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2016 (Sep 18–24).
Sep 23, 2016 US and Canada: $93.4M Rest of the world: $68.9M Worldwide: $162.4M
Sep 23, 2016 US and Canada: $541.7K Rest of the world: $53.9M Worldwide: $54.5M
Sep 22, 2016 US and Canada: – Rest of the world: – Worldwide: $4M
Sep 23, 2016 US and Canada: $25.5K Rest of the world: Worldwide: $25.5K
Sep 22, 2016 US and Canada: $11.2K Rest of the world: Worldwide: $11.2K
Sep 22, 2016 US and Canada: – Rest of the world: – Worldwide: $8.4K
Sep 23, 2016 US and Canada: – Rest of the world: – Worldwide: $2.5K Of the top 7, Banjo (2016) earned the biggest share at home (100% in the US & Canada), while The Age of Shadows (2016) made 99% of its gross abroad. Across all 7 films, $94M (43%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 39 releases took $220.9M. The biggest of these 9 weeks is week 40 (Sep 25–Oct 1) with $363.1M, led by Operation Mekong (2016).
Of these 10 years, Week 39, 2008 earned the most: $236M from 4 films, led by Eagle Eye (2008). Week 39, 2016 took $220.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 2007 Sep 23–29 3 films | 3 | $87.5M | – | The Kingdom (2007) $87M |
| Week 39, 2008 Sep 21–27 4 films · +170% | 4 | $236M | +170% | Eagle Eye (2008) $178.8M |
| Week 39, 2009 Sep 20–26 3 films · −39% | 3 | $143.1M | −39% | Surrogates (2009) $122.4M |
| Week 39, 2010 Sep 19–25 1 film · −100% | 1 | $259.3K | −100% | Seres: Genesis (2010) $259.3K |
| Week 39, 2011 Sep 18–24 4 films · +54865% | 4 | $142.5M | +54865% | Abduction (2011) $82.1M |
| Week 39, 2012 Sep 23–29 3 films · +24% | 3 | $176.7M | +24% | Looper (2012) $176.5M |
| Week 39, 2013 Sep 22–28 5 films · −38% | 5 | $109.2M | −38% | Young Detective Dee: Rise of the Sea Dragon (2013) $98.8M |
| Week 39, 2014 Sep 21–27 3 films · +79% | 3 | $195.2M | +79% | The Equalizer (2014) $192.3M |
| Week 39, 2015 Sep 20–26 2 films · −100% | 2 | $262.4K | −100% | The Anomaly (2015) $252.3K |
| Week 39, 2016 Sep 18–24 7 films · +84076% | 7 | $220.9M | +84076% | The Magnificent Seven (2016) $162.4M |
51 weeks of 2016 with reported grosses; the biggest is week 10 (Feb 28–Mar 5) with $1.3B, led by Zootopia (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Magnificent Seven (2016) leads with $162.4M worldwide, $93.4M of it in the US & Canada. Next come The Age of Shadows (2016) at $54.5M and Sanada 10 Braves (2016) at $4M.
7 action films released in week 39 of 2016 (Sep 18–24) report a worldwide gross, $220.9M in all, or $31.6M per film on average. Week 38, 2016 releases took $68.7M.
None. 1 film crossed $100 million, led by The Magnificent Seven (2016) with $162.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2016 (Sep 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.