Directed by

Albert S. Rogell
Made by

RKO Pathé Pictures
Read the complete plot summary and ending explained for The Tip-Off (1931). From turning points to emotional moments, uncover what really happened and why it matters.
Tommy Jordan, Eddie Quillan is dispatched for a routine radio repair, but two men block the street and haul him away to a place he cannot see. He jokes about the situation, saying it must be a hide-out that he should not know where he is. He ends up alone in the apartment, and as he follows a loose wire into the bedroom, a sudden turn of fate leaves him lying on the floor beneath the bed, only catching a glimpse of a woman who emerges from the bathroom to take a call.
The room fills with new mysteries as he discovers the woman is tied to a legendary fighter, Kayo McClure, [Robert Armstrong], and she introduces herself in a way that hints at more glamour than danger. The woman is also known as Baby Face, Ginger Rogers, a striking presence in McClure’s life. When McClure comes home, Tommy scrambles to stay hidden as trouble moves in: Nick Vatelli, Ralf Harolde and his gang menace the apartment, forcing McClure to stand firm. Tommy uses the radio’s voice to pretend there are police on the way, and the intruders bolt, leaving McClure grateful and intrigued by his unexpected ally.
Impressed by the young man’s nerve, McClure offers help and even hands him a ticket to a ball, a chance for Tommy to walk into a different world. At the event, Baby Face is eager to dance with him, but to avoid arousing McClure’s jealousy he pairs off with another girl. That girl turns out to be Edna Moreno, Joan Peers, Nick Vatelli’s fiancée, whose presence adds a tense complication to the evening. The following day, the clash over the kids’ safety escalates, and Edna leaves the apartment without a word. Tommy tracks her down and, with McClure’s aid, sets out to rescue her from an arranged marriage to Nick.
As the story unfolds toward its hopeful finale, Tommy’s steadfast stubbornness and McClure’s protection converge to free Edna from Nick’s plans. In the end, the crisis is resolved and Tommy and Edna choose to start a life together, their bond sealed by shared peril and a hopeful future. > “must be a hide-out, that I should not know where I am”
Follow the complete movie timeline of The Tip-Off (1931) with every major event in chronological order. Great for understanding complex plots and story progression.
Tommy is abducted for a radio repair
Two men waiting on a street take Tommy to a hidden location to repair a radio. He is not allowed to see where he is and is warned to behave. The setup establishes the film's dangerous premise.
Tommy hides in McClure's apartment
Left alone to work, Tommy follows a wire into the bedroom and ends up lying under the bed. A telephone rings and a woman answers from the bathroom, unaware of his presence. He is effectively trapped, visible only by the legs she reveals.
Identity revealed: Babyface and Kayo McClure
The woman finishes her call and explains that Kayo McClure, a famed fighter, lives in the apartment. She reveals that she is Babyface, McClure's partner. Tommy realizes he has stumbled into the private world of a celebrity and his safety will depend on them.
Gangster threat and a police-style rescue
When McClure returns home, Tommy remains hidden as Nick Vatelli and his men threaten the fighter. Tommy uses the radio to pretend police, driving the gang away and saving McClure. Grateful, McClure offers help whenever Tommy needs it and gives him a ball ticket.
Tommy attends the ball on McClure's ticket
Tommy goes to the ball as invited by McClure. Babyface is eager to dance with him, but to avoid jealousy he dances with someone else first. The ball scene introduces romance and tension into the plot.
The other dancer is Nick's fiancée Edna
The girl Tommy dances with turns out to be Edna Moreno, Nick Vatelli's fiancée. This creates a conflict of interest as Tommy becomes entangled with both Babyface and Edna. The delicate balance at the party starts to unravel.
Nick appears; Tommy hides Edna with McClure
Nick arrives at the ball and clashes with Tommy. Sensing danger, Tommy escorts Edna away and hides her at McClure's place for the night. The trio's fragile alliance is tested by Nick's threat.
Babyface confronts McClure; Edna leaves
The next day Babyface argues with McClure about hiding the kids; she threats to leave him. Edna quietly departs the apartment, unsettled by the conflicts around her. The rift deepens the personal stakes.
Tommy locates Edna and rescues her
Tommy, with McClure's help, discovers where Edna has gone and sets out to keep her from marrying Nick. A tense pursuit culminates in keeping Edna from a bitter wedding bond. The plan hinges on Tommy's quick thinking and McClure's support.
Resolution and marriage
The conflict with Nick is resolved and Tommy and Edna decide to marry. McClure's mentorship and the earlier dangers bind the couple together. The film closes on their wedding as a sign of new beginnings.
Explore all characters from The Tip-Off (1931). Get detailed profiles with their roles, arcs, and key relationships explained.
Tommy (Eddie Quillan)
A young radio repairman who stumbles into a criminal scheme and becomes the story's unlikely hero. He shows quick thinking, resourcefulness, and a brave, earnest personality that earns the respect of McClure. His growing boldness and charm drive the plot and bring about the final alliance.
Kayo McClure (Robert Armstrong)
A famous fighter who uses his strength and presence to protect those around him. He is wary of trouble but warms to Tommy's bravery and offers support and friendship. His protective stance helps steer events away from danger and toward a resolution.
Baby Face (Ginger Rogers)
The charismatic woman who is closely tied to McClure and pulls strings behind the scenes. She combines glamour with a sharp, practical mind, contributing to the plan to keep loved ones safe. Her actions reveal a protective side beneath a public persona.
Edna (Joan Peers)
Edna is Nick Vatelli's fiancée, drawn into the gang's schemes and then sheltered by McClure and Tommy. She is brave and decisive, playing a key role in the escape plan. By the end, she finds autonomy and love with Tommy.
Nick Vatelli (Ralf Harolde)
The gang leader who orchestrates threats against McClure and his circle. He drives the tension in the apartment and ball scenes, representing the criminal force the heroes must outwit. His downfall comes through the clever ruse and the unlikely alliance formed by the protagonists.
Learn where and when The Tip-Off (1931) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
McClure's Apartment, Ball
The action largely takes place in Kayo McClure's apartment, a stylish hideout for the fighter and a target for gangsters. A glamorous ball provides a backdrop for mistaken identities, covert plans, and romantic entanglements. These locations contrast private safety with public spectacle as danger closes in and resolution arrives.
Discover the main themes in The Tip-Off (1931). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🕵️♂️
Disguise
Mistaken identities and staged appearances drive the plot. Tommy's radio trick helps clear the apartment of the gang, while Baby Face's public image adds tension and suspense. The deception fuels both danger and humor, until honesty and cleverness prevail.
🤝
Loyalty
Tommy's quick actions earn McClure's gratitude and his protection. The trio forms a bond that helps them outwit Vatelli and his men. Loyalty to friends and partners ultimately leads to safety and a hopeful future.
💖
Romance
Romance threads through the story, from the ball to the final union. Edna's position with Nick complicates matters, while Tommy's rescue and care pave the way for a life together with Edna. Love and courage intertwine to resolve the conflict.

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Explore the mobile appDiscover the spoiler-free summary of The Tip-Off (1931). Get a concise overview without any spoilers.
In the humming heart of a city where the crackle of radio waves mixes with the low‑key thrum of underground dealings, a modest repairman finds his ordinary routine turned upside‑down. Tommy Jordan is sent to fix a busted set, only to step through a doorway that leads straight into a world of smoky rooms, whispered alliances, and an atmosphere charged with both danger and allure. The streets pulse with a blend of gritty realism and a lingering, almost nostalgic glamour, setting a stage where technology and crime intersect in ways that feel both familiar and oddly romantic.
Within this tangled enclave, Kayo McClure reigns as a larger‑than‑life figure, a charismatic fighter whose presence commands both respect and curiosity. By his side is the striking Baby Face, a woman whose beauty masks a sharp wit and whose involvement hints at layers of intrigue beyond the surface. Their circle swirls around loyalty, bravado, and the ever‑present threat of conflict, creating a dynamic that pulls anyone who stumbles inside into a dance of wit and caution.
As Tommy navigates the shifting loyalties and hidden motives of this underworld, he encounters the charismatic Nick Vatelli and his determined fiancée, Edna Moreno. The juxtaposition of a humble technician against such flamboyant personalities fuels a narrative rich with tension, humor, and the promise of unexpected alliances. The film’s tone balances brisk, snappy dialogue with moments of tension, inviting the audience to wonder how far a simple act of repair can carry a man into a world where every radio signal might be a lifeline—or a warning.
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