The Only One 2006

Drama

Runtime

90 mins

Language

Dutch

Directed by

Geoffrey Enthoven

Made by

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The Only One Plot Summary

Read the complete plot summary and ending explained for The Only One (2006). From turning points to emotional moments, uncover what really happened and why it matters.

Lucien Nand Buyl is a stubborn man in his eighties whose routine becomes a daily clash when he moves into his daughter Gerda’s house after his wife’s death. The transition throws him into a small world of shared living with other residents, and his uncompromising way of life routinely disrupts the rhythm of the home. He resists many of Gerda’s requests, stubbornly pushing back against authority and refusing to cede control over his own life.

After yet another incident, Gerda nears her limit and contemplates placing him in a rest home. To her relief, Lucien abruptly announces that he won’t stay and will return to his own house, insisting that his “new girlfriend” will also come along. Gerda sharpens her budget and worries about the money she had earmarked for a deluxe campervan to visit Spain, fearing this plot is more about fuel for manipulation than genuine affection.

Lucien later confides in his granddaughter Julie that he does not actually have a new girlfriend yet. In the household, Mathilde, the wife of his best friend Felix, becomes a fixture who will handle housekeeping. Mathilde Viviane de Muynck is drawn into the older man’s life in ways that reveal past secrets: the two had already been involved when Lucien’s wife was still alive, and they once promised each other eternal love, though they felt compelled to keep it secret until their respective partners had passed away.

Living on his own proves tougher than Lucien anticipated. He feels the absence of Mathilde when she’s away, and only Julie’s visits bring warmth. When Julie announces she will leave for France to study, the house grows quieter and the days expand with a kind of lonely restlessness.

A sharp turn arrives with a new neighbor, Sylvia Marijke Pinoy, a woman in her mid-to-late forties who piques Lucien’s curiosity. Sylvia brings energy, instruction, and a spark of youth back into his life. She teaches him how to manage the housekeeping routine and even offers computer lessons, reviving his interest in daily life and independence. Yet Gerda and Mathilde remain wary of Sylvia, questioning the motives of this unfamiliar intruder in their family dynamic.

As the friendship between Lucien and Sylvia grows, a delicate balance forms—one that promises renewed companionship without abandoning the responsibilities of his family. But the film turns on a decisive choice: Lucien eventually steps back from this budding relationship, choosing to prioritize his family’s stability and the obligations he feels toward them, even if it means letting go of the possible happiness Sylvia represented.

Throughout, the story deftly explores aging, autonomy, and the tension between living independently and belonging to a family. It tracks how memories of love, secrecy, and guilt shape present choices, and it follows Lucien as he navigates the rough terrain of duty, desire, and the fear that change might undermine the careful, fragile peace he has built.

The Only One Timeline

Follow the complete movie timeline of The Only One (2006) with every major event in chronological order. Great for understanding complex plots and story progression.

Lucien moves in with Gerda after his wife's death

Lucien, an octogenarian with a stubborn streak, relocates to his daughter Gerda's house following his wife's death. The change unsettles him and disrupts the rhythm of the household. He resists Gerda's attempts to impose rules, clinging to his fixed routines.

shortly after his wife's death Gerda's house

Clash with residents and Gerda's expectations

Lucien's strict way of living clashes with the others in the house and with Gerda's expectations. He neglects many of her requests and refuses to adapt his habits. The friction between father and daughter grows and spills into the shared spaces.

early in the stay Gerda's house

Gerda considers a rest home for Lucien

After the umpteenth incident, Gerda is near to the edge and considers a rest home for her father. She fears losing control over the situation and the family finances. The prospect marks a turning point in their strained relationship.

after several incidents Gerda's house

Lucien announces leaving and a supposed girlfriend

Lucien tells Gerda he will not stay longer and plans to move back to his own house. He adds that his 'new girlfriend' will also move in, a claim that immediately rings false to Gerda. She worries this plan would compromise the money she wants to spend on a luxury campervan to visit Spain.

the confrontation moment Gerda's house

Lucien confides to Julie about no girlfriend

To his granddaughter Julie, Lucien admits he does not have a new girlfriend. He avoids clarifying the romantic situation and tries to project calm about the coming changes. Julie remains one of the few bright spots amid the tension.

around this confrontation With Julie

Mathilde to manage housekeeping

Mathilde, the wife of Lucien's best friend Felix, is introduced to handle housekeeping. Her presence signals a shift in the household's routines and the power dynamics at play. Lucien's interactions with Mathilde introduce new warmth but also old loyalties.

shortly after the move Lucien's home

Reveal of past affair with Mathilde

It emerges that Lucien had sexual affairs with Mathilde while his wife was still alive. They promised eternal love but kept it secret until both partners were dead. The revelation strains trust and complicates the relationships in the circle.

after moving back Lucien's home

Lucien struggles living alone; Julie leaves for France

Living on his own proves tougher than Lucien expected, and he grows bored when Mathilde is not around. The visits of Julie brighten his days, though she soon tells him she will leave for France to study. The family circle begins to tilt as distance and independence creep in.

mid-late film Lucien's home

Sylvia moves in next door and captivates Lucien

A new neighbor named Sylvia moves in next door. At around 46 years old, she intrigues the elderly man and offers a spark of renewed interest. Sylvia teaches him housekeeping and even gives him computer lessons.

early in Sylvia's arrival Next-door neighborhood

Lucien's renewal with Sylvia and new companionship

With Sylvia, Lucien experiences a renewed vitality as he embraces new routines. She becomes a teacher and friend, helping him manage the house and learn technology. Their companionship brightens his days and loosens the old grip of isolation.

during the bloom of the friendship Lucien's home

Gerda and Mathilde distrust Sylvia

Gerda and Mathilde distrust Sylvia, sensing that she could disrupt the household balance and Lucien's loyalties. They view her presence as a threat to their plans and to the family's financial stability. Their distrust foreshadows looming conflict.

as the friendship peaks Gerda's home / Lucien's home

Lucien ends the relationship with Sylvia for family’s sake

In a drastic move, Lucien breaks with Sylvia to protect his family. He prioritizes Gerda's plans and the finances over personal happiness. The decision marks the film's pivot back toward family duty.

finale Lucien's home

The Only One Characters

Explore all characters from The Only One (2006). Get detailed profiles with their roles, arcs, and key relationships explained.

Lucien Knops (Nand Buyl)

An octogenarian with a stubborn streak who resists orders from his daughter and clings to his own way of life. His longing for companionship drives him into complicated romantic entanglements, while his insistence on independence creates ongoing conflict within the family.

🧓 Elderly 🧭 Independence 💔 Secret romance

Gerda Knops

Lucien's daughter, anxious about his behavior and finances. She pushes for moving him to a rest home, plans budgets for a camper van trip to Spain, and struggles to control her father's life.

👩 Daughter 🏠 Family conflict 💰 Financial concerns

Sylvia (Marijke Pinoy)

The new next-door neighbor, around 46, who rekindles Lucien's interest. She teaches him housekeeping and computer skills, becoming a catalyst for change in his routine and relationships.

🧑 Neighbor 💬 Catalyst 👫 Romance

Mathilde (Viviane De Muynck)

The wife of Lucien's best friend Felix and Lucien's past lover. They swapped promises of eternal love, kept secret until their partners die, and she helps with housekeeping.

💞 Past romance 🏠 Household partner

Felix (Leo Achten)

Mathilde's husband and Lucien's best friend. He is a central part of the social circle and the web of relationships surrounding the aging quartet.

👨 Friend 🕊️ Social circle

Directeur rusthuis (Paul Carpentier)

Director of the rest home who oversees care and daily routines, and interacts with Lucien as he contemplates his future living arrangements.

🏢 Authority 🗂️ Rest home

Julie

Lucien's granddaughter who brings warmth to the story and hints at new opportunities, including her plan to study in France.

👧 Grandchild ✈️ Study abroad

The Only One Settings

Learn where and when The Only One (2006) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

Contemporary

Set in the present day, the film uses modern life details—computer lessons, rest-home routines, and travel plans—to ground its story. The age of the characters and the social dynamics reflect current attitudes toward aging and caregiving. The narrative unfolds in familiar places, emphasizing everyday choices and their consequences in a modern context.

Location

Lucien's house, Gerda's house, Rest home (rusthuis), Sylvia's house, France, Spain

The story unfolds in a Flemish suburban setting centered on an elderly man who moves between his daughter's home and his own. A rest home forms a key backdrop for care, clashes, and quiet drama, while the nearby houses host intimate encounters and daily friction. Travel dreams to Spain and studies in France frame the characters’ ambitions and the financial pressures shaping family life. The domestic spaces underline how private loyalties are tested when independence competes with obligation.

🏡 Domestic life 🏥 Rest home 🇫🇷 France 🇪🇸 Spain

The Only One Themes

Discover the main themes in The Only One (2006). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

🧓

Aging

Aging is portrayed as a period of both independence and vulnerability. Lucien’s stubborn desire to control his life clashes with family expectations, highlighting the tension between autonomy and care. The theme explores how society should support elders while honoring their dignity and choices.

💞

Late-life Romance

The plot threads romance into late life, revealing how passion, secrecy, and renewal can emerge after long marriages. Lucien’s past with Mathilde and his later connection to Sylvia complicate loyalties and threaten delicate family finances. The theme examines emotional honesty, consequences, and the price of staying true to oneself.

👨‍👩‍👧

Family vs Self

A central conflict pits family duties and financial planning against individual desires and freedom. Gerda’s insistence on control clashes with Lucien’s need for independence, while decisions about rest homes and travel expose fault lines within the family. The story questions how to balance care with personal dignity.

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The Only One Spoiler-Free Summary

Discover the spoiler-free summary of The Only One (2006). Get a concise overview without any spoilers.

In a modest town where the quiet of everyday life masks deeper currents, Lucien Knops, an eight‑year‑old widower with a stubborn streak, shifts his world after his wife’s passing. He moves into his daughter’s home, a space already accustomed to routine, and his uncompromising habits quickly clash with the rhythms that have steadied the household for years. The film opens with a delicate balance between affection and friction, setting a tone that feels both intimate and gently uneasy.

Gerda, Lucien’s adult daughter, faces the sudden pressure of caring for a parent whose independence seems both admirable and confounding. She watches his daily battles with the house’s routines, all while juggling her own plans and the looming question of inheritance. There’s a subtle undercurrent of anxiety as she contemplates what a future care facility might mean for both her and her father, creating a palpable tension that underscores their relationship.

When Lucien announces his intention to return to his old house, he adds a surprising twist: a new partner will soon join him. This declaration unsettles Gerda and reshapes the family’s expectations. Around the same time, a fresh presence appears next door in the form of Sylvia, a charismatic neighbour whose energy hints at possibilities beyond the familiar. Meanwhile, Mathilde, the wife of Lucien’s longtime friend, drifts into the picture, offering a glimpse of past connections and unspoken histories that linger in the background.

The film’s mood is a quiet, observant study of aging, autonomy, and the subtle negotiations that bind family together. Its style leans toward understated humor and tender drama, inviting the audience to linger on the small gestures that reveal larger truths. As the characters navigate the shifting landscape of duty, desire, and the fear of change, the story asks what it means to grow older while still yearning for companionship and a sense of purpose.

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