Directed by

Sang-soo Im
Made by

IFC Films
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SDRead the complete plot summary and ending explained for The Housemaid (2011). From turning points to emotional moments, uncover what really happened and why it matters.
The film opens on a crowded city street where tragedy interrupts the day: a young woman jumps to her death from a building ledge. Eun-yi, who works in a bustling restaurant, is drawn to the scene and persuades her coworker and roommate to drive her there, lingering over the chalk outline that marks where the woman’s body lay. The next morning, an older woman named Byeong-sik (also known as Miss Cho) visits her small apartment and quietly expresses interest in offering a job. The encounter marks the beginning of a fraught sequence of power, desire, and social divide that will pull Eun-yi into a family life she did not anticipate.
Eun-yi is hired as an au pair for Hae-ra, who is pregnant with twins, and her very wealthy husband Hoon. Her primary duty is to care for the couple’s young daughter, Nami, a task that allows Eun-yi to form a gentle bond with the child. As she settles into the rhythm of the household, Hoon begins to flirt with Eun-yi, offering glasses of wine and playing the piano as a lure, and the two eventually slip into a sexual relationship. Despite the affair, Eun-yi remains outwardly warm toward Hae-ra, the oblivious wife, even expressing genuine delight at the progress of Hae-ra’s pregnancy and the life growing inside her.
Meanwhile, the other live-in maid, Byeong-sik (Miss Cho), witnesses the affair. She tries to pry details from Eun-yi, but Eun-yi keeps her distance. Later, Miss Cho shares her suspicions with Hae-ra’s mother, Mi-hee, who visits the home and orchestrates a chilling “accident.” A ladder at the top of the stairs becomes the stage for a fall; Eun-yi clings to a chandelier as she pleads to be pulled over the railing, but Mi-hee does not help. The fall leaves Eun-yi with a concussion, and she spends the night in the hospital. In a bitter twist of fate, Eun-yi discovers she is pregnant and begins to weigh whether abortion might be the safer option.
The affair becomes public within the family’s circle, and Mi-hee instructs Hae-ra to ignore it, arguing that all wealthy husbands cheat and that a life of quiet luxury is worth preserving. That night, Hae-ra confronts Eun-yi with a golf club but cannot bring herself to strike. The next day, Hae-ra and her mother forcefully confront Eun-yi, offering a large sum—$100,000—to get an abortion and leave. Knowing Eun-yi would not terminate her pregnancy for money, Hae-ra instead takes matters into her own hands by poisoning the herbal medicines Eun-yi takes daily. The next chapter follows as Hae-ra goes to the hospital and gives birth to her twin sons, while Hoon visits, and Hae-ra’s ill will toward him is made clear.
Furious, Hoon returns home to find Eun-yi in his bathtub, where she reveals that she is pregnant with his child and plans to keep the baby. Eun-yi then collapses from the lingering effects of the poisoning, and Mi-hee arranges an abortion without Eun-yi’s consent. After the procedure, Miss Cho reveals to Eun-yi that she was the one who told Mi-hee about the pregnancy. Although angry, Eun-yi forgives Miss Cho and vows to seek revenge on the family. As she recovers, Eun-yi quietly plans her return to the house, aided by Miss Cho, and secretly enters again.
Hoon eventually discovers Eun-yi breastfeeding one of the newborns. Hae-ra orders Miss Cho to expel her, but Miss Cho refuses and quits on the spot. In a climactic turn of events, Eun-yi confronts the entire family—Hae-ra, Mi-hee, Hoon, and Nami—and, in a harrowing moment, hangs herself from the chandelier and sets her body ablaze, leaving the family to watch in horror.
The final scene shifts to a stark, snowy outdoors where the family gathers to celebrate Nami’s birthday, all speaking English as if to sever ties with the world they know. Hae-ra sings “Happy Birthday,” and Hoon hands a glass of champagne to Nami, a moment that underscores a sense of detachment and unspoken insanity that lingers over the family as the camera lingers on Nami’s gaze.
Follow the complete movie timeline of The Housemaid (2011) with every major event in chronological order. Great for understanding complex plots and story progression.
Opening suicide on busy city street
The film opens with a crowded urban street as a young woman commits suicide by jumping from a building. Eun-yi and a coworker rush to the scene and stand by the chalk outline, stunned by what they've witnessed. The immediacy of the tragedy sets a dark tone for what follows.
Byeong-sik visits and offers a job
Byeong-sik, also known as Miss Cho, visits Eun-yi's small apartment and introduces herself as someone who can hire her for a wealthy family. She explains that she needs a reliable worker to manage a demanding household. Eun-yi begins to consider the opportunity, marking the start of a new path.
Eun-yi hired as au pair for Hae-ra and Hoon
Eun-yi is hired as an au pair for Hae-ra, who is pregnant with twins, and her husband Hoon. Her main task is to care for their young daughter Nami. She begins to settle in and slowly bonds with the family.
Hoon flirts and their affair begins
Hoon secretly flirts with Eun-yi, enticing her with wine and his piano playing. Their relationship soon becomes a sexual affair, despite Hoon being married. Eun-yi maintains a warm, professional demeanor toward Hae-ra while the affair continues.
Miss Cho witnesses the affair
Miss Cho witnesses Eun-yi and Hoon having sex. She attempts to pry details from Eun-yi, but Eun-yi brushes her off casually. The secret dynamic between the staff begins to intrude on the household's facade.
Miss Cho informs Mi-hee of the suspicion and an accident is staged
Miss Cho reveals her suspicion about the pregnancy to Mi-hee, Hae-ra's mother. Mi-hee visits the family and stages an accident by arranging a ladder incident that leads to Eun-yi’s fall. Eun-yi sustains a concussion but survives.
Eun-yi falls, is hospitalized, and learns she is pregnant
Eun-yi falls from the ladder during the staged incident and hangs from a chandelier, pleading for help. She is rescued and hospitalized with a concussion. While recovering, she learns that she is pregnant and contemplates abortion.
Mi-hee tells Hae-ra to ignore the affair
Mi-hee advises Hae-ra to ignore the affair, arguing that wealthy husbands cheat and that she could still live like a queen. The advice deepens the emotional distance and sets up further manipulation. The couple continues to navigate their tangled relationship.
The confrontation: money for abortion
The next day, Hae-ra and her mother confront Eun-yi and offer 100,000 to have an abortion and leave. Eun-yi refuses, insisting she will keep her child. The confrontation deepens the power struggle within the household.
Hae-ra poisons Eun-yi with herbal medicine
To control the situation, Hae-ra secretly poisons the herbal medicine packets Eun-yi drinks daily. The tampered regimen weakens Eun-yi and leads to medical intervention. The plan to remove Eun-yi from the household intensifies.
Eun-yi goes to the hospital; pregnancy revelation
Hae-ra goes to the hospital and delivers her twins, while Eun-yi, weakened by the poisoning, receives medical care. At the hospital, Eun-yi discovers she is pregnant with Hoon's child and is confronted by the family tensions. Hoon visits the hospital, escalating the strain between them all.
Abortion arranged without consent; Miss Cho reveals her involvement
Mi-hee arranges an abortion for Eun-yi without her consent. Later, Miss Cho reveals to Eun-yi that she was the one who told Mi-hee about the pregnancy, straining their already fragile relationship. Eun-yi remains angry but vows to seek revenge.
Eun-yi sneaks back into the house to seek revenge
With Miss Cho's help, Eun-yi sneaks back into the house while the family sleeps. Hoon finds her nursing one of the newborns, shocking the household. Hae-ra orders Miss Cho to chase her out, but Miss Cho refuses and quits on the spot.
Eun-yi confronts the family and ends her life
In a climactic act, Eun-yi confronts the entire family on the staircase, hanging herself from a chandelier and setting her body alight as they watch in horror. The scene marks a brutal reversal of power and seals her fate.
Final snow scene with Nami's birthday
The film closes with the family outdoors in the snow, celebrating Nami's birthday in English. Hoon hands a glass of champagne to Nami, and both appear unhinged as she looks on. The moment underscores the collapse of the family’s facade.
Explore all characters from The Housemaid (2011). Get detailed profiles with their roles, arcs, and key relationships explained.
Eun-yi
Eun-yi is a warm, resilient young woman who takes a precarious job as an au pair in a wealthy household. She navigates a dangerous power imbalance, forming an intimate relationship with Hoon while maintaining a caring demeanor toward Hae-ra and Nami. Her pregnancy becomes a pivotal secret that drives the family to desperate, violent actions and ultimately fuels her quest for revenge.
Hae-ra
Hae-ra is the pregnant wife whose life appears gilded yet is constrained by her mother’s influence and the husband’s infidelity. She oscillates between fear and anger, ultimately revealing a capacity for ruthless manipulation in a bid to protect their unborn twins or to settle scores. Her actions help catalyze the household’s unravelling.
Hoon
Hoon is the husband whose charm masks a pattern of infidelity and contempt for the boundaries of marriage. He leverages his status and allure to pursue Eun-yi while remaining emotionally distant from his wife. His actions drive much of the tragedy that unfolds within the household.
Miss Cho
Miss Cho is the other live-in maid who witnesses the affair and becomes entangled in the family’s schemes. She hints at Eun-yi’s pregnancy and ultimately makes a choice about loyalty and self-preservation, quitting when the moral lines become too blurred. Her involvement underscores the complex web of competing interests among the staff.
Mi-hee
Mi-hee is Hae-ra’s mother and a controlling figure who advocates for preserving appearances at any cost. She orchestrates the abortion and uses her influence to manipulate outcomes, embodying privilege-driven ruthlessness. Her machinations propel the family toward a climactic reckoning.
Nami
Nami is the couple’s young daughter, whose innocence stands in stark contrast to the adult turmoil surrounding her. The final birthday scene casts a chilling light on the family’s fractured psyche and the hollow veneer of their happiness.
Learn where and when The Housemaid (2011) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Present-day
The events occur in a modern Korean city, reflecting current social dynamics and gender roles. The world of the affluent couple and their live-in staff reveals contemporary class tensions and power struggles. Key moments occur in the hospital, the house, and urban streets, underscoring the fragility of safety within luxury.
Location
Seoul, South Korea
The story unfolds primarily inside a luxurious family mansion in Seoul, with the surrounding city providing a bustling, modern backdrop. The opening scenes root the tale in a contemporary urban environment where servants navigate the chasm between wealth and vulnerability. The mansion and its upscale neighborhood serve as the stage for desire, manipulation, and the eventual collapse of the family’s carefully maintained image.
Discover the main themes in The Housemaid (2011). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🔥
Betrayal
A intimate affair ruptures the façade of a flawless marriage, exposing how desire and secrecy can redraw loyalties. The relationship between Eun-yi and Hoon exposes the fragility of trust within a power hierarchy built on wealth. As truth emerges, manipulation escalates into violence and moral collapse.
⚖️
Class
The film pits servitude against opulence, highlighting how wealth can shield cruelty while leaving vulnerable individuals exposed. Servants navigate exploitation, surveillance, and the pressure to preserve appearances. The dynamics reveal how privilege can weaponize control and silence dissent.
🕯️
Tragedy
A sequence of retaliations and deadly choices culminates in irreversible consequences, turning a domestic setting into a scene of final, haunting darkness. The characters’ pursuit of power, revenge, and self-preservation ends in a haunting chorus of loss. The finale leaves innocence jarringly fractured within a world of luxury and deceit.

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Explore the mobile appDiscover the spoiler-free summary of The Housemaid (2011). Get a concise overview without any spoilers.
In a sleek, modern mansion perched on the edge of a bustling city, the quiet rhythms of domestic service mask a world of concealed desire and unspoken hierarchies. The house, immaculate on the surface, hums with the subtle currents of class and control, where every polished hallway and whispered conversation hints at something darker beneath the polished veneer. The film opens with a sense of looming tension, as the viewer is invited into a space where luxury and vulnerability coexist, setting the tone for a story that is as much about atmosphere as it is about people.
Eun-yi, a young and inexperienced housemaid, steps into this world as an au pair, tasked with caring for the family’s infant daughter. Her arrival unsettles the delicate balance of the household, drawing the attention of the patriarch, whose charm and authority become both a lure and a source of unease. Around her revolve Hae‑ra, her pregnant wife, whose composure hides fierce protectiveness, and Mi‑hee, the matriarchal mother‑in‑law, whose commanding presence looms like a silent overseer. Adding to the mix is Miss Cho, a seasoned housekeeper whose quiet resentment hints at past grievances and a keen awareness of every undercurrent.
As Eun‑yi navigates her new role, the house becomes a stage for a subtle, seductive game of power. The patriarch’s flirtations blur professional boundaries, while the women of the family each assert their own influence, leading to a fragile yet volatile equilibrium. Beneath polite smiles and domestic routines, the characters engage in a silent contest of wills, each maneuvering to protect their interests and maintain control.
The film’s tone is taut and intimate, blending the elegance of a high‑society setting with a lingering sense of dread. It draws the audience into a claustrophobic world where every glance, whispered word, and lingering touch carries weight, promising a tense exploration of desire, agency, and the precarious balance between servitude and empowerment.
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