The Help 2011

Aibileen Clark, portrayed by Viola Davis, is a resilient middle-aged African American maid who has dedicated her life to raising white children, a profession that has become her sanctuary. Recently, however, she has faced the heart-wrenching loss of her only son, a tragedy that adds a layer of depth to her nurturing spirit. Her closest ally in this world is Minny Jackson, played by the talented Octavia Spencer, another African American maid known for her spunk and impressive culinary skills. Though Minny has earned a reputation for being a challenging employee due to her candid nature, her remarkable cooking compensates for her fiery temperament, and the duo’s friendship is a bright spot amidst societal challenges.

Enter Eugenia “Skeeter” Phelan, a young white woman brought to life by Emma Stone, who, after completing her studies at the University of Mississippi, returns to her family’s plantation. Skeeter’s homecoming is bittersweet as she discovers that her beloved childhood maid, Constantine, portrayed by Cicely Tyson, has mysteriously left without a word. Troubled by this absence, Skeeter suspects that there is more to the story, especially given Constantine’s significance in her life and upbringing.

Unlike her peers, who have all set their sights on matrimony and child-rearing, Skeeter is single-mindedly focused on her burgeoning career as a writer. Her first venture into the professional world is as a “homemaker hints” columnist for the local paper. In an effort to fill the void left by Constantine, Skeeter reaches out to Aibileen to help her navigate the inquiries from readers seeking domestic advice. As Skeeter delves deeper into her role, she becomes increasingly aware of the disdainful attitudes her friends hold towards their help, particularly the unyielding and bigoted Hilly Holbrook, played by Bryce Dallas Howard. Hilly advocates the “Home Help Sanitation Initiative,” an outrageous proposal aimed at mandating separate restrooms for African American help, under the false notion that they carry diseases.

In a time when racial discrimination runs rampant, Skeeter stands apart as a voice of reason, determined to document the untold stories of the maids who have shaped the lives of those they serve. Initially resistant to share their experiences with Skeeter due to fears of losing their employment or facing dire consequences, the maids gradually warm up to the idea as they recognize the power of storytelling. Aibileen, the first to gather her courage, begins to open up after witnessing Hilly’s discriminatory plans, realizing the implications of raising the next generation of children who mirror their parents’ prejudice.

Adding to the narrative complexity, Minny finds herself without a job after a personal dispute with Hilly results in her dismissal for an absurd reason tied to a storm and a bathroom emergency. With her livelihood at stake and her daughter’s education hanging in the balance, Minny reluctantly agrees to contribute her own tales. In a fortunate turn of events, Aibileen helps Minny secure employment with Celia Foote, a kind-hearted woman shunned by high society, who, unlike Hilly, treats Minny with the dignity she deserves.

As Skeeter crafts the book, weaving together the poignant narratives of Minny and Aibileen, she strives to capture voices that have long been submerged beneath the weight of societal expectations. The book garners initial interest from Miss Stein, an editor based in New York City, but the path to publication becomes increasingly fraught with the realities of the Civil Rights movement. When the assassination of Medgar Evers sends shockwaves through Mississippi, and Hilly’s current maid is horrifically apprehended for attempting to secure funds for her children’s education, the maids find the courage to speak up, recognizing that their stories could wield significant power.

One particularly unforgettable moment unfolds when Minny shares the story of the “Terrible Awful,” a legendary act of revenge involving a pie, meant to safeguard their identities while seeking justice against Hilly. Armed with a culmination of tales that reflect their experiences and struggles, the book nears completion, with Skeeter confronting her own past and the truth about Constantine finally coming to light.

As momentum builds, the project receives approval for publication, marking a significant victory not just for Skeeter but for the voices of the women who found strength in unity. Revealing her newfound success brings joy, yet it also alienates Skeeter from those who fail to grasp the significance of her work, including her boyfriend, who chooses to leave her upon learning of her progressive views on race.

In a harrowing twist, Hilly orchestrates a devious plan to undermine Aibileen’s position, submitting false theft accusations to Elizabeth, her employer. In this turbulent climax, Aibileen stands tall against the wave of adversity, denouncing Hilly’s maliciousness and encouraging Elizabeth and her daughter, Mae Mobley, to understand the true value of love and respect for those who have dedicated their lives to care for them. As Aibileen embarks on a new chapter, Mae Mobley’s desperate pleas resonate, symbolizing the profound bond that transcends the barriers imposed by society.