Directed by

Greg Harrison
Made by

Sony Pictures Classics
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Read the complete plot summary and ending explained for November (2005). From turning points to emotional moments, uncover what really happened and why it matters.
The film opens with a devastating scene: the death of Hugh, played by a Michael Ealy, who is shot outside a corner store in Los Angeles. The story unfurls through a series of flashbacks that reveal the intertwined lives of the protagonist, Sophie Jacobs, and Hugh, as well as the events leading up to his tragic demise. Sophie, portrayed by a talented actress, is an LA photographer haunted by this traumatic event, which is triggered when she and Hugh stop at a local store for a quick candy bar. As the story progresses, viewers are taken through a complex web of relationships and secrets that surround Sophie and her circle.
The narrative examines Sophie’s life with her boyfriend Hugh, who is a lawyer. Their relationship seems stable at first, but as the story develops, it becomes evident that things are more complicated. Sophie begins an affair with Jesse, a co-worker and photography instructor at what appears to be a community college. Jesse’s character, played by a compelling actor, introduces tension and suspicion into the plot. The relationship ends abruptly after a conflict, leaving behind questions about Jesse’s possible involvement in Hugh’s death.
Throughout the film, flashbacks provide deeper insights into Sophie’s past and her current mental state. She regularly visits her mother, with whom she shares lunches, and a psychiatrist, who has been prescribing medication to her. It later emerges that Sophie may have been consulting her psychiatrist even before Hugh’s death, hinting at underlying mental health struggles. These scenes also reveal her confessions, including an admission to sleeping with Jesse and details about her relationship with Hugh, which seem to carry more weight than initially apparent.
A significant twist involves the discovery of a slideshow from November 7—the day of Hugh’s shooting. During a class presentation, a student displays a slide of a photo of Sophie outside the grocery store just moments before the shooting, although the student claims it’s not their own work. Later, another slide appears, showing Sophie in her car on the same day, raising suspicions about who might have planted these images. There are hints that Jesse could be behind the setup, possibly orchestrating the shooting to eliminate Hugh, although evidence remains ambiguous.
Sophie’s interactions with her family and her increasing reliance on alcohol, which she confesses to her mother during their lunches, add further layers to her character. The film subtly hints at her possibly being a victim of abuse—there’s a scene where Hugh seemingly assaults her without her memory of the event afterward. This, coupled with Hugh’s odd behavior—such as counting her pills and trying to control her medication—raises questions about his true nature.
As the plot unfolds, investigators and Sophie herself begin to question her memories and motives. The storyline evolves into a whodunit, where everyone becomes a suspect. Motives for Hugh’s murder are examined, especially in light of the suspicious slides that suggest someone might have wanted him out of the picture. Sophie’s lack of memory regarding certain events, her drug use, and the mysterious circumstances point toward a complex narrative of deception, mental health struggles, and hidden agendas. Ultimately, the film keeps the viewer guessing as the true story behind Hugh’s death slowly comes to light, revealing the dark secrets lurking beneath seemingly ordinary lives.
Follow the complete movie timeline of November (2005) with every major event in chronological order. Great for understanding complex plots and story progression.
Hugh's Death at the Corner Store
The film opens with the traumatic event of Hugh's death, shot during a robbery at an LA corner store while Sophie and Hugh stop for a candy bar. The scene sets the mystery, revealing that Hugh was shot and killed unexpectedly, prompting Sophie to process her grief. This incident sparks the entire investigation and flashback structure of the story.
Introduction of Sophie and Hugh's Relationship
The story explores Sophie Jacobs, an LA photographer, and her relationship with her boyfriend, Hugh, a lawyer. Flashbacks reveal how they met and their life together, establishing the foundation of the characters before the incident. Their relationship appears complex, with hints of tension and underlying issues.
Sophie Meets Jesse
While living with Hugh, Sophie becomes involved with Jesse, a coworker and photography instructor at a community college. Their relationship begins to grow, and flashbacks show snippets of their interactions, hinting at Sophie’s emotional entanglements outside her relationship with Hugh.
Conflict with Jesse and Ending the Affair
Sophie and Jesse's relationship encounters conflicts, leading her to end it. Flashbacks reveal the tension and emotional struggles between them, and the separation adds to the mystery surrounding Hugh's death, as Jesse's potential motives emerge.
Discovery of the Photographs and Suspicious Slides
During a class presentation, a slide taken on Nov 7 appears, showing a photo of Sophie outside the grocery store just before the shooting. The student claims the slide isn't theirs, raising suspicion that the photos might be manipulated or planted, hinting at possible motives or schemes related to Hugh's death.
Suspicion of a Conspiracy
The discovery of the slides leads to questions about whether Jesse arranged Hugh's shooting, revealing a possible conspiracy. The film begins to delve into motives, with Sophie questioning the origins of the images and her own involvement, blurring the line between victim and perpetrator.
Sophie’s Interactions with Her Mother and Psychiatrist
Sophie regularly has luncheons with her mother and consults a psychiatrist who prescribes medication. It becomes apparent that Sophie was seeing the psychiatrist before Hugh's death, and her relationships reveal potential influences on her mental state and actions.
Revelations of Sophie’s Past and Personal Struggles
Flashbacks show Sophie confessing to sleeping with another man and reveal her struggles with alcohol. The psychiatrist hints that Sophie’s behavior and mental health issues may be connected to her experiences, adding layers of complexity and suspicion to her character.
Hints of Hugh’s Violence and Psychopathy
Subtle hints emerge suggesting Hugh might have been a nonviolent but successful psychopath. Flashbacks imply Hugh may have committed or been involved in violence, raising questions about his true nature and his role in the events leading up to his death.
Sophie’s Memory Lapses and Potential Violence
Scenes indicate Sophie may have experienced memory lapses, possibly related to her psychiatric medication, and hints that she might have been involved in violent behavior herself. This deepens the mystery around who is responsible for Hugh's death and Sophie’s own mental state.
Suspicion of Manipulation and Framing
As the story develops, suspicion falls on whether Sophie manipulated circumstances or was framed, especially given her inconsistent memories and the suspicious slides. The narrative questions her motives and the true sequence of events leading to Hugh's murder.
The Climax - Unraveling the Motive
Tensions reach a peak as secrets are uncovered about motives, including romantic jealousies, financial gain, and psychological manipulation. The movie challenges viewers to determine who truly had the most to gain from Hugh's death.
Final Revelation and Aftermath
The film concludes with revelations about the true sequence of events, the potential framing of Sophie, and the unresolved questions about Hugh's motives and his true nature. The story leaves the audience contemplating the complex web of deception, mental health issues, and violence.
Explore all characters from November (2005). Get detailed profiles with their roles, arcs, and key relationships explained.
Sophie Jacobs
A Los Angeles photographer dealing with trauma and unresolved memories of her boyfriend's death. She is introspective, psychologically complex, and struggles with addiction and trust issues. Her quest for the truth drives the narrative and reveals her vulnerability.
Hugh
Sophie's deceased boyfriend, a lawyer whose death under suspicious circumstances sparks the investigation. Subtle hints suggest he may have been a successful psychopath, with possible violent tendencies and hidden secrets about his personality and past.
Jesse
A co-worker and photography teacher involved with Sophie. His relationship with her and his possible involvement in Hugh's death introduce a layer of mystery and motive for the unfolding events.
Learn where and when November (2005) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Early 21st century (around 2000s)
The events are set in the early 2000s, a time characterized by digital photography, evolving social dynamics, and contemporary mental health issues. This period influences the characters' behaviors and the technological elements, like the student slides, that play a key role in the plot.
Location
Los Angeles, California
The movie takes place in Los Angeles, a sprawling metropolis known for its entertainment industry and diverse neighborhoods. The city serves as a backdrop for the personal dramas and mysteries that unfold among its residents. Its urban environment is crucial to the film's atmosphere and narrative tension.
Discover the main themes in November (2005). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Psychopathy
The film explores psychopathic tendencies, especially through Hugh’s behaviors, which hint at a successful but potentially violent personality. Themes of mental health, manipulation, and deceit are woven into the narrative, examining how such traits affect relationships and the pursuit of truth.
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Love and Betrayal
Central to the story are complex romantic relationships, including Sophie’s affair and her troubled connection with Hugh. The film investigates trust, betrayal, and the emotional aftermath of tragedies, emphasizing how personal secrets and lies influence the characters’ lives.

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Discover the spoiler-free summary of November (2005). Get a concise overview without any spoilers.
In the hazy light of Los Angeles, a city that feels both intimate and endlessly anonymous, Sophie Jacobs moves through streets and studios with a photographer’s eye, forever searching for a moment of clarity. Her work captures the fleeting beauty of everyday scenes, yet behind the lens she wrestles with a growing sense that the world she knows is slipping into a fragile illusion. The film settles into a quiet, atmospheric rhythm, letting the city’s restless energy echo the internal turbulence of a woman who can no longer tell where comfort ends and fabrication begins.
Sophie shares her life with Hugh, a steady‑minded lawyer whose calm presence seems to anchor her, while a charismatic co‑worker and photography instructor named Jesse offers an alternative route that both excites and unsettles her. Their intertwined relationships create a delicate balance of affection, tension, and unanswered questions. Between lunches with a caring mother and regular sessions with a psychiatrist, she navigates a maze of medication, occasional alcohol, and the lingering shadows of past anxieties. These interactions reveal a protagonist whose external poise masks a deeper uncertainty about memory, trust, and the choices she makes.
The tone of the story is unmistakably introspective, blending the sleek visual style of a city portrait with the psychological weight of a quiet thriller. As Sophie moves through familiar places—a coffee shop, a gallery, a therapy office—each setting feels charged with the possibility of hidden truths waiting to surface. The film invites viewers to linger in the moments of doubt and anticipation, suggesting that the answers she seeks may lie not in dramatic revelations but in the subtle, unsettling spaces between what is seen and what is felt.
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