Nekromantik 2 1991
Directed by
Jörg Buttgereit
Made by
Jelinski & Buttgereit
Nekromantik 2 Plot Summary
Read the complete plot summary and ending explained for Nekromantik 2 (1991). From turning points to emotional moments, uncover what really happened and why it matters.
The film opens where the previous installment left off, beginning with a flashback to Robert “Rob” Schmadtke’s suicide. Monika quietly retrieves his body from a church graveyard after the opening credits, carrying it into her apartment in a way that seems almost inconspicuous despite the macabre burden. The corpse wears a strikingly feminine look—red nail polish on the fingernails, a pencil skirt, and a polka-dot blouse—a detail that underscores Monika’s unsettling fixation. As the scenes unfold, tabloid headlines flash across the screen, hinting at how she first learned about Rob and his activities.
In a parallel thread, Mark heads to his unspecified job, a setup that will soon foreshadow the next bizarre turn. The narrative then revisits Monika as she undresses Rob, tightening the focus on her unusual relationship with the dead man. It’s revealed that Mark’s work involves dubbing porn films, a detail that casts a surreal backdrop to the forthcoming events and foreshadows Monika’s urge to pursue intimacy with Rob’s body.
Betty, Rob’s ex-girlfriend from the first film, appears briefly to discover that Rob’s grave has already been robbed, a discovery that adds to the sense of things spiraling beyond ordinary life.
Monika’s attempt to connect with Rob in a physical sense ends abruptly: she fails to reach an orgasm, the moment ending with her rushing to the bathroom in disgunt. After she cleans Rob’s corpse, she photographs him using her camera’s self-timer, a ritual that blends affection with a disturbing curiosity. The story then shifts to Mark, who plans to meet a friend at a movie theater; when the friend is late, Mark offers his own ticket to a passing stranger, who turns out to be Monika. The two of them strike up a carnival-date dynamic, and Monika chooses to “break up” with Rob’s corpse as she opts to pursue a real-life relationship.
The darker turn intensifies as Monika tears the corpse into pieces, discarding most of it in garbage bags while saving the head and genitals. She stores the genitals in her fridge, a chilling detail that will echo through the rest of the film. She later shares a photo album with Mark, filled with pictures of deceased relatives, sometimes shown in coffins, hinting at a longer, inherited pattern of loss and detachment.
The relationship between Monika and Mark deepens, and they have sex, though the experience is far from satisfying for her. Mark spends the night at her apartment, and in the morning he discovers Rob’s genitals in the refrigerator, heightening his suspicions and prompting him to seek advice from a tardy friend and a drunken bar patron about what’s happening between them.
Soon after, Monika and a circle of necrophiliac friends gather for a movie night at her place, with Rob’s severed head placed prominently on the coffee table. Mark arrives with a pizza, abruptly ending the gathering as Monika hides the severed head and her guests depart. When Mark presses to know what they were doing, she reluctantly reveals the seal-dissection video they had watched, a revelation that fills him with disgust and anger.
A trip to the ocean follows, during which Monika contemplates her next move and the possible consequences of her actions. When Mark returns the next day, they attempt makeup sex, a moment that culminates in an even more shocking act: Monika decapitates Mark and replaces his head with Rob’s severed head. The act satisfies her in a brutal final moment of climax.
The film concludes with a doctor congratulating Monika on her pregnancy, signaling a disturbing new chapter in this unsettling storyline.
Nekromantik 2 Timeline
Follow the complete movie timeline of Nekromantik 2 (1991) with every major event in chronological order. Great for understanding complex plots and story progression.
Opening flashback: Rob's suicide and retrieval
The film opens with a flashback showing Rob Schmadtke's suicide. Monika retrieves his corpse from a church graveyard after the opening credits. The scene hints at a dark, taboo world that will unfold throughout the story.
Monika brings Rob's body home
Monika quietly transports the corpse into her apartment and unwraps him from the body bag. She moves through the space with an unsettling calm, normalizing the disturbing act. The moment marks the transition from public mystery to a private, obsessive routine.
Tabloid headlines reveal Rob's activities
Images of tabloid headlines inform viewers of Rob's activities and provide Monika with knowledge about him. The headlines establish his public notoriety and set the context for Monika's fixation. This information fuels her decisions about the corpse.
Mark's porn-dubbing job introduced
Mark's job as a porn film dubber is introduced, foreshadowing the connection between him and Monika. The scene suggests a shared interest in boundaries and taboo subjects that will intersect with Monika's obsession. His occupation contrasts with the personal drama that unfolds.
Monika's necrophiliac act begins
Monika undresses Rob and begins a sexual encounter with the corpse, confirming her necrophiliac fixation. The act is depicted with clinical detachment, underscoring the film's transgressive tone. This scene sets in motion the moral and emotional consequences for both characters.
Betty discovers grave robbery
Betty, Rob's ex-girlfriend from the previous film, is introduced and discovers that Rob's grave has already been robbed. Her discovery underscores the public reach of Rob's fate and foreshadows the consequences of Monika's actions. The moment heightens the sense of inevitability around the story.
Monika's orgasm attempt ends in disgust
Monika attempts to climax during the act but fails to reach orgasm. She becomes disgusted and rushes to the bathroom to process the experience. The reaction reveals the conflicting emotions and psychological turmoil at the heart of her fixation.
Self-timer photos and cleanup
After cleaning the corpse, Monika takes photos with Rob using a self-timer to create mementos. The act reinforces the intimate, yet distanced, bond she maintains with him. This moment also foreshadows later revelations about Monika's private life.
Carnival date begins after ticket swap
Mark plans to meet a friend at the cinema, but the friend is late, so he offers his ticket to a passing Monika. The two bond and go on a carnival date, signaling the start of a real-life relationship for Monika. She begins to imagine a normal life separate from Rob's corpse.
Monika dismembers Rob and preserves parts
Monika tears the corpse into pieces and places them in garbage bags, disposing of the majority of the remains. She saves the head and the genitals for later, keeping the genitals in her fridge. The act marks a drastic shift from romantic attachment to controlling possession.
Movie night with necrophiliac friends
Monika hosts a movie night with her necrophiliac friends, watching a seal dissection on screen. Rob's severed head sits on the coffee table during the gathering. Mark arrives with pizza, and Monika hastily hides the head as the friends depart.
Seal video provokes Mark and reveals boundaries
Monika reluctantly shows Mark the seal video, and he is disgusted and enraged by what he witnesses. The revelation deepens his doubts about their relationship and about Monika's obsessions. The moment sharpens the conflict between desire and morality.
Final act: ocean contemplation, head swap, and climax
The couple exchanges calls and plan to meet; Monika retreats to the ocean to contemplate her next move. The next day, Mark arrives and they have makeup sex, during which Monika decapitates Mark and replaces his head with Rob's severed head. She finally achieves climax as the macabre swap completes the act.
Pregnancy twist
In the film's final scene, a doctor congratulates Monika on her pregnancy. The twist reframes the consequences of her actions and hints at an uncertain future for all involved. The ending leaves the audience with a disturbing sense of what may come next.
Nekromantik 2 Characters
Explore all characters from Nekromantik 2 (1991). Get detailed profiles with their roles, arcs, and key relationships explained.
Monika
A disturbed woman who uses necrophilia as a substitute for real intimacy, attempting to pursue a normal living relationship while clinging to the dead. Her escalating acts—preserving Rob's body, photographing it, and orchestrating disturbing encounters—reveal a compulsive fixation that ultimately undermines her humanity.
Mark
A porn-dubbing worker who befriends Monika, representing the possibility of a conventional romance. His growing doubts about Monika's fixation expose the clash between wanting companionship and confronting disturbing acts.
Rob's corpse
The body Monika keeps as a central object of desire and ritual, which she eventually dismembers and uses to replace Mark's head, highlighting themes of control, ritual, and the perverse nature of her cravings.
Betty
Rob's ex-girlfriend who discovers that Rob's grave has been robbed, illustrating how Monika's dark life infringes on others and foreshadows consequences for all involved.
Nekro-gang member
Member of the necrophiliac circle that Monika sometimes joins; part of the film's exploration of a hidden subculture.
Nekro-gang member
Another member of the necrophiliac group who participates in their private rituals and social gatherings.
Nekro-gang member
A third member of the necrophiliac circle providing texture to the network of Monika's transgressive world.
Nekromantik 2 Settings
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Location
Church graveyard, Monika's apartment, Movie theater, Carnival, Ocean
The opening and core events unfold around a church graveyard where Rob's body is retrieved, establishing a haunting atmosphere. Monika's apartment becomes the central hub for her disturbing fixation, where she preserves Rob's body, photographs it, and later hides a severed head on the coffee table. A cinema visit and a carnival date provide a contrast to Monika's private rituals, while a trip to the ocean signals a moment of reflection on her path.
Nekromantik 2 Themes
Discover the main themes in Nekromantik 2 (1991). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Necrophilia and Obsession
Monika's fixation on Rob's corpse drives the plot, blending intimacy with death. Her acts—dismembering the body, storing parts, and using Rob as a stand-in partner—show a consuming, dangerous obsession. The film explores how such fixation permeates relationships and boundary-setting. The tension between longing and revulsion reveals the fragility of human connection.
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Normalcy vs Deviance
Monika yearns for a normal relationship with a living man, Mark, after a carnival date, illustrating a wish to live a conventional life. Yet her necrophiliac acts and the final head swap reveal how deviance intrudes into everyday intimacy. The juxtaposition highlights the difficulty of separating desire from transgression. Mark's dawning unease marks the fissure between fantasy and reality.
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Secret Networks and Isolation
Monika is shown as part of a hidden network of necrophiliac friends who share taboo interests, evident in their movie nights and the presence of Rob's severed head during gatherings. This secret circle isolates her from the living world while offering a fragile sense of belonging. The network both protects and traps her, complicating any chance of genuine connection.
Nekromantik 2 Spoiler-Free Summary
Discover the spoiler-free summary of Nekromantik 2 (1991). Get a concise overview without any spoilers.
In a dimly lit apartment that feels both ordinary and otherworldly, Monika has built a life around an intimate, if unsettling, bond with a man who no longer lives. Her devotion to the deceased lover infuses every corner of the space with a quiet reverence, turning ordinary routines into ritualized acts of care. The atmosphere hums with a blend of melancholy and strange affection, inviting the viewer to wonder how love can persist when the object of that love cannot respond in any conventional way.
The world surrounding her is a muted cityscape where the bizarre slips easily into the background of daily life. Tabloid headlines flicker in the periphery, hinting at a larger social curiosity about her situation, while neighbors and occasional acquaintances move through the same streets, each carrying their own oddities. Inside the apartment, the décor and habits reflect Monika’s unique perspective: photographs, personal mementos, and an almost ceremonial attention to the dead body she shares her home with. The tone remains consistently uneasy, oscillating between dark humor and stark horror, creating a surreal backdrop that feels both intimate and alienating.
When Mark appears, he brings a glimpse of a more conventional existence—steady work, a lack of macabre entanglements, and the promise of companionship that could pull Monika toward a different kind of future. His presence sets up a quiet but powerful tug‑of‑war within her, pitting the loyalty to the silent lover she has tended for so long against the possibility of stepping into a life that resembles the world outside her apartment. The film centers on this internal conflict, exploring how desire, grief, and the yearning for normalcy can collide in the most unexpected of settings.
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