Directed by

Derick Cabrido
Made by

Mentorque Productions
See current US streaming, rental, and purchase options for Mallari (2023) via JustWatch.
Read the complete plot summary and ending explained for Mallari (2023). From turning points to emotional moments, uncover what really happened and why it matters.
Shown in a nonlinear manner, the film tells the interlinked stories of three generations of the Mallari family: Juan Severino, Johnrey, and Jonathan, living in different time periods:
Juan Severino, accompanied by his mother Doña Facunda, arrives in Magalang to become its priest. While he is away, Facunda is turned into a manananggal by the church servants led by Maria Capac after she is lured into one of the latter’s clandestine occult rituals. When Severino discovers this, Maria tells him that Facunda is suffering from a terminal illness and can only be cured by consuming human flesh. Torn between damning himself and saving his mother, he agrees to become a murderer after his sinister alter ego urges him to rid society of delinquents. He then kills a corrupt landlord and two prostitutes and feeds their entrails to Facunda, who, unaware of her transformation and her son’s activities, recovers. As more murders occur, Magalang’s residents flee.
Later, a man resembling Severino appears to Facunda, claiming to be a future descendant. After warning that Severino will be remembered as a killer, he forces him to admit his murders and her being a manananggal. The man then scuffles with Severino before the Guardia Civil and a witness to the murders arrive and arrest Severino as the man suddenly disappears. In the commotion, Maria escapes with Facunda.
During the Hukbalahap Rebellion, Johnrey visits Magalang to make a documentary and stays at his ancestral residence. After encountering victims of an aswang attack which Johnrey’s boss dismisses as a CIA operation, he learns of a series of murders taking place in town. Suspecting a connection with his ancestor, Johnrey decides to investigate.
Johnrey dreams of going back in time to 1812 and encountering Severino, Doña Facunda, the ghosts of Severino’s victims, and a boy named Jonathan who claims he is his grandnephew from the future. Upon waking up and finding that he has in his possession Jonathan’s blanket, Johnrey realizes that they both have the ability of astral projection and time travel. Johnrey returns to 1812 to film Severino and Facunda, compiling two reels addressed to Jonathan.
Returning to his time, Johnrey encounters an elderly Maria Capac and his servant Conching, who is revealed to be her granddaughter, holding his wife Felicity hostage, along with an aged Doña Facunda, who refuses to eat human flesh since Severino’s arrest. Maria and Conching threaten to kill Felicity unless Johnrey agrees to become a vigilante and allows Facunda’s powers to be transferred to Felicity. After Facunda pleads with him to let her die, Johnrey swallows a black chick living inside her, while Facunda disintegrates into ashes. Johnrey transforms into a werewolf and kills Conching and Maria. Reverting to human form, Johnrey tells Felicity to bury him alive to end the curse. Afterward, Felicity makes a film to explain what happened.
After having premonitions about his fiancée Agnes, an adult Jonathan visits Magalang to try to prevent this from happening. He is accompanied by Lucas, the son of a family servant, and Lucas’ niece Amal, who tells Jonathan of his ancestors’ past. Following his arrival, a series of murders targeting delinquents are carried out by a figure dressed as a priest, raising suspicion on Jonathan. Jonathan confesses to Lucas that he suspects that it may be connected with Severino, and recalls his childhood dreams, adding that Lucas would soon attack Agnes.
Jonathan watches Johnrey’s films and learns about his psychic abilities. While helping Jonathan investigate his premonitions, Agnes learns that Lucas belongs to the occult-worshipping Alarcon family and that Lucas’ ancestor is Maria Capac. She later sees a blood-soaked Lucas flagellating himself before a statue of Severino, revealing him to be the killer. Fleeing to the Mallari residence, Agnes is stabbed by Lucas.
Jonathan returns to 1812 and scuffles with Severino, who denies his involvement in the future murders. Upon waking up, he is attacked by Lucas, who seeks to turn Jonathan into a vigilante in accordance with the Alarcon tradition. After killing Lucas, Jonathan comes across a dying Agnes as Felicity’s film plays, revealing that the chick remains inside Johnrey. Jonathan digs up Johnrey’s grave and, despite warnings from the spirits of Severino, his victims, and a still-living Johnrey against reviving the curse, decapitates Johnrey and transfers the chick to Agnes.
Sometime afterwards, Jonathan, Agnes, and Amal settle at the Mallari residence. Agnes chastises Jonathan for turning her into a monster, adding that she will be hungry at the full moon. Jonathan looks menacingly at the camera.

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Explore the mobile appUnravel the ending of Mallari (2023) with our detailed explanation. Understand the final scenes, character fates, and unresolved questions.
The film closes on the brutal continuation of the Mall i family curse. After a desperate struggle, Johnrey—the wartime documentary‑maker who has carried the ancient monster within him for over a century—allows the creature to leave his body. The entity drifts into Agnes, Jonathan’s fiancée, just as Jonathan, armed with Johnrey’s severed head, brings it to the hospital where she lies dying. Agnes, aware of the legend, begs Jonathan to let her die, but his love‑turned‑obsession drives him to save her at any cost. The monster takes root in her, turning her into the new vessel of the curse.
With the curse now transferred, Jonathan purchases the abandoned Mallari ancestral house and settles there permanently. Agnes survives, but the love between them is shattered; she can no longer be his partner, and the monster inside her condemns any hope of a normal life. The Alarcón descendant Amal, Lucas’s nephew, sides with the couple, ready to fulfill the dark duties that have been passed down through generations.
The final scene unfolds under a full moon. Agnes, now fully aware of her monstrous nature, tells Jonathan that he must prepare for his first kill. He accepts, his humanity already eroded by the curse he chose to perpetuate. The camera lingers on the looming darkness of the house, suggesting that the cycle of bloodshed and supernatural possession will continue, just as Father Juan Severino Mallari had once begun.
Discover the spoiler-free summary of Mallari (2023). Get a concise overview without any spoilers.
In the shadowy world of Spanish colonial Pampanga, Father Severino Mallari arrives to serve as the town’s priest, carrying with him the weight of devotion to his ailing mother and a faith that will soon be tested to its breaking point. The era itself is steeped in oppressive religious tradition, where the church holds power over both body and soul, and whispered folkloric beliefs linger just beneath the surface of everyday life. It is within this charged atmosphere of incense and dread that Severino’s story begins to unravel.
As the town’s spiritual shepherd, Severino embodies the austere image of clerical authority, yet behind his vestments lies a man consumed by an impossible conflict. His mother, Doña Facunda, suffers from a grave illness, and her decline becomes the axis around which his world tilts. The priest’s rigid moral framework begins to fracture as he confronts a horrifying proposition — one that demands he compromise everything he once held sacred in order to protect the one person he loves most.
The film bathes its colonial setting in a gothic atmosphere of creeping madness, where the line between holy duty and monstrous obsession blurs with each passing day. Severino’s transformation is rendered as a slow descent into darkness, his initial serenity giving way to something far more unsettling. Tells of gruesome killings begin to spread through the community, and whispers grow louder that the very man entrusted with the community’s salvation may be the source of its terror.
Beneath the haunting visuals and period detail lies a meditation on the corruption of faith when love becomes indistinguishable from possession. The film invites viewers to sit with the discomfort of a man whose journey begins in sincere devotion and spirals toward acts that defy comprehension — all in the name of a bond that should have remained untouchable.
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