Directed by

Gregory Ratoff
Made by

United Artists
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Read the complete plot summary and ending explained for Intermezzo: A Love Story (1939). From turning points to emotional moments, uncover what really happened and why it matters.
Renowned violinist Holger Brandt (portrayed by Leslie Howard) concludes his final concert of the tour amidst thunderous applause. He makes a heartfelt announcement to the enthusiastic New York audience, revealing that this performance marks the retirement of his beloved accompanist, friend, and mentor, Thomas Stenborg (played by John Halliday), who will no longer tour. After a brief period of rest, Holger plans to embark on a new tour, seeking a fresh talent to accompany him.
Upon returning to Stockholm, both Holger and Thomas are warmly greeted by their spouses. Holger’s dedicated wife, Margit, has been raising their two children, Eric (Douglas Scott) and Ann-Marie (Ann E. Todd), largely by herself during Holger’s time away. As a teenager, Eric feels the complexities of his father’s absence, while little Ann-Marie, now six, has blossomed into a talented pianist under the guidance of the gifted Miss Anita Hoffman (Ingrid Bergman), who is a bright star in her own right and is preparing for the prestigious Jenny Lind scholarship in Paris.
Initially indifferent to Anita’s talent, Holger’s perspective changes dramatically when he witnesses her extraordinary piano performance at Ann-Marie’s birthday celebration. Struck by their remarkable musical chemistry, Holger proposes that Anita join him on tour; however, she respectfully declines, committed to her studies for the scholarship.
As time passes, Holger and Anita find themselves falling for each other. Anita grapples with feelings of guilt and attempts to break off their relationship by contemplating a move from Stockholm. In a moment of honesty, Holger shares his feelings for Anita with Margit, leading to a separation that grants him the freedom to tour with Anita as his accompanist.
Their collaboration garners widespread acclaim, and they eventually escape to a scenic seaside town in France for a much-needed vacation. It is during this time that Anita receives a life-changing letter from her mentor, Thomas, confirming her win of the Jenny Lind scholarship. Yet, in a profound act of love, she burns the letter, unwilling to let her dreams jeopardize her relationship with Holger. Despite their deep mutual affection, Anita senses Holger’s lingering attachment to his family and his bond with a little girl named Marianne (Maria Flynn) who reminds him of Ann-Marie.
Thomas visits the couple, aiming to mediate as a mutual friend. He conveys that Margit wishes to divorce and encourages Holger to sign the papers, yet Holger hesitates at severing ties with his past. Meanwhile, Thomas speaks privately with Anita, expressing concern for the career she is neglecting and questioning whether Holger can truly forget about his family. This conversation brings Anita to a painful realization: she and Holger cannot construct a future built on the misfortunes of others. Feeling like just an “intermezzo” in his life, she decides to leave the next day, presumably heading to Paris to accept her scholarship, leaving behind a letter urging Holger to return home.
Devastated yet proud, Holger initially resists going back to Stockholm after Anita’s departure. However, the promise he made to Thomas about returning for their daughter Ann-Marie encourages him to make the journey. Knowing that Ann-Marie wishes for a camera, he purchases one as a gift and heads to her school. The moment he arrives, Ann-Marie joyfully rushes into the street to greet him, tragically colliding with a taxi. Holger swiftly carries her home, where he finds Margit and the doctor attending to their daughter.
As he spends the night in the drawing room, waiting anxiously for news, Holger reconciles with Eric, admitting his past mistakes and seeking forgiveness. The next morning, the doctor reassures a worn-out Holger that Ann-Marie will recover with time. Overwhelmed with relief but feeling he no longer belongs, Holger prepares to leave. Just as he turns the door handle, Margit calls out, welcoming him back. Holger pauses and turns, stepping back into the warmth of their home, ready to embrace his family once more.
Follow the complete movie timeline of Intermezzo: A Love Story (1939) with every major event in chronological order. Great for understanding complex plots and story progression.
Final Concert in New York
Renowned violinist Holger Brandt concludes his final concert of the tour with a heartwarming announcement. He reveals to the enthusiastic New York audience that this performance marks the retirement of his beloved accomplice and mentor, Thomas Stenborg.
Return to Stockholm
Upon returning to Stockholm, Holger and Thomas are greeted warmly by their spouses. Holger's wife, Margit, has been managing their home and children largely on her own during his tour.
Ann-Marie's Birthday Celebration
At Ann-Marie's birthday celebration, a young pianist named Anita Hoffman performs impressively. Holger, initially indifferent, is struck by the remarkable musical chemistry between Anita and his daughter.
Proposal for a Tour
Impressed by Anita's talent, Holger proposes that she join him on his next tour. However, Anita respectfully declines, as she is focused on her studies for the prestigious Jenny Lind scholarship in Paris.
Emerging Feelings
As time goes on, Holger and Anita begin to develop deep feelings for each other. Caught by guilt, Anita contemplates ending their relationship as she prepares for her future.
Confession to Margit
In a moment of honesty, Holger shares his feelings for Anita with his wife, Margit. The conversation leads to a separation that allows Holger the freedom to tour with Anita by his side.
Successful Collaboration
Holger and Anita's collaboration on tour garners widespread acclaim from audiences. They decide to take a vacation in a scenic seaside town in France to celebrate their success.
Scholarship Offer
Anita receives a life-altering letter from her mentor, Thomas, informing her that she has won the Jenny Lind scholarship. In a profound act of love, she burns the letter to protect her relationship with Holger.
Visit from Thomas
Thomas visits Holger and Anita, seeking to mediate their complicated relationship. He reveals Margit's desire for a divorce and expresses his concerns for Anita's neglected career.
Anita's Decision
After reflecting on Thomas's words, Anita realizes that she cannot build a future on the misfortunes of others. She decides to leave, heading to Paris to accept her scholarship, leaving a letter for Holger.
Holger's Struggle
Devastated by Anita's departure, Holger initially resists returning to Stockholm. However, he recalls his promise to Thomas regarding their daughter Ann-Marie and reluctantly prepares to go back home.
Gift for Ann-Marie
Holger buys a camera for Ann-Marie as a gift, eager to reconnect with her. However, his return takes a dire turn when Ann-Marie runs into the street and collides with a taxi.
Hospital Vigil
Holger anxiously waits in the drawing room for news about Ann-Marie's condition. He reconciles with his son, Eric, sharing his past mistakes and seeking forgiveness during this tense moment.
Recovery Assurance
The next morning, the doctor reassures Holger that Ann-Marie will heal with time. Though relieved, Holger feels a sense of alienation as he contemplates his place in the family.
Return to Family
Just as Holger decides to leave, Margit calls him back home. He pauses, realizing the warmth of family and chooses to step back into their lives, ready to embrace his role as a father once more.
Explore all characters from Intermezzo: A Love Story (1939). Get detailed profiles with their roles, arcs, and key relationships explained.
Holger Brandt (Leslie Howard)
Holger is a renowned violinist torn between his professional ambitions and his familial duties. Initially indifferent to personal connections, his character evolves as he falls deeply in love with Anita, leading him to confront the complexities of his relationships. Holger embodies the struggles of an artist seeking validation while dealing with the emotional repercussions of his choices.
Anita Hoffman (Ingrid Bergman)
Anita is a talented pianist and devoted student who grapples with her rising career and feelings for Holger. Her character represents the delicate balance between ambition and personal happiness, making choices that prioritize love over her aspirations. Anita's journey is marked by inner conflict as she strives to honor her dreams while navigating her complex relationship.
Margit Brandt (Edna Best)
Margit is Holger's dedicated wife, who has borne the brunt of raising their children during his absence. She represents the sacrifices of the supportive partner, experiencing deep emotional turmoil as she navigates her husband's devotion to both family and music. Margit’s strength showcases the struggles of maintaining a family while facing the reality of marital strains.
Learn where and when Intermezzo: A Love Story (1939) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
The film appears to be set in a contemporary time period relative to its release, highlighting the artistic culture of the early to mid-20th century. This era is characterized by a burgeoning appreciation for music and the struggles artists faced in balancing personal lives with professional ambitions.
Location
New York, Stockholm, France
The story begins in New York, a vibrant city known for its rich cultural scene and the thrill of artistic performances. The narrative then shifts to Stockholm, where domestic life unfolds amidst the pressures of love and career. Finally, a scenic seaside town in France serves as a backdrop for a pivotal moment of reflection and choice between personal aspirations and love.
Discover the main themes in Intermezzo: A Love Story (1939). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
❤️
Love and Sacrifice
The theme of love is central to the story, portraying the deep emotional connections and sacrifices characters make for one another. Holger and Anita's romance underscores the conflict between personal desires and obligations, exploring how love can compel individuals to make tough choices that impact their lives and relationships.
🎼
Music and Ambition
Music serves not only as a backdrop but as a driving force in the characters' lives. Holger's career as a violinist and Anita's pursuit of the Jenny Lind scholarship represent the ambitions that define their identities. The film delves into how the pursuit of artistic excellence can shape personal relationships and lead to poignant, often painful decisions.
🏠
Home and Belonging
The quest for home and belonging is a recurring motif, particularly for Holger as he navigates between his family and his passion for music. The film illustrates the complexities of familial bonds and the struggle to find one's place, ultimately suggesting that true belonging is found in reconciling one's choices with love and responsibility.

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Explore the mobile appDiscover the spoiler-free summary of Intermezzo: A Love Story (1939). Get a concise overview without any spoilers.
In an elegant world where concert halls echo with the sweep of strings, a celebrated violinist stands at the height of his art. Holger Brandt is a name that carries both reverence and the weight of relentless touring, his life measured in standing ovations and the quiet solitude that follows each performance. The film opens amid this luminous sphere, inviting the audience into a world where music is both a profession and an intimate language spoken between hearts.
Back in Stockholm, Holger’s personal symphony plays a softer, more complicated melody. His devoted wife, Margit, has shouldered the quiet labor of raising their two children while his career kept him away. Their youngest, a bright six‑year‑old prodigy, is nurtured by a talented piano teacher whose own aspirations burn as intensely as the notes she coaxes from the keys. That teacher, Anita Hoffman, arrives as both mentor and spark, bringing a fresh, daring presence that contrasts with the measured rhythm of Holger’s established life. Meanwhile, the seasoned accompanist Thomas Stenborg lingers in the background, a reminder of loyalty and the past that shaped Holger’s path.
The narrative’s tone is lyrical yet tinged with melancholy, as the characters navigate the fragile borders between duty, desire, and the pursuit of artistic truth. An undeniable chemistry blossoms between the violinist and the pianist, weaving a passionate interlude that feels both inevitable and forbidden. Their connection is painted with the same delicate nuance as a quiet nocturne, suggesting that love, like music, can be both transcendent and fraught with consequence.
Against a backdrop of soaring scores and hushed domestic moments, the story hints at the inevitable crossroads that await. Secrets linger beneath polished performances, and the characters must confront the delicate balance between personal fulfillment and the responsibilities that tether them to one another, leaving the audience poised on the edge of an emotional crescendo.
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