Directed by

Pasquale Festa Campanile
Made by

Alex Cinematografica
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Read the complete plot summary and ending explained for How to Lose a Wife and Find a Lover (1978). From turning points to emotional moments, uncover what really happened and why it matters.
Alberto, the publicity manager for a major dairy company, returns home early after crashing into the car of a beautiful woman named Eleonora. He finds his wife in the bath and a plumber hiding naked in the shower, an incident that plunges him into a suicidal mood. He seeks help from a psychoanalyst. The other patient is Eleonora, who is also contemplating suicide after her husband, Arturo, has betrayed her. Each is advised separately to take a rest in the mountains.
By chance, both end up in the same tiny, remote inn, though Alberto does not recognize the woman whose car he collided with months earlier. A young friend of Eleonora named Marisa arrives to find there are no spare rooms, so she shares Eleonora’s bed.
In the evenings the landlord pours the grappa liberally, and while Eleonora has stepped out for some fresh air, a very drunk Alberto slips into bed with Marisa. She is sent home, but Alberto grows bolder, and beds the large but equally willing landlady. After his room floods, he staggers into Eleonora’s bed once more. In the morning a furious Eleonora heads out to ski, with Alberto following in an attempt to explain. The two crash into a haystack, where sounds and movements suggest they consummate their attraction. A mountain rescue team discovers them, and the volunteer chaplain marries the unconscious couple in articulo mortis.
Once recovered, Alberto returns to work, but Eleonora has disappeared, leaving no address or telephone. When a casting is held for models to appear in the company’s advertisements, one hopeful is Marisa, who has been given a lift to the offices by Eleonora. Alberto peers out the window and finally sees her at last.
Follow the complete movie timeline of How to Lose a Wife and Find a Lover (1978) with every major event in chronological order. Great for understanding complex plots and story progression.
Crash and betrayal
Alberto, a publicity manager for a large dairy company, crashes into Eleonora's car and returns home to a shocking scene: his wife is in the bath while a plumber lies naked in the shower. He becomes overwhelmed by betrayal and spirals into a suicidal mood, seeking help from a psychoanalyst. This incident sets off the emotional arc of the story.
Therapy and mountain retreat
Alberto and Eleonora each consult separate psychoanalysts, and both are advised to retreat to the mountains for rest and a chance to reset their lives. The guidance emphasizes healing apart from the daily pressures that pulled them into crisis. This advice foreshadows their later chance encounter at a remote inn.
Mountain inn surprise
In the mountains they independently seek rest and end up lodging in the same tiny, remote inn. Alberto does not recognize Eleonora, the woman whose car he collided with months earlier, adding an extra layer of confusion to their reunion.
Marisa arrives and shares a bed
Marisa, Eleonora's young friend, arrives and finds there are no spare rooms. With no alternative, she ends up sharing Eleonora's bed, creating a tense and intimate dynamic in the cramped inn.
Drunken advance and retreat
In the evenings the landlord pours grappa, and Alberto, heavily drunk, makes a pass at Marisa. She refuses and is sent home for the night, signaling Alberto's spiraling behavior and the consequences of his intoxication.
The landlady's bed
After the Marisa incident, Alberto becomes even more drunk and ends up bedding the large but willing landlady. The drunken escapade underscores how far his behavior has fallen.
Bath flood and confrontation
A bath overflows and floods the room, forcing Alberto to clamber into Eleonora's bed while still soaked and intoxicated. In the morning, Eleonora wakes furious to find him there and heads out to ski as he tries to explain himself.
Haystack encounter and marriage
Later in the mountains they crash into an isolated haystack, where sounds and movements hint at a consummation. They are found by a mountain rescue team, and a volunteer chaplain marries their union in articulo mortis.
Return to work and disappearance
Once fit, Alberto returns to work while Eleonora has disappeared, leaving no address or telephone number. Her absence casts a shadow over their improvised marriage and the choices that brought them together.
Model casting and a lift
A casting is held for models to appear in the dairy company's advertisements, and Marisa is among the hopefuls. Eleonora had previously given Marisa a lift to the offices, tying her fate to the unfolding events.
The moment of recognition
Alberto looks out of the window and finally sees Marisa at the offices, recognizing the face from Eleonora's earlier lift. The moment hints at a possible new direction in his life.
Eleonora's fate unresolved
Eleonora's whereabouts remain unknown after her disappearance; no address or contact information is provided. The film closes with the unresolved tension between past betrayals and future possibilities represented by Marisa.
Explore all characters from How to Lose a Wife and Find a Lover (1978). Get detailed profiles with their roles, arcs, and key relationships explained.
Alberto Castelli (Johnny Dorelli)
A publicity manager for a dairy company who spirals into despair after discovering his wife with another man. He drinks heavily and pursues impulsive affairs, revealing charisma shadowed by insecurity. His arc blends reckless whimsy with a longing for authentic connection.
Eleonora Rubens (Barbara Bouchet)
Alberto's wife, who experiences her own existential crisis after infidelity within the marriage. She seeks escape and emotional clarity, eventually sharing a room in the mountain inn with Marisa and exploring a spark with a stranger. She is independent, skeptical of conventional marriage, and drawn to a dangerous, alluring connection.
Marisa (Stefania Casini)
A young friend of Eleonora who joins the inn's cast of guests and becomes entangled in the web of events. She is lively and impulsive, ends up sharing a bed with Eleonora’s guest, and later pursues a modeling opportunity during a company casting.
The Guru (Enzo Cannavale)
A psychiatrist-like figure who offers unconventional guidance, advising the couple to rest in the mountains. He embodies the film’s mix of humor, spiritualism, and therapeutic meddling in romantic misadventures.
The Chaplain in the armed services (Pietro Tordi)
A mountain rescue chaplain who solemnly marries Alberto and Eleonora 'in articulo mortis' after they are found entwined in a haystack. He reflects earnestness with the film's offbeat, improvised tone.
Dottor Rossini (Felice Andreasi)
A psychiatrist who directs Alberto and Eleonora toward a mountain rest, framing the story around mental strain, desire, and the search for balance through professional guidance.
Learn where and when How to Lose a Wife and Find a Lover (1978) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Italian mountains, remote inn
Most of the story unfolds in a remote mountain inn tucked in the Italian mountains. The isolation of the highlands creates an intimate space where chance encounters escalate into a complicated romance. Snowy weather, skiing scenes, and a mountain rescue team provide a rugged, seasonal backdrop to the events. The setting functions almost as a character driving humor and longing.
Discover the main themes in How to Lose a Wife and Find a Lover (1978). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Infidelity
The narrative centers on marital betrayal and secret affairs, as Alberto and Eleonora seek connection outside their marriages. Their choices strain loyalty and reveal the fragility of commitment amid desire. The comedy softens the consequences while still showing the personal costs of infidelity. The mountain retreat amplifies private impulsiveness and the tension between duty and desire.
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Isolation
The remote mountain setting isolates the characters, intensifying attraction and conflict away from everyday norms. This seclusion forces candid confessions and impulsive acts that propel the plot. The wintry landscape and small inn create a claustrophobic space where danger and humor mingle.
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Chance and Fate
A string of improbable encounters nudges the lovers toward an unlikely union. Accidental shared beds, drunken escapades, and a rescue mission culminate in a wedding officiated by a chaplain, lending a sense of fate to their relationship. The resolution suggests romance born from circumstance and the imperfect pursuit of happiness.

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Discover the spoiler-free summary of How to Lose a Wife and Find a Lover (1978). Get a concise overview without any spoilers.
In a secluded stretch of the Italian Alps, a modest inn clings to a snow‑capped ridge, its warm glow promising a pause from the relentless pace of modern life. The stark contrast between the bustling world of corporate advertising and the quiet, pine‑filled valleys creates a setting where everyday worries feel suddenly out of place, and the air itself seems to whisper that something different might be possible.
Alberto is a publicity manager for a major dairy company, whose polished professional life masks a personal life that has begun to feel unbearably fragile. After a jarring discovery at home, he finds himself drawn to the mountains, not for sport or adventure, but in search of a space where the noise of his routine can finally be hushed. His temperament blends a sharp, witty sensibility with a lingering melancholy, setting the tone for a journey that feels as much internal as it is geographic.
Eleonora, a striking woman whose presence carries the same blend of elegance and hidden sorrow, arrives at the same remote refuge for a purpose that mirrors Alberto’s. Both have been encouraged—by a doctor and by circumstance—to step away from the pressures of their lives and find a moment of stillness among the peaks. Their parallel motives create an unspoken bond, a sense that each is looking for something the other might inadvertently provide.
When the two strangers inevitably cross paths within the tiny inn, the atmosphere shifts from solitary contemplation to a subtle, teasing dance of interaction. The inn’s owner, local customs, and the ever‑present mountain air lend the story a light, almost whimsical flavor, while the underlying currents of longing and self‑discovery keep the narrative grounded. In this secluded world, the stage is set for two people who are each trying to lose something familiar and perhaps find something unexpected.
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