Heaven with a Gun 1969
Directed by
John Anderson
Made by
King Brothers Productions
Heaven with a Gun Plot Summary
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Jim Killian, Glenn Ford arrives at Vinegaroon, a dusty town split between cattlemen and sheep herders, and buys a vacant barn that quickly becomes a focal point in the brewing conflict. Cattle rancher Asa Beck, his son Coke Beck, and their cowhands harass the nearby sheepherders, sometimes with deadly force, pushing the two sides toward open retaliation; the town soon learns that Killian is a formidable gunfighter and is asked to work for either side, but he invites everyone to a town meeting instead. There, Killian reveals a new identity: he has become a preacher and has transformed his barn into a church. He pledges to protect all residents and declares that no one else may kill, except himself; when two of Beck’s cowhands draw their weapons, Killian shoots them both to demonstrate his rule.
The following Sunday, all of Vinegaroon and the surrounding area attends Killian’s church service. Killian shows that cattle and sheep can live together and share water, arguing that harmony among animals mirrors how people of different backgrounds can coexist. But Beck had suspected Killian’s true threat and has hired an outsider, Mace, J.D. Cannon, to expose him. After the service, Mace publicly brands Killian as a former criminal and a murderer. Beck and his allies push to expel the preacher, but others defend him, insisting he already paid his debt to society and has earned a second chance. Bart Paterson, William Bryant the cattleman, and Abraham Murdock, James Griffith the sheepherder, decide to follow Killian’s lead and seek peace between their communities.
Meanwhile, Killian takes under his protection a half-Native American girl named Leloopa, Barbara Hershey; Coke Beck becomes infatuated with her. After Killian discusses the Becks’ recent destruction of Scotty Andrews’ homestead with Madge McCloud, Carolyn Jones the saloon madam, Coke corners Leloopa in the stable and assaults her. Killian learns of the assault and administers a severe beating to Coke, but in full view of the town.
In response, Asa Beck begins moving his cattle to the contested watering hole to consolidate control and deny the sheepherders access. In the night, Scotty Andrews, Ed Bakey, sneaks into their camp and fatally stabs Coke with his wool shears, only to be gunned down by Mace. A grieving Beck declares war on Vinegaroon and orders Mace to burn Killian’s church and kill the preacher. The conflict escalates as Mace corners Killian in the saloon and holds him at gunpoint while Beck’s men torch the church; Killian shoots his way free, outgunning Mace and scattering his followers. The church burns, but the townspeople rally to fight back, and the flames are outmatched by their determination. Madge steps in again, urging Killian to choose a path: continue as a preacher or fully embrace the gunman role.
Abashed, Killian discards his guns among the ashes of the church and asks the people to join him in protecting the sheepherders. Without weapons, the townspeople ride to the watering hole and form a human barrier between Beck’s men and the targeted herd; Beck’s confidence dissolves as the unarmed crowd stands firm. Seeing the shift, Beck relents, shares a drink with Madge, and ultimately agrees to share the resources and water rather than wage war. The final moment shows Killian and Leloopa watching as cattlemen and sheepherders mingle, shake hands, and begin to live together in a fragile but hopeful peace.
Heaven with a Gun Timeline
Follow the complete movie timeline of Heaven with a Gun (1969) with every major event in chronological order. Great for understanding complex plots and story progression.
Arrival in Vinegaroon and barn purchase
Jim Killian arrives in Vinegaroon and buys a vacant barn, signaling his plan to intervene in the town's violent divide. The cattlemen and the sheepherders harass each other, hinting at a looming conflict.
Town meeting proposed by Killian
Both sides quickly learn Killian is a capable gunfighter and propose hiring him as a protector. Instead, Killian invites everyone to a town meeting to discuss the conflict and lay out his plan for peace.
Preacher reveal and gunslinger demonstration
At the town meeting, Killian reveals he has become a preacher and has converted his barn into a church. He vows to protect all residents and warns that no one else may kill except him, then shoots two of Beck's cowhands who draw on him to prove his point.
Sunday service unites cattlemen and sheepherders
The following Sunday, the entire town attends Killian's church service. He demonstrates that cattle and sheep can share water and land without conflict and argues that people of all kinds can live together in harmony.
Mace exposes Killian's past
Beck hires an outsider named Mace, who publicly exposes Killian as a former criminal associate and convicted murderer after the service. The revelation prompts calls for Killian's expulsion, while others defend his second chance.
Peaceful reconciliation efforts begin
Some townspeople stand up for Killian, arguing he has paid his debt to society. Bart Paterson and Abraham Murdock decide to follow Killian's advice and seek peace between cattlemen and sheepherders.
Leloopa protected; Coke's assault
Killian takes under his protection a half-Native American girl named Leloopa who had been targeted by Beck's son Coke. Coke corners Leloopa in the stables and rapes her; Killian discovers the assault and beats Coke in full view of the town.
Beck moves cattle to the watering hole
As a show of force, Beck gathers his cattle and moves toward the contested watering hole to block the sheepherders from accessing water. Tensions escalate toward outright confrontation as both sides prepare for a clash.
Scotty Andrews's fatal attack and Mace's retaliation
During the night, Scotty Andrews sneaks into Beck's camp and fatally stabs Coke with wool shears, only to be gunned down by Mace in retaliation.
Beck declares war and orders arson
Beck proclaims war against Vinegaroon and orders Mace to burn Killian's church and kill the preacher, while preparing to ambush the sheepherders who move their herds to the watering hole.
Mace vs Killian in the saloon; church burned
Mace holds Killian at gunpoint in the saloon while cowhands set fire to the church. Killian outguns Mace and chases away the attackers.
Church burns; townspeople respond
The townspeople rush to douse the burning church, but their efforts come too late and the building burns down. The loss marks a turning point in Killian's approach to violence and leadership.
Madge forces a choice; Killian renounces violence
Madge McCloud confronts Killian, urging him to choose a single path. He discards his guns amid the ashes and agrees to protect the sheepherders without resorting to violence.
Unarmed townspeople shield the watering hole
Unarmed townspeople ride to the watering hole to shield the sheepherders from Beck's men. They form a barrier that halts Beck's advance and convinces the cowhands to stand down.
Peace returns as hands shake
Beck yields and shares a drink with Madge, signaling a tentative peace. Killian and Leloopa watch as cattlemen and sheepherders mingle and shake hands, showing harmony returning to Vinegaroon.
Heaven with a Gun Characters
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Coke Beck (David Carradine)
Coke Beck is the town’s ruthless cattleman who uses intimidation to enforce his rule over Vinegaroon. He terrorizes the sheepherders and commits brutal acts, including preying on Leloopa, highlighting his disregard for others’ safety. His plan to move the cattle to block the watering hole and his demand to burn Killian’s church escalate the conflict until the town unites against him.
Jim Killan (Glenn Ford)
A former gunfighter who has become a preacher, Killan transforms a barn into a church and preaches peace and coexistence. He seeks to protect everyone in Vinegaroon, insisting that violence has no place in resolving disputes. After a violent confrontation and pressure from the town, he discards his guns and commits to defending the community through nonviolent means.
Leloopa (Barbara Hershey)
A half-Native American girl sheltered by Killan, whose father was lynched by Coke Beck. Leloopa’s presence becomes a focal point for the town’s empathy and protection from violence. Her experience with exploitation and danger underscores the violence of the feud and the need for mercy and justice.
Mace (JD Cannon)
An outsider gunman hired by Beck, Mace publicly exposes Killan’s past to justify his expulsion. He embodies the possibility of violence as a solution, leading confrontations and opposing Killan’s pacifist approach. He is ultimately outgunned and defeated by the townspeople’s resolve to protect their own without wide-scale bloodshed.
Madge McCloud (Carolyn Jones)
Madge is the madam of the local saloon and a practical voice of reason in Vinegaroon. She supports Killan’s attempt at peace and urges him to choose between being a preacher or a gunman. Her influence helps steer the town toward a nonviolent defense of the sheepherders and a future of reconciliation.
Asa Beck (John Anderson)
A cattleman patriarch and Coke Beck’s father, Asa Beck leads opposition to the sheepherders and pushes for a blockade at the watering hole. His actions reflect the entrenched power of the cattlemen and their willingness to use force to maintain dominance. The turning point comes when pressure from the community challenges his authority.
Bart Paterson (William Bryant)
Bart Paterson is a cattleman who ultimately chooses to work toward peace with the sheepherders. He represents the pragmatic segment of the cattlemen who recognizes the value of cooperation and shared resources. His decision helps bridge the divide and fosters a truce.
Abraham Murdock (James Griffith)
A sheepherder who stands with Killan in seeking coexistence. Murdock embodies the leadership of the shepherds who refuse to surrender their livelihoods to violence. His collaboration with the townspeople reinforces the possibility of unity across rival factions.
Scotty Andrews (Ed Bakey)
A young or earnest sheepherder whose camp is attacked as tensions erupt. Scotty sneaks into Beck’s camp and fatally wounds Coke with wool shears before Mace retaliates. His death underscores the high price of feud and the need for decisive intervention by the community.
Heaven with a Gun Settings
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Time period
Late 19th century
The story unfolds in the American West during a period when resource control and cattle vs. sheep disputes defined frontier life. Water access and grazing rights drive the conflict, prompting vigilantism and uneasy truces. A preacher-gunman figure attempts to mediate, reflecting the era’s precarious balance between law, order, and frontier justice.
Location
Vinegaroon
Vinegaroon is a small frontier town where cattlemen and sheepherders coexist in a tense standoff over land and water. The community centers around a contested watering hole and a barn converted into a church, which becomes the focal point for negotiation and confrontation. The town’s fate hinges on whether its people choose violence or unity to preserve peace.
Heaven with a Gun Themes
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Coexistence
Killian advocates harmony between ranchers and herders, insisting that cattle and sheep can share water and land. The barn-turned-church becomes a symbol of community collaboration over division. The town must replace retaliation with dialogue and mutual aid, showing that peaceful coexistence requires courage from everyday people.
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Redemption
Killian’s past as a criminal associate is revealed, yet the narrative emphasizes the possibility of reform and second chances. His transformation from gunman to preacher is gradual, underscored by restraint and leadership rather than violence. The townspeople, with Madge’s support, embody redemption as they defend the vulnerable without resorting to vengeance, culminating in his guns being laid down.
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Justice vs Vengeance
Beck’s power-driven aggression is challenged by a communal choice to protect all residents, including the sheepherders. The hired gun Mace exposes Killian’s past to spur expulsion, but the community resists division and seeks a fair, peaceful resolution. The film questions whether true justice comes from violence or from collective responsibility and reconciliation, culminating in a restored order through nonviolent defense.
Heaven with a Gun Spoiler-Free Summary
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In a sun‑scorched stretch of Arizona, a small frontier town teeters between two opposing ways of life. On one side, cattle barons push the land with restless herds, while on the other, sheep‑herders cling to the fragile grass that sustains them. The town’s dusty streets and weather‑worn buildings echo with the restless tension of a community that could tip into open conflict at any moment, offering a classic Western backdrop where law, custom, and survival intertwine.
Against this volatile backdrop rides Jim Killian, a former gunslinger who has traded a quick‑draw reputation for the black‑cloth solemnity of a preacher. His arrival is marked by the purchase of an empty barn that soon becomes a makeshift sanctuary, suggesting a man seeking redemption while still haunted by a violent past. His calm, measured demeanor hints at an inner struggle between the instinct to draw a weapon and the desire to preach peace, setting up a compelling personal conflict that mirrors the town’s own uneasy balance.
When Leloopa, a young woman of mixed Native American heritage, comes seeking his aid after her father’s untimely death at the hands of a powerful rancher’s son, the stakes sharpen. Her plea pulls Jim into the simmering feud between cattlemen and sheepherders, forcing him to weigh the cost of intervention against the risk of igniting a broader vendetta. The interplay of cultures, loyalties, and the harsh desert environment creates a mood that is both tense and contemplative, inviting the audience to wonder whether a man of the gun can truly become a shepherd of souls.
The film’s tone blends the rugged grit of classic Westerns with a thoughtful, almost lyrical meditation on forgiveness, community, and the possibility of change in a land where every decision reverberates across the open plains.
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