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Good News (1979) Plot Summary & Timeline

Good News (1979) movie poster

Good News is a 1979 comedy and drama film directed by Elio Petri, running 1 hour 42 minutes. This page retells the whole story in 328 words (about 1 minute to read) and covers 14 key events in order, 11 characters, where and when it is set and 3 themes. Looking for the cast, ratings and where to stream it? See the movie page for Good News.

to read the plot summary
1 min
key events in the timeline
14
characters profiled
11
themes explained
3
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Good News (1979) movie poster
Released
Runtime
1h 42m
Director
Elio Petri
Genres
Comedy, Drama
Original language
Italian
No spoilers

What Is Good News About?

The premise of Good News in 353 words, with nothing given away. The full story follows below.

In a world awash with relentless spectacles of disaster and bloodshed, a weary media executive drifts through his days behind a glass screen that mirrors the violence he is supposed to curate. His office, a sterile hub of flickering monitors, constantly bombards him with catastrophes that never quite penetrate his numb interior. Outside the newsroom, his evenings unfold in an equally muted rhythm, a small apartment shared with his wife Fedora, whose growing frustration punctuates their silence. The couple’s inability to bridge the gap between them paints a portrait of modern disconnection, where words are exchanged as little more than background noise.

At work, the protagonist’s interactions are limited to fleeting glances and polite refusals, including a tentative advance toward his colleague Tignetti and a hesitant outreach to Benedetta, a mutual friend of his spouse. Both gestures dissolve into polite rebuffs, underscoring his isolation amid a crowd that never truly sees him. The office’s relentless stream of violent imagery serves as a stark contrast to the fragile humanity he clings to, a juxtaposition that fuels a lingering sense of unease.

The monotony of his routine shatters when an unexpected message arrives from an old schoolfriend, Gualtiero Milano. After fifteen years of silence, Gualtiero reaches out with a tremor of fear, confessing that unseen forces are closing in on him. The plea is vague, but its urgency pulls the protagonist out of his self‑imposed stupor, hinting at a hidden network of threats that lie far beyond the confines of television news. This sudden intrusion of personal danger begins to ripple through the quiet world he has constructed, promising a shift from passive observation to an uneasy involvement in something far larger than his daily grind.

As the protagonist wrestles with the disquieting call for help, the film drapes a subdued, almost oppressive atmosphere over his life, blending corporate sterility with intimate domestic strain. The tone remains tight‑knit and contemplative, inviting the audience to linger on the subtle cracks forming in a seemingly ordinary existence, while the looming mystery of Gualtiero’s plight whispers of deeper conspiracies waiting just beyond the flickering glow of the screen.

Full plot

What Happens in Good News?

The complete story of Good News, from the first scene to the last, in 328 words (about 1 minute). Spoilers throughout. Names in the text link to 5 cast member pages.

Spoilers ahead

An anonymous employee at a television company leads a quiet, routine life, commuting to work each day and returning home to his wife Fedora in the evening. At the office, he is repeatedly confronted with images of violence and disasters, yet he remains emotionally aloof, and his marriage is marked by a stubborn inability to communicate. He makes advances toward his colleague Tignetti and Fedora’s friend Benedetta, but both reject him, leaving him isolated despite his efforts.

One day, his old schoolfriend Gualtiero Milano contacts him after fifteen years, confessing that he is being followed by enemies who seem determined to kill him. Although Gualtiero cannot identify his pursuers, fear pushes him to seek protection, and soon he agrees to be committed to a mental hospital. The man becomes entangled in a charged moment with Ada Milano, Gualtiero’s wife Ada Milano, a liaison that neither of them can consummate because of their respective psychological strains. Meanwhile, a startling revelation arrives: Fedora is pregnant.

When a TV news report later shows Gualtiero’s violent death, the man races to the hospital and breaks down in tears, grappling with the possibility that everything around him is part of a larger, unknowable conspiracy. The motive behind Gualtiero’s murder remains murky, and the scene hints that the clinic’s high-profile patients might have drawn dangerous attention. At Gualtiero’s funeral, Fedora confesses that the child she is carrying is her dead friend’s, sparking a tumultuous confrontation. Despite initial fury, he agrees to raise the child, choosing a path that binds him to this uncertain fate.

Back at work, he receives an envelope from Gualtiero bearing the words:

not to be opened

He opens it to discover a sea of cards repeating the same injunction, a quiet, unnerving symbol of the communication breakdown and the inexplicable forces arrayed around him. The story lingers on a man whose life, once so ordinary, is unsettled by violence, secrets, and a chain of messages that keep multiplying without answers.

Timeline

Good News Timeline: Every Key Event in Order

14 key events in the order they happen, from “Ordinary daily life” to “Fractured trust and an uncertain future”. 4 events name a place, across 4 locations.

  1. 1

    Ordinary daily life

    The anonymous employee leads a seemingly ordinary life, commuting to his television company job and returning home to his wife Fedora each evening. He is constantly confronted with images of violence and disasters at work, but he shows no reaction. His marriage is marked by a lack of communication and emotional distance.

  2. 2

    Rejected romantic advances

    He makes sexual advances toward his colleague Tignetti and Fedora's friend Benedetta, but is rejected by both. The rejections highlight his isolation and craving for connection amid a tense social circle. This pattern underscores his inability to form meaningful intimacy.

  3. 3

    Reunion with Gualtiero

    An old schoolfriend, Gualtiero, contacts him after 15 years and reveals that he is being followed by enemies who want to kill him. The man is pulled into this dangerous mystery, moving from routine life to a web of threats.

  4. 4

    Gualtiero seeks help

    Gualtiero agrees to be committed to a mental hospital to escape the danger surrounding him. The decision highlights his fragile mental state and the seriousness of the situation.

    Where:Mental hospital

  5. 5

    Forbidden meeting with Ada

    The man has an erotic interlude with Ada, Gualtiero's wife, but due to their psychological deficiencies, they are unable to sleep with each other. The moment reveals the blurred boundaries between desire, fear, and moral confusion.

  6. 6

    Fedora reveals pregnancy

    He learns from Fedora that she is pregnant, adding a personal stake to the unfolding crisis. The pregnancy intertwines with the secrets and tensions surrounding Gualtiero's situation.

  7. 7

    News of Gualtiero's death

    A TV news report covers Gualtiero's violent death, prompting the man to rush to the hospital. He breaks down in tears as the full gravity of the mystery sinks in.

    Where:Hospital

  8. 8

    Funeral and confession

    At Gualtiero's funeral, Fedora confesses that she is carrying the dead friend's child. The revelation shifts the couple's dynamic and intensifies their moral dilemma. The man reacts with fury at first but then accepts the situation.

    Where:Funeral

  9. 9

    Decision to raise the child

    Despite initial anger, the man agrees with Fedora to have the child, choosing to embrace the complicated family future. The decision adds a new, weighty responsibility to their already strained relationship.

  10. 10

    Return to work and mystery envelope

    Back at work, he receives an envelope from Gualtiero with the words 'not to be opened' written on it. The arrival of the envelope unsettles him, hinting at hidden threats or secrets yet to be revealed.

    Where:Work

Show the other 4 events of Good News
  1. 11

    The opened envelope

    He opens the envelope, only to find a vast number of cards inside bearing the same printed message. The proliferation of cards deepens the sense of mystery and suggests a broader network behind Gualtiero's fate.

  2. 12

    Motive remains unclear

    The film hints that the murder's motive is unclear, and the victim could have been mistaken for a prominent political patient at the clinic. This ambiguity heightens the sense of paranoia and the fragility of perception.

  3. 13

    Paranoia and unresolved questions

    The surrounding mysteries and hidden messages ferment the man's paranoia and complicate his sense of reality. He must navigate personal relationships while the truth behind Gualtiero's death remains elusive.

  4. 14

    Fractured trust and an uncertain future

    The story closes with the couple facing an uncertain future, bound by secrets, a shared child, and an envelope that could hold more answers than they can bear. The tension between outward normalcy and hidden danger lingers.

Characters

Who Are the Main Characters in Good News?

11 characters, among them Fedora (Ángela Molina), Ada Milano (Aurore Clément) and Gualtiero Milano (Paolo Bonacelli): who each one is and the part they play in the story. Every profile links to the actor’s page.

  • Ángela Molina as Fedora (Ángela Molina) in Good News

    Fedora (Ángela Molina)

    Played by Ángela Molina

    Fedora is the wife of the unnamed man; her unexpected pregnancy ties her to the unfolding mystery and disrupts the stability of their marriage. She embodies emotional distance and resilience as secrets mount around her. Her choices collide with the male protagonist’s routine life, pushing the plot toward a conjectural conspiracy.

    • 💬 Marriage
    • 🤰 Pregnancy
    • 🕵️ Secrets
  • Aurore Clément as Ada Milano (Aurore Clément) in Good News

    Ada Milano (Aurore Clément)

    Played by Aurore Clément

    Ada is Gualtiero Milano’s wife, caught in a charged yet unconsummated liaison with the unnamed man. Her psychological strain complicates trust and desire, making her a key figure in the web of relationships that destabilize the characters' sense of reality.

    • 💞 Romance
    • 🧠 Psychology
    • 🔒 Secrets
  • GM

    Gualtiero Milano (Paolo Bonacelli)

    Played by Paolo Bonacelli

    Gualtiero is a former friend who fears unknown pursuers after him; he seeks protection and ultimately agrees to be committed to a mental hospital. His danger and mystery propel the plot and deepen the sense of threat surrounding the protagonist.

    • 🕵️‍♂️ Mystery
    • 🔒 Secrets
    • 🧠 Psychology
  • Giancarlo Giannini as L'Innominato (Giancarlo Giannini) in Good News

    L'Innominato (Giancarlo Giannini)

    Played by Giancarlo Giannini

    A shadowy figure representing the unknowable conspiracy around the protagonist. He embodies abstract danger and the inexplicable forces arrayed against ordinary life.

    • 🗝️ Power
    • 🕶️ Mystery
    • 🔒 Secrets
  • T(

    Tignetti (Ombretta Colli)

    Played by Ombretta Colli

    Fedora's colleague who rejects the unnamed man’s advances, she projects independence and skepticism. Her cool demeanor contrasts with the protagonist’s attempts to connect, highlighting the social dynamics at work.

    • 💬 Boundary
    • 🚫 Rejection
    • 🕊️ Independence
  • B(

    Benedetta (Ritza Brown)

    Played by Ritza Brown

    Fedora’s friend who is the recipient of the unnamed man’s advances but rejects him, becoming entangled in the web of desire and resistance. Her stance underscores the themes of consent and social navigation.

    • 💞 Boundaries
    • ✋ Rejection
    • 🕵️‍♀️ Secrets
  • F(

    Fattorino (Ninetto Davoli)

    Played by Ninetto Davoli

    A minor figure, the delivery boy who appears in the urban background, contributing to the sense of a lived-in world where ordinary routines continue amid extraordinary events.

    • 🚚 Everyday life
    • 🧭 Minor role
    • 🕊️ Quiet
  • RS

    Rappresentante sindacale (Filippo De Gara)

    Played by Filippo De Gara

    The union representative seen in the workplace; his presence anchors the professional environment of the TV company and hints at the power structures within the industry.

    • 🏢 Workplace
    • ⚖️ Labor
    • 🗣️ Authority
  • C(

    Commissario (Franco Javarone)

    Played by Franco Javarone

    A police/commissioner figure who appears within the investigation or public narrative, contributing to the film’s sense of threat and order facing chaos.

    • 🕵️‍♂️ Authority
    • 🗞️ Investigation
    • 🧭 Control
  • GB

    Gianni Baghino

    Played by Gianni Baghino

    A supporting character who appears in social or institutional settings, adding texture to the urban environment of the story.

    • 🏢 Supporting
    • 🧩 Minor
    • 🕊️ Background
  • AB

    Angelo Boscariol

    Played by Angelo Boscariol

    A minor character who contributes to the network of people around the main figures, reinforcing the sense of a crowded, interconnected world.

    • 👥 Ensemble
    • 🗺️ Community
    • 🕰️ Passing
Setting

Where and When Is Good News Set?

Good News is set in Television company offices, Home, Mental hospital, Hospital and Funeral. Here is why the place matters to the story.

Where

Television company offices, Home, Mental hospital, Hospital, Funeral

The story moves between a bustling television studio and the quiet rooms of a home, illustrating the tension between public life and private turmoil. It also traverses institutional spaces like a mental hospital and a hospital, underscoring how institutions shape perception and fear. The settings convey a modern, urban environment where violence and conspiracy feel pervasive yet elusive.

  • 🏙️ Urban
  • 🎬 Media setting
  • 🔍 Mystery
Themes

What Are the Themes of Good News?

3 ideas the story keeps returning to, among them Isolation, Conspiracy and Communication.

  1. 01

    Isolation

    The anonymous employee leads a routine life that lacks true connection with his wife and colleagues. The constant exposure to violence and disasters at work contrasts with his emotional detachment, amplifying his sense of being watched. This isolation fuels the narrative as messages and clues fail to bring clarity. The film uses solitude to heighten the mystery surrounding the characters’ choices.

  2. 02

    Conspiracy

    A larger, unknowable network seems to press on the characters, with Gualtiero's death hinting at hidden motives. Clues multiply without yielding clear answers, creating a pervasive sense of uncertainty. The envelope bearing not to be opened becomes a symbol of forbidden knowledge and mistrust. The story invites reflection on how power and secrecy shape everyday life.

  3. 03

    Communication

    Relationships are defined by failed or guarded communication—from a strained marriage to unspoken desires. The characters struggle to express inner states while violence and fear distort dialogue. Misunderstandings drive the emotional tension and propel the plot toward an unresolved fate. The ongoing flow of messages and unopened envelopes underscores how language can fail to connect people.

Tone & mood

What Kind of Film Is Good News?

Dark in tone, with steady pacing and a moderate story, going by the plot summary.

Tone
Dark
Pacing
Steady
Story
Moderate
Intensity
Medium
Ending
Ambiguous

A darkly comic and unsettling journey through the life of an emotionally numb man, whose disconnection from reality is mirrored by a surreal and paranoid plot involving a hunted friend.

  • alienated
  • paranoid
  • dysfunctional
  • frustrated
  • absurd
  • mischievous
  • marital strife
  • psychological disintegration
  • urban alienation
  • media desensitization

Content notes: murder, psychological distress, infidelity.

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FAQ

Good News Plot Questions

5 quick answers about Good News, taken from the plot summary, character guide and setting on this page and the film’s credits.

What is Good News about?

In a world awash with relentless spectacles of disaster and bloodshed, a weary media executive drifts through his days behind a glass screen that mirrors the violence he is supposed to curate.

Read the full plot summary

When and where does Good News take place?

Good News is set in Television company offices, Home, Mental hospital, Hospital and Funeral. The story moves between a bustling television studio and the quiet rooms of a home, illustrating the tension between public life and private turmoil.

The setting explained

Who are the main characters in Good News?

The story follows Fedora (Ángela Molina) (played by Ángela Molina), Ada Milano (Aurore Clément) (played by Aurore Clément), Gualtiero Milano (Paolo Bonacelli) (played by Paolo Bonacelli) and L'Innominato (Giancarlo Giannini) (played by Giancarlo Giannini); the character guide covers 11 characters in all.

All the characters

What are the main themes of Good News?

The summary picks out 3 themes: Isolation, Conspiracy and Communication.

The themes explained

Who directed Good News?

Good News (1979) was directed by Elio Petri and runs 1 hour 42 minutes.

Elio Petri’s films

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