Directed by

Geoff Murphy
Made by

Pork Pie Productions
See current US streaming, rental, and purchase options for Goodbye Pork Pie (1980) via JustWatch.
Read the complete plot summary and ending explained for Goodbye Pork Pie (1980). From turning points to emotional moments, uncover what really happened and why it matters.
In the Northland town of Kaitaia in spring 1978, nineteen-year-old Gerry Austin (Kelly Johnson) (a.k.a. ‘Blondini’) steals a wallet and uses the cash and a driver’s license to rent a bright yellow Mini, starting a loose, aimless drift down to Auckland. There, the middle-aged John (Tony Barry) struggles to convince Sue (Shirley Gruar), his girlfriend of six years, to stay with him. After a night of drinking, John decides to travel to Sue’s sister’s home in Invercargill to win her back, a move that sets the other two on a shared, reckless path. While searching for transport, John saves Gerry from receiving a ticket for failing to wear a seat belt, and in return Gerry offers John a lift for part of the way, sparking an uneasy alliance between two men from very different worlds.
The trio’s road trip kicks off with a dash of bad luck and bad choices: they stop for petrol in northern Waikato but drive off without paying, pulling police attention onto the mysterious yellow car, a moment that deepens their bond even as it tightens the net around them. Soon after, Gerry and John pick up Shirl (Claire Oberman), another drifter headed toward Wanganui. Shirl reveals she is a virgin, and Gerry quietly bets that this status will change before they reach their destination. In a display of improvisation born of desperation, they also steal petrol during a stint in central North Island, and a motorcycle officer gives chase. The trio eludes arrest by slipping into a car wrecker, an improvised sanctuary that keeps them on the move.
After Shirl leaves, Gerry and John press on to Wellington, where they reconnect with Mulvaney (Bruno Lawrence), an old associate of John’s. Mulvaney supplies money and drugs in exchange for parts of the Mini, and Gerry ends up reuniting with Shirl at Mulvaney’s garage. The next morning they set off for the Interislander ferry, but Gerry blasts through a red light and a police pursuit zips through central Wellington. They narrowly escape by driving through Wellington’s railway station and stowing the Mini in an empty boxcar that’s being shunted onto the ferry.
In Picton on the South Island, the boxcar is attached to a train bound for Christchurch. Gerry, John, and Shirl ride it south, decorating the interior with Gerry’s nickname “Blondini” and odds-and-ends found in other wagons. After a night of partying, Gerry’s victory in his bet with Shirl comes and goes, and the trio discovers the wagon will not depart for the West Coast until that night. They pass the day in Christchurch, only to learn that Shirl has been arrested for shoplifting and that a national manhunt has been launched for the “Blondini Gang.” The Mini is pursued along the Lake Hāwea shoreline by a determined officer who almost catches Gerry and John before veering off to avoid a combine harvester. Gerry stops to check the officer is all right and even mocks the car’s radio, a moment that highlights the pair’s defiant swagger.
Further south, they sell more parts from the car at Cromwell. In Dunedin, they meet Snout (John Bach), an eccentric ally who helps them dodge a police roadblock and offers to buy Gerry’s set of flags gathered for the Mini’s antenna. Gerry hesitates at first, superstitious that the flags have kept them safe, but he relents under John’s urging. After leaving Snout, police are tipped off about their route toward Invercargill.
In McNab, John is spotted by officers and drives off in the Mini, not realizing Gerry is lying under the car. Gerry is arrested, but escapes from the police car and climbs atop the fleeing Mini. The pursuit culminates with a PIT maneuver that hurls Gerry from the vehicle; he is struck by a pursuing police car, and John says farewell to the injured partner, then takes the Mini and presses on toward Invercargill. A trucker at the scene refuses to move aside for the police out of respect for Gerry, leaving his ultimate fate unresolved in the moment.
When Invercargill finally arrives, John is greeted by a crowd of admirers who have tracked the Blondini Gang’s cross-country journey. Members of the Armed Offenders Squad appear and shoot a hole in John’s petrol can. Exploiting the distraction, John drives through a cemetery and makes it to Sue’s house just as the leaking petrol ignites, triggering an explosion that destroys the Mini. He reunites with Sue, and the two share a charged moment as police surround the house. With the situation at its peak, John bids farewell to the supporters, cracking jokes for the onlookers as police take him away, leaving the fates of Gerry and the larger story hanging in the balance.
Follow the complete movie timeline of Goodbye Pork Pie (1980) with every major event in chronological order. Great for understanding complex plots and story progression.
Gerry steals a wallet and rents a yellow Mini
In Kaitaia, spring 1978, Gerry Austin, nicknamed Blondini, steals a wallet and uses the cash and a driver’s license to rent a bright yellow Mini. With no plan beyond wandering, he heads south toward Auckland. The car becomes the catalyst for a cross-country spree.
John and Sue's unresolved relationship
In Auckland, John tries to persuade his girlfriend Sue to stay with him, but fails to win her over. His attempt to salvage the relationship sets the stage for a broader escape to Invercargill. The tension between personal life and a roadbound plan weighs on both men.
John saves Gerry from a seat belt ticket
While searching for transport, John intervenes when Gerry nearly gets fined for not wearing a seat belt. Grateful, Gerry offers John a ride for part of the way. The two men form an uneasy alliance that kicks off their shared journey.
Unpaid petrol and a growing police tail
The pair stop for petrol in northern Waikato but drive off without paying, drawing police attention. They scramble to stay ahead as the heat tightens around them. This petty theft marks the start of a pattern that defines their reckless road trip.
Shirl joins, Gerry bets on changing her status
Gerry and John pick up Shirl, a virgin traveling to Wanganui, and Gerry bets he can alter her status before they reach the city. They keep stealing petrol in the central North Island, triggering a motorcycle pursuit. They avoid arrest by driving into a car wrecker, continuing their odyssey.
Mulvaney funds the trip; reunion with Shirl
Arriving in Wellington, Mulvaney, an old associate of John, funds them with money and drugs in exchange for parts of the car. Gerry reunites with Shirl at Mulvaney's garage, cementing their makeshift crew. The trio prepares for the Interislander crossing.
Escape onto the Interislander ferry
As dawn breaks, Gerry runs a red light and they are chased by police through central Wellington. They evade capture by driving through Wellington railway station and stowing the Mini in an empty boxcar being shunted toward the ferry. The escape marks a turning point as they cross to the South Island.
Boxcar journey to Christchurch; a wild night
In Picton, the boxcar is attached to a train bound for Christchurch, and the trio turns the ride into a moving party, decorating the interior with Blondini branding. After a night of revelry, Gerry wins his bet with Shirl and feels the journey might end soon. They discover the wagon won't leave until that night, so they press on to Christchurch.
Shirl's arrest and the Lake Hawea pursuit
Stopping at a tearoom along the coast, they learn Shirl has been arrested for shoplifting and that a national manhunt is underway for the Blondini Gang. The Mini is pursued along the Lake Hawea corridor, and a policeman nearly catches them before a combine harvester blocks the road. Gerry stops to help the officer and mocks the radio chatter about the chase.
Cromwell and Dunedin: Snout and the flags
At Cromwell and later Dunedin, they meet Snout, a volatile character who buys Gerry’s flags and helps them dodge roadblocks. Gerry initially resists the superstition of the flags, but relents under John's urging to stay safe. Snout then tips off the police that they are heading for Invercargill.
McNab confrontation and the PIT
In McNab, John is spotted by the police and drives off in the Mini, unaware that Gerry is hidden underneath. Gerry is eventually arrested, but escapes from the police car and leaps onto the fleeing Mini. The pursuit ends with a PIT maneuver that hurls him off the car, leaving John to press on toward Invercargill.
Invercargill finale: explosion and surrender
John arrives in Invercargill to a cheering crowd as the Blondini legend grows. Armed Offenders Squad shoot a hole in his petrol can, forcing a desperate sprint through a cemetery. The leaking petrol ignites and destroys the Mini as John reunites with Sue; police surround the scene and John surrenders, joking for the onlookers as he is taken away.
Explore all characters from Goodbye Pork Pie (1980). Get detailed profiles with their roles, arcs, and key relationships explained.
Gerry Austin (Kelly Johnson)
Gerry is a nineteen-year-old drifter known as Blondini who steals a wallet to fund a spontaneous road trip in a yellow Mini. His impulsive charm and appetite for risk drive the journey, and he treats people as players in his games. He forms quick bonds with John and Shirl, yet his actions reveal both loyalty and a preference for thrill over responsibility.
John (Tony Barry)
John is a middle-aged man trying to win back his girlfriend Sue, and he partners with Gerry in a high-stakes road trip. He navigates danger with a mix of pragmatism and improvisation, coordinating rides and resources while leaning on old associates like Mulvaney. His actions reveal a stubborn optimism and a willingness to take risks for love.
Shirl (Claire Oberman)
Shirl is a drifter heading to Wanganui who becomes the object of Gerry's bet about virginity. She reveals a mix of vulnerability and independence, and she reasserts herself as the trio travels. Her presence tests loyalties and shifts the group's dynamics as plans evolve.
Mulvaney (Bruno Lawrence)
Mulvaney is an older associate of John who finances the trip with money and drugs in exchange for car parts. He represents the criminal underbelly that the trio occasionally taps into, fueling the journey while complicating it with danger.
Snout (John Bach)
Snout is an unhinged facilitator who helps the trio dodge roadblocks and even tips off the police. He also buys Gerry’s signal flags, adding a quirky, unstable edge to the crew. His presence heightens the film’s sense of unpredictability and danger.
Sue (Shirley Gruar)
Sue is John's girlfriend of six years, residing in Invercargill as the chase unfolds. She embodies a counterpoint to the road-warrior life, offering a glimpse of stability and longing that contrasts with the fugitives’ improvisation. Her relationship with John frames the personal stakes of the journey.
Learn where and when Goodbye Pork Pie (1980) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Spring 1978
Set in spring 1978, the story unfolds during a period of youthful restlessness and DIY road culture. The time frame informs the film’s casual, improvised tone—fuel, trains, and boxcars become essential elements of movement. The era’s attitude toward authority and escape shapes the characters’ bold, reckless choices.
Location
Kaitaia, Auckland, Wellington, Picton, Christchurch, Dunedin, Invercargill, Wanganui, Cromwell, Lake Hāwea
The film follows a cross-country journey across New Zealand, beginning in the Northland town of Kaitaia and winding down to Invercargill in the south. It threads through Auckland, Wellington, and other urban centers as well as rural backroads and railway stations, capturing the country’s varied scenery. By anchoring the story in real NZ locations, it creates a vivid road-movie feel steeped in late-1970s New Zealand life.
Discover the main themes in Goodbye Pork Pie (1980). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Youth Rebellion
The journey represents a desire for freedom and thrill-seeking beyond social norms. Gerry and John repeatedly flout traffic laws, steal petrol, and improvise their plans as they chase a moving target of escape. The road trip becomes a canvas for exploring youth’s appetite for danger and self-discovery.
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Friendship & Loyalty
Gerry and John form a fraught partnership built on mutual need and shared risk. Their bond is tested by dangerous choices, shifting loyalties, and the intrusion of Shirl’s own ambitions. The dynamic shows how camaraderie can sustain people on the run, while also enabling moral compromises.
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Pursuit & Consequence
The police pursuit frames much of the film’s tension, with near-captures and strategic deceptions driving the plot forward. The trio’s evasion leads to escalating risks, culminating in a dramatic confrontation and the destruction of the car. The ending hints at the costs of defiance and the uncertainty of the fugitives’ futures.

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In the wide‑open stretches of 1970s New Zealand, a sun‑bleached highway becomes a ribbon of possibility, threading together sleepy towns, rugged coastlines and the lingering scent of diesel. The film opens with a sense of restless wanderlust, the landscape itself a character that invites anyone daring enough to follow its curve toward the far‑south. From the mist‑draped forests of Kaitaia to the wind‑swept streets of Invercargill, the journey promises both the thrill of escape and the quiet moments that only endless road can afford.
Gerry is a nineteen‑year‑old with a reckless grin and a bright yellow Mini that seems to glow against the green countryside. He carries the defiant energy of youth, a willingness to slip through the cracks of ordinary life and seize whatever chance lies ahead. His impulsive nature is matched by an uncanny charm, making the small car feel less like a vehicle and more like a ticket to an unscripted adventure across the island.
John, by contrast, is a man in his forties whose personal world has just been upended by the sudden departure of his long‑time partner. Still trying to make sense of a life that feels suddenly adrift, he boards the Mini with a mixture of reluctance and quiet resolve. The pairing of Gerry’s unhinged spontaneity with John’s weary pragmatism creates an uneasy but magnetic alliance, each man’s doubts and desires echoed in the other’s unspoken questions.
Together they become the unlikely heart of a road‑trip odyssey that balances humor with melancholy, chaos with moments of unexpected tenderness. The film’s tone is at once breezy and contemplative, letting the rolling scenery shape the characters’ inner journeys as much as the miles they cover. As the Mini hugs each bend, the audience is invited to wonder what lies beyond the next horizon, and whether the open road can truly offer redemption, freedom, or something far more ordinary—a chance to simply keep moving forward.
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