Directed by

Marcos Paulo
Made by

Globo Filmes
Read the complete plot summary and ending explained for Brazilian Western (2013). From turning points to emotional moments, uncover what really happened and why it matters.
João do Santo Cristo, Fabrício Boliveira, grows up on a poor farm in Bahia. His father is shot and killed by a police officer as punishment for hurting the cop’s brother, who had earlier roughened João up for trying to steal candy. After his mother dies, he leaves home for Brasília to find a relative he glimpsed in old photographs. Before leaving town, he kills his father’s killer and is caught by the police at the bus stop. After doing time, he finally heads to Brasília.
Upon arriving, he meets his cousin Pablo, César Troncoso, and begins taking small illegal tasks, like delivering drugs. Pablo also gives him weapons, including the Winchester 22 cited in the eponymous song. He also spends time working at a local carpentry to earn money. One drug delivery goes wrong and is stormed by the police; to escape, João breaks into an apartment, where he meets Maria Lúcia, Isis Valverde, a punk music enthusiast and daughter of a senator. Despite the circumstances, they fall in love after he returns to ask her out.
Maria Lúcia shows her friend the marijuana João can provide, and they immediately want more. This upsets Jeremias, Felipe Abib, a local drug dealer, who plots to have João killed with help from his partner and the corrupt Marco Aurélio, Antonio Calloni. Maria disapproves of João’s criminal life and demands that he stop. He promises, but he and Pablo soon start a larger drug empire in Brasília, taking advantage of their access to better marijuana.
To cement their grip, Jeremias and his allies organize a rockonha—a party that blends rock ’n’ roll with marijuana. João is invited but chased; Pablo and a friend are waiting nearby, ready to help, but Jeremias reveals he has many criminals and corrupt officers backing him. Pablo sacrifices himself by pushing João down the hill to buy him time, but João is captured anyway and sent to prison.
In prison, João endures a daily task: hold a newspaper in front of him so Marco Aurélio can photograph the inmates. One day, he seizes the moment, grabs Marco, frees himself and the other prisoners, and then kills Marco. He heads for a final assault on Jeremias and his drug empire. He begins by killing Jeremias’s right-hand man and seizing all his cocaine, leaving a taunting challenge for a duel.
At the final confrontation, three bags of cocaine hang from a football goal; João shoots them, escalating the clash. Maria arrives with João’s Winchester .22 and aims it at Jeremias, while João looks on. Jeremias shoots João first, leaving him wounded on the ground as Maria kneels by his side; Jeremias then shoots Maria as well. Jeremias turns to check on his cocaine, but João—still breathing—loads his Winchester and shoots Jeremias five times, killing him. The story ends with João and Maria dead beside each other, intercut with flashbacks of their moments together and with João’s narration.
In a post-credits scene, an alternate ending reveals a more song-driven finale: João and Jeremias stand face to face before a crowd, drawing their guns toward each other as Maria is shown in a brief spasm.
Follow the complete movie timeline of Brazilian Western (2013) with every major event in chronological order. Great for understanding complex plots and story progression.
Childhood in Bahia and the turning tragedy
João grows up on a poor farm in Bahia. His father is shot by a police officer as punishment for hurting the cop’s brother. After his mother dies, João leaves for Brasília in search of a relative glimpsed in old photographs. Before leaving town, he kills his father's killer and is caught by the police at the bus stop, serving time before heading to Brasília.
Brasília arrival and joining Pablo's crew
After prison, João travels to Brasília and meets his cousin Pablo, who starts giving him small illegal tasks like drug deliveries. Pablo equips João with weapons, including a Winchester .22. João also spends time working at a carpentry shop to earn money as he begins building a criminal network.
First encounter with Maria Lúcia during a drug bust escape
A drug delivery goes wrong and, to escape, João breaks into an apartment where he meets Maria Lúcia, daughter of a senator and a punk music enthusiast. Despite the circumstances, they quickly fall in love after he returns to ask her out. Their relationship marks a turning point in João's life.
Romance grows; Jeremias plots against João
Maria Lúcia disapproves of João's criminal life and urges him to quit. Jeremias, a local drug dealer, plots to have João killed with help from his partner and the corrupt Marco Aurélio. João and Pablo meanwhile start expanding their drug operation in Brasília.
Expansion of the drug empire
To cement their grip, João and Pablo grow their drug operations, leveraging access to higher quality marijuana. They build their empire in Brasília while maintaining their relationship, though tensions with Jeremias are rising. The pair begin taking bigger risks to dominate the local market.
The rockonha party and betrayal
Jeremias and his allies organize a rockonha, a party blending rock music with marijuana, to solidify control. João is invited but chased; Pablo and a friend are waiting nearby to help, while Jeremias reveals he has many criminals and corrupt officers backing him.
Pablo's sacrifice and João's capture
Pablo sacrifices himself by pushing João down the hill to buy him time, but João is captured anyway and sent to prison. The loss deepens João's resolve as he faces the consequences of their reckless ascent into crime. The betrayal cuts deep as he contemplates revenge from within the system.
Prison and the Marco Aurélio confrontation
In prison, João endures a daily task of holding a newspaper so Marco Aurélio can photograph the inmates. Seizing a moment, he overpowers Marco, frees himself and the other prisoners, and kills Marco Aurélio. The act marks João's break from subservience and signals his intent to strike back at Jeremias.
Final assault plan and early strike
João heads for a final assault on Jeremias' drug empire. He begins by killing Jeremias's right-hand man and seizing all his cocaine, leaving a taunting challenge for a duel. The strike escalates the feud toward a reckoning between João and Jeremias.
The final duel on the football field
Three bags of cocaine hang from a football goal as the showdown reaches its peak. Maria arrives with João's Winchester .22 and aims at Jeremias while João watches. Jeremias shoots João first, and Maria is shot next, before João reloads and kills Jeremias in a flurry of shots.
Endings: death of João and Maria
The story ends with João and Maria dead beside each other, intercut with flashbacks of their moments together and with João's narration. The film then hints at an alternate fate through a post-credits scene that complicates the final image, showing a different, more song-driven finale.
Explore all characters from Brazilian Western (2013). Get detailed profiles with their roles, arcs, and key relationships explained.
João do Santo Cristo (Fabrício Boliveira)
A poor farm boy from Bahia who becomes a drug-empire figure in Brasília. Driven by revenge for his father's murder, he navigates crime, prison, and a doomed romance with Maria Lúcia, embodying a brutal, self-made Western anti-hero.
Pablo (César Troncoso)
João's cousin who handles logistics for their illicit trade, providing weapons and opportunities while keeping a loyal, calculating stance. He helps build their Brasília operation until sacrifice and tragedy reshape his loyalties.
Jeremias (Felipe Abib)
A sprawling drug dealer backed by corrupt officers who aims to consolidate power in Brasília. He is ruthless, cunning, and prepared to eliminate rivals to protect his cocaine empire.
Maria Lúcia (Isis Valverde)
Daughter of a senator and a punk-influenced love interest who challenges João's criminal path. Their romance provides emotional ballast and motivation, but tragedy tests their bond to the end.
Marco Aurélio (Antonio Calloni)
A corrupt authority figure who collaborates with Jeremias, orchestrating surveillance and enforcement against João and his allies. His downfall comes at the hands of João’s daring moves.
Ney (Marcos Paulo)
A local drug dealer who aligns with Jeremias and serves as a rival element within the drug underworld, complicating João and Pablo's ascent.
Teresa (Cinnara Leal)
A secondary figure in the community whose role interacts with the dynamics of crime, family, and power within Brasília's shadow economy.
Telmo (Léo Rosa)
A minor character who contributes to the film's web of criminal activity and street-level networks surrounding João and Pablo.
Learn where and when Brazilian Western (2013) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1970s to early 1980s
Set against Brazil's late-70s to early-80s urban expansion, the story unfolds in a period of political transition and cultural upheaval. The era's blend of rock, marijuana culture, and street-level crime shapes João's rise in the capital. The atmosphere combines grit with a Western cinematic sensibility, reflecting a Brazil still negotiating its modern identity.
Location
Bahia, Brasília
João's journey begins in rural Bahia, an area marked by modest farms and harsh poverty. The film then moves to Brasília, a newly built capital symbolizing modern Brazil and its opportunities and dangers alike. The contrast between the rustic countryside and the gleaming political center highlights the social gap the protagonist navigates.
Discover the main themes in Brazilian Western (2013). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
⚔️
Vengeance
Vengeance drives the plot: João seeks to avenge his father's murder and to topple Jeremias's drug empire. The film traces how violence begets more violence as alliances shift and loyalty is tested. His prison break and final showdown highlight how revenge reshapes his sense of justice and humanity. The story leaves a grim note about the cost of vengeance, with both lovers dead and the cycle unresolved.
❤️
Love
Love blossoms between João and Maria Lúcia amidst danger; she is a punk-influenced daughter of a senator. Maria's disapproval of João's criminal path creates tension but also motivates his attempt to change. Their relationship is a counterpoint to violence, showing tenderness amid crime. In the end, their romance is tragically cut short by the violence surrounding the drug war.
💰
Corruption
Jeremias and Marco Aurélio's alliance shows how crime and power feed on both criminal networks and corrupt officers. The film portrays systemic rot in both the criminal underworld and the institutions. Pablo and João's rise is enabled by access to resources and protections. The final confrontation exposes the fragility of law when protection and money corrupt those meant to enforce it.
🗺️
Destiny
João's journey from rural boy to urban anti-hero is framed as a path shaped by circumstance and choice. Brasília functions as a backdrop where opportunity and danger meet, steering him toward a brutal fate. His entwined relationship with Maria Lúcia and his clashes with Jeremias reveal a destiny that feels larger than any one man. The film closes with a fatalistic tone, implying that love and ambition drive a path toward doom.

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Explore the mobile appDiscover the spoiler-free summary of Brazilian Western (2013). Get a concise overview without any spoilers.
In the harsh, sun‑baked outskirts of Brazil, a restless young man leaves behind a life of loss and hardship in search of a fresh start. João arrives in the sprawling, modern capital, a city where sleek avenues clash with the lingering echoes of rural folk tales, and every corner seems to pulse with the restless energy of a place caught between tradition and chaos. The film’s tone blends the stark, unforgiving atmosphere of a western with the gritty urban rhythm of contemporary Brazil, creating a landscape that feels both expansive and intimately claustrophobic.
Amid the neon‑lit nightlife and the ever‑present hum of traffic, João encounters Maria, a striking figure whose love for punk music marks her as a rebel in a world that prizes conformity. Their connection is immediate, a spark that hints at something deeper than the fleeting encounters of strangers in a bustling metropolis. Maria’s world, full of loud guitars and defiant lyrics, provides a vivid contrast to João’s quiet yearning for redemption, and together they navigate the city’s hidden corners with a mix of curiosity and caution.
As João begins to weave himself into the fabric of his new home, he finds himself drawn into the shadowy undercurrents that flow beneath the city’s glittering surface. The bustling streets conceal a delicate balance of power, where whispers of illicit dealings shape the lives of those who dare to listen. João’s desire for a clean slate collides with the magnetic pull of the city’s darker side, setting the stage for a tense, atmospheric journey.
Against this backdrop of neon lights, raw music, and a landscape that feels simultaneously foreign and familiar, the story pulses with anticipation. The budding romance between João and Maria offers a hopeful thread, while the looming presence of unseen forces promises a struggle that will test their resolve and force both to confront the limits of their ambition and the depth of their bond.
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