Directed by

Jim O’Connolly
Made by

Herman Cohen Productions
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Read the complete plot summary and ending explained for Berserk! (1967). From turning points to emotional moments, uncover what really happened and why it matters.
Monica Rivers, Joan Crawford, runs a traveling circus across England with her business manager, Albert Dorando, Michael Gough. The show blends spectacle with danger, and the local authorities, including Commissioner Dalby Geoffrey Keen and Detective Superintendent Brooks Robert Hardy, watch the operation closely. During a late performance, Gaspar the Great, Thomas Cimarro, dies when his rope snaps. The police suspect foul play, but no culprit can be named. Monica senses that Gaspar’s death will bring sensational publicity and bigger crowds, a calculation that shocks Albert as he processes the personal ugliness behind such a stance.
Not long after, Albert is found murdered. The company, and especially Frank Hawkins, Ty Hardin, suspect Monica; Hawkins had seen her leaving Albert’s trailer shortly before the body was discovered. He attempts a crude form of blackmail, promising his silence in exchange for a share of the circus, and Monica agrees to the deal. The show continues, and the troupe enjoys a string of successful performances that draw larger audiences than before. Into this mix comes Monica’s daughter Angela Rivers, Judy Geeson, who reappears after being expelled from school. Monica hires her to perform a knife-throwing act, adding a personal strain to the already tense atmosphere.
Matilda, Diana Dors, another performer, tries to lure Hawkins, fueling Monica’s jealousy and insecurity. The jealousy intensifies when Matilda is killed during a magician’s trick—sawing a woman in half goes tragically wrong, sending shockwaves through the circus. A few evenings later, during Hawkins’ high-wire performance, Angela is seen throwing a knife toward him. Hawkins plummets onto the bayonets and dies in a fatal, brutal moment.
Angela makes a chilling confession: she was responsible for the circus murders, claiming they stemmed from Monica’s absence and neglect during her childhood. She asserts the deaths were deliberate attempts to remove anyone who consumed Monica’s attention and time. In a final, desperate bid to escape capture, Angela turns on her mother, but the plan is foiled. As rain lashes the tent, she is electrocuted by a live wire outside the circus, and Monica collapses in tears over her daughter’s lifeless body.
Follow the complete movie timeline of Berserk! (1967) with every major event in chronological order. Great for understanding complex plots and story progression.
Circus tours England
Monica and Albert run a traveling circus that tours England, with Monica as ringmistress and Albert as business manager. Gaspar the Great dies when his rope breaks during a performance, shocking everyone. The police suspect foul play, but they cannot determine who tampered with the rigging.
Gaspar's death and public reaction
Gaspar's death seems certain to draw sensational publicity and larger audiences, a prospect Monica eagerly foresees. Albert is shocked by Monica's apparent insensitivity to the tragedy. The incident sets the tone for a growing strain between them.
Replacement and new act
Albert asks Monica to buy out his share of the circus, but she cannot. Instead, she replaces Gaspar with a daring new tightrope artist, Frank Hawkins, renowned for performing over a bed of bayonets without a safety net. Monica is visibly impressed by his audacious act.
Hawkins joins the troupe
Hawkins joins the troupe and quickly becomes a central figure in the show. His act over bayonets is notorious and draws big crowds, reinforcing Monica's faith in him. The atmosphere in the company grows more competitive as the new star's presence unsettles others.
Albert is murdered
Shortly after Hawkins' arrival, Albert is found murdered. The troupe suspects Monica of involvement, and Hawkins had seen Monica leaving Albert's trailer shortly before the body was discovered. The mystery deepens the rift within the circus.
Hawkins' blackmail
Hawkins attempts to blackmail Monica, demanding a share of the circus in exchange for his silence. She reluctantly agrees, and a fragile truce forms as they continue the tour. Tension mounts as the operation runs under the shadow of a possible crime.
Angela arrives
A few evenings later, Monica's daughter Angela turns up after expulsion from school and is hired to perform a knife-throwing act. The arrival widens the split between old loyalties and new ambitions within the troupe. Monica struggles to balance motherhood with her professional priorities.
Matilda's advances
Matilda, another performer, tries to seduce Hawkins, stirring jealousy in Monica. The personal rivalries threaten to undermine trust among the performers. The atmosphere grows tense as professional ambition clashes with romantic entanglements.
Matilda's death
A magician's trick involving sawing a woman in half goes wrong and Matilda is killed. The accident fuels fear and suspicion within the circus, suggesting hidden threats behind the show. The troupe grapples with the sudden loss amid escalating tensions.
Angela's knife attack and Hawkins' death
During Hawkins' high-wire act, Angela is spotted throwing a knife at him. Hawkins falls onto the bayonets and is killed. The crowd is stunned as the deadly incidents escalate in quick succession.
Angela confesses
Angela confesses she was responsible for the murders, attributing it to Monica's absence and inattention during her childhood. She claims the deaths were meant to punish those who consumed Monica's time. Monica is left to grapple with the revelation.
Angela's final act and death
Angela tries to kill Monica but is stopped. While attempting to escape, she is electrocuted by a live wire outside the circus tent during a rainstorm. Monica sobs inconsolably over her daughter's death.
Explore all characters from Berserk! (1967). Get detailed profiles with their roles, arcs, and key relationships explained.
Monica Rivers (Joan Crawford)
Monica is the ringmistress and driving force behind the troupe, obsessed with making the circus a headline event. She often prioritizes publicity and profits over personal connections, which strains her relationship with her daughter Angela. Her quick refusal to buy out Albert's share hints at a ruthless streak; she uses Gaspar's death to shape the show's future. Throughout the story, her presence looms over the circus as both leader and indifferent mother.
Albert Dorando (Michael Gough)
Albert is the business manager of the circus, practical and protective of the enterprise. He is shocked by Monica's insensitivity and her desire for bigger audiences. He becomes a victim of the killer's scheme, murdered as tensions rise. He provides a counterbalance to Monica's showmanship with a focus on financial viability and security.
Gaspar (Thomas Cimarro)
Gaspar is the celebrated tightrope walker who performs dangerous acts without a net over a carpet of bayonets. His death at the hands of a tampered rope sets off the murder investigation and fuels the publicity machine. He is a symbol of risk and spectacle for the troupe; his talent is overshadowed by a suspicious, cutthroat circus environment.
Frank Hawkins (Ty Hardin)
Frank Hawkins is the new, handsome tightrope artist brought in to replace Gaspar's act. He uses his charisma to negotiate a share of the circus with Monica, showing a willingness to manipulate and profit from others. He is involved in blackmail and becomes a primary suspect in the later murders; his high-wire act ends with a fatal fall onto bayonets.
Angela Rivers (Judy Geeson)
Angela is Monica and Albert's daughter, expelled from school and brought back into the circus as a knife-throwing act. Her presence triggers jealousy and insecurity in Monica and fuels the tension within the troupe. She confesses to the murders and confronts her mother, then dies attempting to escape capture.
Matilda (Diana Dors)
Matilda is another performer who tries to seduce Hawkins, becoming a catalyst for jealousy and conflict within the troupe. She is killed when a magician's trick goes wrong, highlighting the deadly stakes of showbiz.
Learn where and when Berserk! (1967) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1960s
Set in the mid-1960s, the film captures the era's appetite for sensational entertainment and practical showbusiness. The traveling circus operates in a pre-digital era where publicity, rumor, and stagecraft drive audience turnout. The characters navigate a world of live performances, risky acts, and escalating tensions.
Location
England
The story unfolds across England, centered on a traveling circus that moves from town to town. The troupe's performances bring spectacle, danger, and drama to each stop, shaping the rhythm of everyday life on the road. The English countryside and towns form a continuous backdrop for the show's evolving crises.
Discover the main themes in Berserk! (1967). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🎭
Showmanship
The circus is a stage where fame and spectacle trump personal bonds. Gaspar's death becomes a publicity boon, and Monica's drive for headline-grabbing moments influences every decision. The story probes how the pursuit of audience attention can erode ethics and relationships.
🕵️
Murder & Mystery
A string of murders and a blackmail plot propel the plot, turning the circus into a crime scene. Suspicions swirl around the performers and management, revealing how leverage and secrets can manipulate a troupe. The investigation exposes the peril hiding behind the makeup and costumes.
💔
Maternal Strain
Angela's resentment toward Monica mirrors a fractured mother-daughter bond in a high-pressure environment. Monica's emotional distance and obsession with success leave Angela craving attention and validation. The tragedy of their relationship drives the climactic consequences.

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Discover the spoiler-free summary of Berserk! (1967). Get a concise overview without any spoilers.
In the mist‑cloaked countryside of post‑war England, a traveling circus rolls from town to town, its striped canvas tents looming like secret kingdoms against the grey sky. Spectacle and danger are woven together under the bright glare of the big top, where each performance promises both wonder and a hint of the uncanny. The atmosphere crackles with the clang of metal, the roar of crowds, and the whispered anticipation of something just out of reach, setting a tone that balances flamboyant showmanship with an undercurrent of unease.
At the helm is Monica Rivers, a charismatic and calculating lady ringmaster whose flair for drama rivals the daring acts she presents. Beside her, Albert Dorando keeps the circus humming like a well‑oiled machine, juggling finances, logistics, and the ever‑present eyes of the law. Local authorities—Commissioner Dalby and Detective Superintendent Brooks—keep a cautious watch on the troupe, their presence a reminder that the spectacle exists on the edge of respectable society.
The cast of performers adds layers of intrigue: the enigmatic aerialist Gaspar the Great, whose daring feats draw gasps from every seat; Frank Hawkins, a seasoned high‑wire artist whose confidence borders on arrogance; and Matilda, a sultry entertainer whose ambitions spark quiet rivalries. Into this mix returns Angela Rivers, Monica’s estranged daughter, whose reappearance stirs both personal and professional tensions as she is drawn into a knife‑throwing act that blurs the line between art and peril.
Within the canvas walls, ambition, jealousy, and loyalty intertwine, creating a pressure cooker of emotions that threatens to spill over at any moment. The rain‑slicked tents and the ever‑present hum of the crowd lend the circus a moody, electric ambience, hinting at secrets that linger just beyond the spotlight. As the troupe journeys onward, the audience is left to wonder how far the performers will go to keep the show alive and what shadows may follow them beneath the roaring applause.
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