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Bawdy Tales (1973) Plot Summary & Timeline

Bawdy Tales (1973) movie poster

Bawdy Tales is a 1973 comedy film directed by Sergio Citti, running 1 hour 33 minutes. This page retells the whole story in 618 words (about 3 minutes to read) and covers 12 key events in order, 6 characters, where and when it is set and 3 themes. Looking for the cast, ratings and where to stream it? See the movie page for Bawdy Tales.

to read the plot summary
3 min
key events in the timeline
12
characters profiled
6
themes explained
3
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Bawdy Tales (1973) movie poster
Released
Runtime
1h 33m
Director
Sergio Citti
Genre
Comedy
Original language
Italian
Studio
PEA
No spoilers

What Is Bawdy Tales About?

The premise of Bawdy Tales in 285 words, with nothing given away. The full story follows below.

In the shadowy corridors of an 1800 Rome prison, two condemned thieves, Bernardino and Mammone, while awaiting their fate, turn the bleakness of their cell into a stage for storytelling. Their idle moments become a restless contest of imagination, each attempting to outdo the other with bawdy, larger‑than‑life narratives that ripple with humor, menace, and raw desire. The film settles into this claustrophobic frame, using the prison’s dim light and the prisoners’ sardonic camaraderie to set a tone that is equal parts provocative and daring, warning viewers that the material is far from gentle.

Beyond the stone walls, the thieves’ tales unfold across four distinct vignettes that paint a panoramic picture of early‑19th‑century Italy. One story drifts into the salons of the aristocracy, where a duke and his confidant grapple with the tangled web of marital loyalty and pride. Another peels back the rustic veneer of the countryside, where two farmers become entangled in a dispute that echoes classic literary motifs of honor and miscommunication. A third introduces a conflicted priest whose path spirals into an unsettling meditation on power and yearning. The final vignette explores an unconventional domestic arrangement, hinting at the volatile mix of love, jealousy, and societal expectation.

Each segment is narrated with a measured, almost scholarly even‑handedness, allowing the dark comedy and the solemn undercurrents of moral reckoning to coexist. The film’s aesthetic leans into the gritty textures of period sets while the dialogue crackles with ribald wit, creating a world where pleasure and peril sit side by side. Through Bernardino and Mammone’s relentless exchange, the audience is invited to savor the tension between storytelling and reality, aware that every laugh may mask a deeper, unsettling truth about desire and consequence.

Full plot

What Happens in Bawdy Tales?

The complete story of Bawdy Tales, from the first scene to the last, in 618 words (about 3 minutes). Spoilers throughout. Names in the text link to 2 cast member pages.

Spoilers ahead

Set in 1800 Rome, the film unfolds inside a dim prison where two thieves await their death and pass the waiting time by trading ribald stories. Their narratives unfold in four interconnected tales, each one built around love, betrayal, and a taste for pleasure, all framed by the grim reality of their imminent execution.

In the first tale, a duke of Ronciglione and his companion Nicolino confront a startling revelation: their wives have betrayed them, not only with other men but even with a priest. The tension between pride, desire, and wounded trust drives the drama, and the revelations ripple through the lives of the men as they confront the consequences of passion and jealousy. Duke of Ronciglione and Nicolino stand at the center of this intimate, volatile story, where loyalties shift and the boundaries between marriage, infidelity, and authority blur in surprising ways. The stark, tongue-in-cheek tone keeps the tale both tragic and strangely comic as the men grapple with what forgiveness, revenge, or pride might mean in the face of ruin.

The second tale shifts to a rustic setting, where two farmers find themselves entangled in a dispute that echoes a famed literary motif. This segment, inspired by a story of rustic cavalry associated with Giovanni Verga, leans into rural rhythms and the rough humor of everyday life, exploring how fame, pride, and miscommunication can turn simple conflicts into echoes of larger moral reckonings.

A debauched priest anchors the third tale, a darker meditation on love and power. He becomes entangled with a girl he sought, and in a moment of dangerous obsession he kills one of his pilgrims. The act exposes a corrupt longing that ruptures the boundary between spiritual authority and human desire, leaving a heavy aftertaste of guilt and consequence that threads through the ensemble of stories.

The final tale shifts to a more intricate domestic scheme. A husband, having spent all his money to win back his wife’s affection, pretends to be broke and proposes that he might even end his life. His wife responds with a controversial plan: she invites an elderly man, who has been a public companion to her, to live with them, forming a three-person “family.” The husband reluctantly accepts, but the wife soon grows bored and begins a long-standing affair with a much younger lover who meets her in a meadow outside town. The elderly man informs the husband of this betrayal, and together they ambush and kill the young man. The wife dies of heartbreak, and both the husband and the elderly man are executed for their crime.

As the film builds toward its culmination, Judgment Day arrives. The archangel inventories the sins of all involved and asks each accused soul how they plead. The two husbands and the wife offer self-serving hopes of Paradise, insisting they have lived in service to the Lord in their own ways. The young man, by contrast, expresses a desire to return to the old days on Earth, to indulge in the pleasures he once enjoyed. The archangel condemns the three adults to Hell while granting the young lover a path to Paradise. The frame story reaches its bleakly ironic zenith as the two thieves, facing their nooses, laugh through tears at the film’s macabre, inexorable punchline. In the final image, they hang suspended, lifeless, as the camera lingers on the moral reckoning they can neither escape nor escape from.

Overall, the film weaves four loosely connected vignettes into a meditation on desire, deceit, and the moral weight of one’s choices, all set against a backdrop of fate and judgment. The tone remains measured and even-handed, balancing humor with consequences, and maintaining a steady pull toward a stark, unforgettable ending.

Timeline

Bawdy Tales Timeline: Every Key Event in Order

12 key events in the order they happen, from “Frame setup: Two thieves in 1800 Rome” to “Final fates: Paradise for the lover, Hell for the others”. 4 events name a place, across 3 locations.

  1. 1

    Frame setup: Two thieves in 1800 Rome

    In 1800, in Rome, two thieves are imprisoned and condemned to death. To pass the time, they decide to entertain themselves by telling ribald stories.

    When:1800 Where:Rome

  2. 2

    Storytelling frame begins

    The thieves launch their framing device, promising to recount a sequence of tales before their execution. Each tale exposes human folly through erotic, violent, and comic episodes.

  3. 3

    First tale of the betrayed husbands

    In the first tale, a duke and Nicolino discover that their wives have betrayed them with younger men and with a priest. Their discovery sparks jealousy, deception, and reckless passions that drive the plot.

  4. 4

    Second tale of rural clash and clappers

    In the second tale, two farmers clash with a clappers inspired rustic cavalry, echoing Giovanni Verga's rustic realism. The feud reveals stubborn pride and the gritty humor of rural life.

  5. 5

    Third tale of a debauched priest

    In the third tale, a debauched priest becomes infatuated with one of the girls the priest pursued and kills one of his pilgrims in a fit of passion. The act exposes religious hypocrisy and the ruinous reach of desire.

  6. 6

    Final frame tale opens with a vow of affection

    In the last frame tale, a husband spends all his money to win his wife's affection, and she invites an elderly man to live with them as a live-in john. The unusual living arrangement sets the stage for later turnovers of love and power.

    Where:Home of the couple

  7. 7

    The wife enlists a younger lover

    The wife soon grows bored of both men and brings in a much younger lover, whom she meets frequently in a meadow outside town. The arrangement deepens the love triangle and foreshadows tragedy.

    Where:Meadow outside town

  8. 8

    Ambush and murder in the meadow

    When the elderly man learns of the affair, the two men plan and ambush the younger lover in the meadow outside town. The crime is driven by mounting jealousy and passionate greed.

    Where:Meadow outside town

  9. 9

    Wife dies of heartbreak; conspirators face consequences

    The wife dies of heartbreak, and the husband and the elderly man are left to confront the consequences of their actions. Their relationship unravels as the law closes in and the community weighs the crime.

  10. 10

    Execution of the conspirators

    The husband and the elderly man are executed for their crime, bringing their treacherous plot to a brutal close. The moral weight of the tale lands on the audience as the nooses rise.

  11. 11

    Judgment Day and the counts of sin

    Judgment Day arrives as the archangel lists all the criminals and asks how they plead. The moment frames the moral reckoning that threads through the narratives.

    When:Judgment Day

  12. 12

    Final fates: Paradise for the lover, Hell for the others

    The archangel banishes the three conspirators to Hell while sending the young lover to Paradise. The two thieves facing execution laugh inappropriately at the irony, and the film closes on their lifeless bodies hanging.

    When:Judgment Day

Characters

Who Are the Main Characters in Bawdy Tales?

6 characters, among them Bernardino (Ninetto Davoli), Duke of Ronciglione and Nicolino: who each one is and the part they play in the story. Every profile links to the actor’s page.

  • B(

    Bernardino (Ninetto Davoli)

    Played by Ninetto Davoli

    One of two thieves imprisoned to pass the time, Bernardino is quick-witted and streetwise. He serves as a lively narrator who punctuates the tales with sly observations about love, betrayal, and social pretenses. His presence anchors the framing of the stories with a mischievous outlook.

    • 🗝️ Thief
    • 🗣️ Storyteller
    • 🧭 Streetwise
  • DO

    Duke of Ronciglione

    Played by Silvano Gatti

    A proud, possessive nobleman who confronts his wife’s alleged infidelities with volatile emotion. His sense of honor and control propels the first tale toward a fatal resolution, reflecting the era’s rigid codes for aristocratic men. The duke embodies both authority and vulnerability when facing betrayal.

    • 👑 Nobility
    • 💔 Jealousy
    • 🗝️ Secrets
  • N

    Nicolino

    Played by Enzo Petriglia

    The other man in the first story, Nicolino is pragmatic and unflinching in the face of scandal. He partners with the duke to confront infidelity, showing a street-smart, survival-minded mindset. His choices drive the consequences that follow, highlighting the tension between loyalty and self-preservation.

    • 🧭 Alliance
    • 🗝️ Secrets
    • 🗡️ Cunning
  • DC

    Duchess Catherine of Ronciglione

    Played by Nicoletta Machiavelli

    The duke’s wife, Catherine is entangled in infidelity and social maneuvering. Her actions illuminate the complexities of marriage, status, and desire within a conservative society. She participates in the moral games that determine outcomes for all involved.

    • 👑 Nobility
    • 💔 Infidelity
    • 💬 Desire
  • TC

    The Cardinal

    Played by Gianni Rizzo

    A debauched priest who becomes entangled with lovers and pilgrims, illustrating the hypocrisy and danger of unchecked desire within clerical ranks. His behavior triggers the grim turn of the third story and exposes the gulf between piety and passion.

    • 🙏 Clergy
    • 💔 Hypocrisy
    • 🩸 Violence
  • TP

    The Pope

    Played by Sebastiano Soldati

    A high religious figure who presides over the Judgment Day sequence, embodying divine judgment and the ultimate consequences for the characters’ sins. His presence heightens the gravity of moral reckoning at the story’s end.

    • ⛪ Religion
    • ⚖️ Judgment
    • 🌤️ Afterlife
Setting

Where and When Is Bawdy Tales Set?

Bawdy Tales is set in Rome and Italy (1800). Here is why the time and place matter to the story.

When

1800

Set in the year 1800 in Rome, the narratives unfold under a code of honor and religious authority. The era’s strict mores shape how characters betray, conceal, and justify themselves. Prison, public spaces, and a Judgment Day-like finale anchor the events in a world where reputation can be fatal.

Where

Rome, Italy

Rome serves as the backdrop for a sequence of bawdy tales set in the year 1800. The city’s streets and palaces frame stories of infidelity, deception, and moral scrutiny, with priests and nobles navigating social rules. The atmosphere blends opulent settings with crowd-pleasing mischief and stark consequences.

  • 🏛️ Historical city
  • 🌍 European setting
  • 🕰️ 1800s backdrop
Themes

What Are the Themes of Bawdy Tales?

3 ideas the story keeps returning to, among them Infidelity, Judgment and Morality.

  1. 01

    Infidelity

    Betrayal drives the core conflicts across the stories, revealing how desire disrupts duty and loyalty. Couples and lovers navigate a labyrinth of lies and temptation, with consequences that range from heartbreak to upheaval. The tales expose the fragility of trust in a society built on appearances.

  2. 02

    Judgment

    Judgment Day frames the fates of the characters, as sins are weighed and pleas for Paradise or Hell are voiced. The archangel’s recounting of deeds contrasts self-serving rationalizations with the severity of punishment. The sequence underscores moral accountability amid social hypocrisy.

  3. 03

    Morality

    Humor and shock are used to critique social norms and hypocrisy. The stories blur lines between virtue and vice, using bawdy wit to reveal how people perform morality under pressure. The film invites reflection on what truly constitutes virtuous behavior.

Tone & mood

What Kind of Film Is Bawdy Tales?

Dark in tone, with steady pacing and a complex story, going by the plot summary.

Tone
Dark
Pacing
Steady
Story
Complex
Intensity
Medium
Ending
Bleak

A grimly ironic and provocative film, told through linked ribald tales from a prison cell, which explores the dark consequences of desire with a steady, sardonic pace leading to an unflinching, bleak judgment.

  • grim
  • ribald
  • ironic
  • claustrophobic
  • moralistic
  • provocative
  • betrayal
  • jealousy
  • morality
  • sexual politics

Content notes: murder, execution, sexual content.

Quiz

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FAQ

Bawdy Tales Plot Questions

5 quick answers about Bawdy Tales, taken from the plot summary, character guide and setting on this page and the film’s credits.

What is Bawdy Tales about?

In the shadowy corridors of an 1800 Rome prison, two condemned thieves, Bernardino and Mammone, while awaiting their fate, turn the bleakness of their cell into a stage for storytelling.

Read the full plot summary

When and where does Bawdy Tales take place?

Bawdy Tales is set in Rome and Italy (1800). Set in the year 1800 in Rome, the narratives unfold under a code of honor and religious authority. The era’s strict mores shape how characters betray, conceal, and justify themselves.

The setting explained

Who are the main characters in Bawdy Tales?

The story follows Bernardino (Ninetto Davoli) (played by Ninetto Davoli), Duke of Ronciglione (played by Silvano Gatti), Nicolino (played by Enzo Petriglia) and Duchess Catherine of Ronciglione (played by Nicoletta Machiavelli); the character guide covers 6 characters in all.

All the characters

What are the main themes of Bawdy Tales?

The summary picks out 3 themes: Infidelity, Judgment and Morality.

The themes explained

Who directed Bawdy Tales?

Bawdy Tales (1973) was directed by Sergio Citti and runs 1 hour 33 minutes.

Sergio Citti’s films

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