Directed by

Julien Duvivier
Made by

London Films Productions
Read the complete plot summary and ending explained for Anna Karenina (1948). From turning points to emotional moments, uncover what really happened and why it matters.
Anna Karenina [Vivien Leigh] is married to Alexei Karenin [Ralph Richardson], a cold government official in St. Petersburg who seems more focused on his career and social standing than on meeting his wife’s emotional needs. Called to Moscow by her brother Stepan Oblonsky [Hugh Dempster], a reprobate who has been unfaithful to his wife Dolly Oblonsky [Madge Brindley], Anna steps into a world where duty and reputation loom large over personal happiness.
On the night train to Moscow, Countess Vronsky [Helen Haye] shows Anna a picture of her son, Count Vronsky [Kieron Moore], a cavalry officer about to enter the social sphere. Vronsky himself boards the train and is instantly drawn to Anna, boldly signaling his interest, while she tentatively resists without fully closing the door to him.
At a grand ball, Vronsky’s pursuit of the married Anna becomes the talk of the room, thrilling some spectators and scandalizing others. Kitty Scherbatsky [Sally Ann Howes], Dolly’s sister who is smitten with Vronsky, is humiliated by his behavior and leaves the ball, much to the distress of Konstantin Levin [Niall MacGinnis], a suitor who had hoped to win Kitty’s heart. Yet a change of heart soon reshapes the situation, and Kitty eventually marries Levin.
Boldly following Anna back to St. Petersburg, Vronsky makes their relationship public, and society’s whispers grow louder. Karenin learns of the affair and issues a stark ultimatum: Anna must sever ties with Vronsky or risk losing her son. She tries to comply, but the pull of the romance proves overwhelming and defies easy resolution.
Anna becomes pregnant, but the child is stillborn. Karenin, displaying a measured magnanimity, grants Vronsky the option to visit Anna if she calls for him. The scandal gnaws at both lovers, and Vronsky’s nerves flare enough to drive him to the brink, leading to a failed suicide attempt.
Unable to forget Vronsky, Anna cannot return to a peaceful life with Karenin. She leaves him for good and travels to Italy to be with Vronsky, yet doubts about his devotion plague her. As the relationship strains under the weight of circumstance and guilt, she feels she has sacrificed everything and ultimately chooses a solitary, devastating end: she walks onto the railway tracks and is struck by a train, ending a life shadowed by passion and loss.
Follow the complete movie timeline of Anna Karenina (1948) with every major event in chronological order. Great for understanding complex plots and story progression.
Anna's loveless marriage begins
Anna Karenina is married to Alexei Karenin, a cold government official who values his career over her happiness. The emotional distance between them grows as he focuses on state duties rather than their relationship. This loveless marriage sets the stage for Anna's restlessness and longing for connection.
Called to Moscow and a foreshadowing encounter
Anna is summoned to Moscow by her brother Stepan Oblonsky. On the night train to Moscow, she meets Countess Vronsky, who shows Anna a picture of her son, Count Vronsky, hinting at the young officer who will soon enter her life.
Vronsky arrives and is immediately drawn to Anna
Count Vronsky arrives at the train to meet his mother and is instantly infatuated with Anna. He makes his interest known, while Anna remains cool but unsettled by his attention.
The grand ball, pursuit, and romantic upheaval
At a grand ball, Vronsky openly pursues the married Anna, delighting gossiping spectators. Kitty Shcherbatsky is humiliated by his attentions, while Levin's feelings for Kitty are tested before she ultimately marries him.
Publicly declaring the affair
Vronsky boldly follows Anna back to St. Petersburg and makes it public that he is her companion. Society whispers about the affair as Anna tries to navigate its consequences.
Karenin discovers and pressures Anna
Karenin learns of the affair and prioritizes his social standing over his wife's happiness. He orders Anna to end the relationship or risk losing access to their son, applying pressure to break away.
Pregnancy, childbirth, and forgiveness
Anna becomes pregnant with Vronsky's child, and she nearly dies in childbirth as the baby is stillborn. Karenin coldly grants forgiveness, even allowing Vronsky to visit if Anna calls for him.
Vronsky's suicide attempt
Embarrassed by the scandal, Vronsky tries to shoot himself but fails. The attempt leaves him alive but emotionally shaken as the affair continues to complicate their lives.
A broken reconciliation and a move to Italy
Anna tries to live with Karenin again but cannot forget Vronsky. She ultimately leaves him for good and travels to Italy to live with Vronsky, seeking happiness together.
Doubts and emotional estrangement
In Italy, Anna's doubts about Vronsky's commitment grow, and she pushes him away. She realizes she has lost everything she valued and sinks deeper into despair.
Anna's final act of despair
Unable to bear her sense of ruin, Anna walks onto the railway tracks and is killed by a passing train. Her suicide completes the ruinous arc of pursuing forbidden love.
Explore all characters from Anna Karenina (1948). Get detailed profiles with their roles, arcs, and key relationships explained.
Anna Karenina (Vivien Leigh)
A married woman whose craving for emotional and romantic fulfillment drives her to defy her husband and society. She oscillates between passion and despair, facing social exile as a consequence of her choices. Her internal conflict and ultimate tragedy reveal the perils of a society that punishes female desire.
Count Vronsky (Kieron Moore)
A charismatic cavalry officer who openly pursues Anna, challenging social norms with confidence and ambition. His pride and fear of abandonment affect his decisions, culminating in a fragile balance between love and self-preservation.
Alexei Karenin (Ralph Richardson)
A cold, principled government official more concerned with status than warmth. He attempts to manage the scandal and preserve appearances, offering a divided form of mercy toward Anna while prioritizing propriety over personal happiness.
Kitty Scherbatsky (Sally Ann Howes)
Dolly's sister who experiences humiliation but eventually finds her own path. She marries Levin, demonstrating resilience and growth within the social structure. Kitty's arc contrasts Anna's tragedy with a route toward domestic stability.
Konstantin Levin (Niall MacGinnis)
A landowning nobleman who embodies a more grounded, practical path through love and family life. His marriage to Kitty provides a counterpoint to Anna and Vronsky's reckless romance, emphasizing personal fulfillment through stability.
Learn where and when Anna Karenina (1948) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1870s Russia
The events unfold in the late 19th century, a period defined by rigid social codes and aristocratic privilege. Public life centers on propriety, marriage, and appearances, while private desires threaten to upend the social order. The era provides a backdrop of stylish interiors, formal gatherings, and the looming modernization of Russian society.
Location
St. Petersburg, Moscow, Italy
Set across imperial Russia, primarily in St. Petersburg and Moscow, with sequences that move to Italy. The lavish salons and ballrooms reflect a society obsessed with reputation. The journeys by night train and the public spaces of the city become stages for romance, scandal, and social scrutiny.
Discover the main themes in Anna Karenina (1948). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💔
Forbidden Love
Anna and Vronsky’s connection defies marriage and social expectations. The affair tests loyalties, duties, and the limits of personal happiness within a rigid society. Their passion triggers scandal, exile from polite society, and a cascade of consequences that end in tragedy.
🎭
Social Hypocrisy
The story contrasts outward glamour with inward judgment, where whispers and appearances govern lives more than truth. Balls, salons, and public scenes become arenas where reputation is won or ruined. Community spectators shape choices and enforce conformity.
👩💼
Women's Agency
Anna’s pursuit of love places her at the center of a gendered trap, highlighting the limited autonomy available to women. Choices are constrained by marriage laws, social duty, and the gaze of peers. The narrative explores whether personal fulfillment can exist within or beyond those boundaries.

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In the glittering world of Imperial Russia, high society flows like a grand ballroom—elegant, meticulously ordered, and ever‑watchful of reputation. Against this backdrop, the film glides with a lush, lyrical style, letting the stark beauty of St. Petersburg’s snow‑capped avenues and Moscow’s bustling stations become characters in their own right. A sweeping romance unfolds amidst whispered confidences and the quiet tension of duty versus desire, inviting the audience to feel the weight of every carriage‑wheel and the hush of every drawing‑room conversation.
At its heart is Anna Karenina, a poised and beautiful woman whose marriage to the reserved yet respectable Alexei Karenin feels more like an alliance of status than a partnership of hearts. Their life together is marked by ceremony and propriety, leaving Anna yearning for a deeper connection that the rigid expectations of their class rarely permit. Her inner world, both radiant and restless, is only hinted at through glances, lingering touches, and the subtle sorrow that lingers behind her smiles.
When her brother Stepan Oblonsky summons her to Moscow to smooth over the fallout of his own marital indiscretions, Anna steps onto a train for a journey that promises more than a simple family favor. Accompanying her is the dignified Countess Vronsky, who introduces the charismatic Colonel Vronsky, a cavalry officer whose confident presence sparks an instant, magnetic attraction. Their encounter at the bustling Moscow station is charged with an electric curiosity that hints at possibilities far beyond the polite conventions they all navigate.
Around her swirl other figures who embody the era’s tangled webs of affection and ambition: Dolly Oblonsky, the steadfast sister‑in‑law coping with her own marital strain; youthful Kitty Scherbatsky, whose hopes are entangled with the same charismatic officer; and thoughtful Konstantin Levin, a landowner whose quiet sincerity offers a contrasting vision of love. Their intersecting paths set the stage for a story where whispered rumors, lingering glances, and the relentless pull of societal expectation promise to test the limits of desire and duty.
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