The Best Preston Sturges Movies, Ranked
16 credits from 1940 to 1990, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. The biggest box office hit is Paris Holiday (1958) with $2.1M worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.
Biggest Preston Sturges Box Office Hits
Preston Sturges's films have made $2.13M worldwide in total. Paris Holiday (1958) is the biggest hit at $2.1M, ahead of The Lady Eve (1941) ($15.1K). Lifetime grosses, with each film's domestic share.
The Latest Preston Sturges Movies
The most recent films Preston Sturges is credited on, newest first — starting with Paris Holiday (1958). Open any of them for the cast, ratings, box office and where to watch.
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Paris Holiday 1958 · Serge Vitry -
The French, They Are a Funny Race 1955 · Director -
The Beautiful Blonde from Bashful Bend 1949 · Director -
Unfaithfully Yours 1948 · Director -
The Sin of Harold Diddlebock 1947 · Director -
Hail the Conquering Hero 1944 · Director -
The Great Moment 1944 · Director -
The Miracle of Morgan's Creek 1944 · Director -
The Palm Beach Story 1942 · Director -
Star Spangled Rhythm 1942 · Preston Sturges -
Safeguarding Military Information 1942 · Director -
Sullivan’s Travels 1941 · Director
The Best Preston Sturges Movies: Questions & Answers
The best-rated, highest-grossing, most awarded and newest Preston Sturges films, answered from the rankings on this page.
What is the highest-grossing Preston Sturges movie?
Paris Holiday (1958) made the most at the box office, with $2.1M worldwide, followed by The Lady Eve (1941) with $15.1K. Together, Preston Sturges's films with box office figures have made $2.13M.
What is the best Preston Sturges comedy movie?
Paris Holiday (1958) is the best-rated of Preston Sturges's comedy films. In other genres: Christmas in July (romance).
What is the newest Preston Sturges movie?
The newest film on Preston Sturges's filmography is Preston Sturges: The Rise and Fall of an American Dreamer (1990), with Preston Sturges as (archive).
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