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Pedro Varela, actor
Actor

Pedro Varela: Movies & Box Office

films
5
as director
2
on screen
2006–2024
box office
$1.61M
Career at a glance

Pedro Varela's Career in Numbers

Pedro Varela's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Pedro Varela works in most and the milestones along the way. The filmography runs from 20.13: Purgatory (2006) to The Seven Sorrows of Mary (2024), and the 2000s were the busiest decade.

Pedro Varela Movies by Decade

  1. 2000s 2
  2. 2010s 2
  3. 2020s 1

The 2000s were Pedro Varela's busiest decade, with 2 films.

Pedro Varela Movies by Genre

  • Drama 2
  • Romance 1
  • Mystery 1
  • Thriller 1

Drama is the genre Pedro Varela has worked in most, with 2 films, ahead of romance (1).

Pedro Varela Career Milestones

First film
20.13: Purgatory 2006
Biggest box office hit
Call Girl $1.61M worldwide
5 credits

Pedro Varela Filmography: Every Movie

Every film Pedro Varela is credited on, newest first, with the role, the box office and the Movie Echo Score. 2 as director and 3 as actor. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Pedro Varela: Questions & Answers

How many movies Pedro Varela has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Pedro Varela been in?

Pedro Varela is credited on 5 films, from 2006 to 2024. 3 of them as an actor and 2 as a director. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Pedro Varela's highest-grossing movie?

Call Girl (2007) is Pedro Varela's biggest box office hit, with $1.61M worldwide, ahead of The Seven Sorrows of Mary (2024) ($204). Across every film with box office figures, Pedro Varela's movies have made $1.61M.

Pedro Varela's biggest hits

What is Pedro Varela's newest movie?

The most recent film on Pedro Varela's filmography is The Seven Sorrows of Mary (2024), which Pedro Varela directed.

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